1. I think I've found what might be the closest historical parallel to Trump's rallies--the scores of fawning, "patriotic addresses" that localities wrote up and sent to President Adams during the Quasi War with France in the summer of 1798, and to which he then responded.
2. Most of these "patriotic addresses" were published in the local newspaper and then reprinted by other Federalist newspapers to demonstrate how much the public purportedly supported President Adams's sabre rattling vis a vis the French. It was the 1798 version of going viral.
3. A Federalist printer then collected all of these addresses (and Adams's responses) into a book. People subscribed to pay for its publication, and their names were inscribed at the end of the book, a public testimonial to their patriotic/partisan fervor.
4. The addresses are quite repetitive, & most follow the pattern established in this one from NJ. Lots of "Sir's" (like in Trump's speeches) and lots of talk of a fellow citizens who are "deluded" and "degraded" enough not to join in the "one voice" of the true patriots.
5. For his part, Adams told each of the localities that addressed him that no one loved him and the country more than they did (sound familiar?). He also echoed back the language about how "degraded and deluded" some Americans were not to support his foreign policy.
6. Another interesting dimension of the political culture of 1798 is that this is when the Illuminati Conspiracy makes its first appearance in America. John Robison's "expose" of the Illuminati was a huge hit in America in the summer of 1798. babel.hathitrust.org/cgi/pt?id=njp.…
7. The Federalist party line in 1798 was that the Jeffersonians were working in leagues with the French and the Illuminati to destroy all of the nation's churches, take away everyone's private property, and replace the traditional family with Jacobin free love.
8. Pardon the crass promotion, but I discuss this episode at length in Chapter 3 of this book. amazon.com/Tom-Paines-Ame…
9. The summer of 1798 also brought us the Alien and Sedition Acts--laws intended to punish journalists Federalists deemed unfairly critical and deport immigrants they saw as a threat to the nation. Plus ca change.
10. Not that history is destiny...but it's worth noting that the Alien and Sedition Acts played a key role in putting the Federalist Party on the road to extinction, a process that was completed by 1815.
12. Lest anyone get the wrong impression, John Adams and Donald Trump have almost nothing in common. Adams *wrote* more books than Donald Trump, by his own account, has read.
13. That said, the political culture of the Federalists in 1798-9 bears more than a little familiarity to the political culture of the contemporary GOP.
14. Not least in the extent to which both Trump and the Federalists of 1798 liked to talk about domestic "enemies" from whom the President will defend the nation.
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The rightward lurch of the GOP since 2015 has led many to ask "when did it start?" and "how did it happen?" I've been researching the Oregon chapter of that story, and it's clear that 1970 was a key turning point, and that it was a bottom up more than a top down story.
People on the far right mobilized at the county level across the state and almost succeeded in taking over the party in 1970. That would have been shocking since the Oregon GOP Senators Hatfield & Packwood were known for their moderation, if not outright liberalism at the time.
Walter Huss and his fellow "ultraconservatives" continued organizing at the local level and in 1978 finally succeeded in taking over the state GOP. Huss was removed from his chair position after a few disastrous months, but it had a lasting impact.
If you’d told me in 1989 when I was a student in Gordon Wood’s Am Rev class that in thirty years he’d be giving friendly interviews to Trotskyites and publishing in a far right review affiliated with a lawyer who advocated overturning the 2020 election for Donald Trump…well.
Gordon Wood, who was so sensitive about his professional reputation that he was angry that the 1619 Project didn't consult with him, is now affiliating himself with an institution that gave a fellowship to a Pizzagate guy.
To be honest, however, if you'd told me that it was Gordon Wood's interpretation of the history of racism and slavery in the US that would particularly endear him to the class-reductionist left and the anti-anti-racist right, then I would have less surprised by that.
In 1951 the National Association of Manufacturers commissioned a comic book about the dangers of inflation. The art work was by Dan Barry, of Flash Gordon fame.
You can read the entire thing here. I was inspired to search for these online because they were mentioned in Edward Miller's biography of Robert Welch which I'm currently reading. Welch may have had something to do with commissioning this comic. lcamtuf.coredump.cx/communism/Your…
Charles Schulz (yes, that Charles Schulz) was the artist who produced this very understated anti-communist comic in 1947. lcamtuf.coredump.cx/communism/Is%2…
Things one tweets when one has no understanding, like absolutely none, like a howling black hole of the opposite of understanding, of what historians do; and also a raging volcano's worth of misplaced confidence about your ability to make pronouncements about what historians do.
Tell me you've never had an actual conversation with a historian about what they do or read the most basic methodological texts used in introductory theory and methods course without actually telling me that.
The anti-intellectual "public intellectual" is, IMO, not a great look.
I'm starting to think that the people who built their identity around the imperative to "stand athwart history yelling stop" rendered themselves uniquely ill-equipped to deal with the sorts of adjustments necessary to deal with a pandemic of historically-unprecedented scale.
I mean, you can yell "stop" at the coronavirus all you like, but it really doesn't care.
You can yell "stop" at climate change all you like, but it really doesn't care.