So far, it’s been a far-ranging conversation about modifying their sets for different audiences (don’t, say @RealSeunKuti and @Alsarah5000 - trust your material), the problem and importance of labels (artists define your own before someone does it for you) #BarzakhFestival
As a fan, I need to find a guide, says Basem Abuarab of @almoharek. He’s more open than some of the artists.
Art without purpose is clutter - @Alsarah5000. That doesn’t mean that to dance and spread joy isn’t a valid purpose. You need to feed your mind, your soul, your heart and your spirit. #BarzakhFestival
We started the band @altingunband because we loved the music. We started by playing exact copies. Eventually we started coming up with our own version, to play it in a funky way. #BarzakhFestival
As an agent, @almoharek has a purpose - they are often introducing music from the MENA region to other parts of the world. It’s a platform and a passion. #BarzakhFestival
There’s a mixture of hunger and curiousity about Arab popular / indie music, says Basem if @almoharek
Getting the sound in your head into a recording is the hard work, says @RealSeunKuti. It gets better with time as you learn how to do that and become a better musician. You never stop getting better. There’s always something to work on. #BarzakhFestival
Legacy is not really in my hands, says @RealSeunKuti. There are more Afrobeat bands in NY than Nigeria. #BarzakhFestival
People want to be “Fela famous” but they don’t want to have the Fela responsibility. @RealSeunKuti
I come from traditions of music in which the tradition is for others to write for you and you stand in front and execute. I didn’t want to do that. I wanted to write my own songs and tell my own story. @Alsarah5000
The singer Rasha was the artist who really moved me, @Alsarah5000
There is a long legacy of female songwriters and singers in Sudan, but they aren’t generally viewed as such. Their status is demoted by the patriarchy @Alsarah5000
No one gets to tell you who to be. Own your life. You are your own legacy (paraphrasing @Alsarah5000 )
Big shout-outs from @SaeedSquared to the agents and to the presenters for connecting artists to audiences. #BarzakhFestival
Audience question: do artists rely more on touring or live music. @RealSeunKuti: for 20 years, recording has been removed from the equation so you have 2 options, touring or corporate sponsorship.
Another audience Q about playing for small or indifferent audiences at early stage in career: @RealSeunKuti - when I’m on stage, I’m performing for myself.
It’s important to put out new music, not just as a calling card, but to spread my message. Regardless of commercial compensation. The system doesn’t understand value. Only cost @RealSeunKuti
Being so stubborn you don’t give up. @Alsarah5000 on how she built her early career. I started out singing in restaurants, other people’s bands... it’s crucial to play music *you* like. Push yourself internally as well.
Meet your ideas outside of you. Playing the same songs live for a year on tour will change them @Alsarah5000
As a woman, when you demand what you want, you’re considered a diva. You have to learn to speak up for what you want and what you need. @Alsarah5000
The reason I like remix projects is that I get to meet the songs all over again. @Alsarah5000. I try to step back in the orocsss and work with an artist whose music I already like, and then pick the songs I want them to have. #curating the collaborators. #remix
What’s up next: @RealSeunKuti wanted to record a live album of his favorites + album of new material. @Alsarah5000 is working on tracks for new album to finish in May and playing in US. Basem of @almoharek is building an Arab music showcase in Cairo. #BarzakhFestival
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Poet @thedesertpearl Danabelle Gutierrez visits @SabynJaveri’s @NYUAbuDhabi class Real and Imagined: Women’s Writing Across Worlds and discussed her transition from writing novels to poetry.
She also talks about the ongoing conundrum: where is home? She grew up in 3-4 different countries. She started her time as a poetry focusing on Love Poetry. She admits that it was in part a shield to protect herself from being self-revealing.
Discussion of @RebeccaSolnit and the way that female poets often get classified as “confessional”. “Even if I wasn’t revealing elements of myself in my poetry, people were still interpreting it as “confessional.”
If you want to preserve your country and your culture, you must protect your language.
Dubai based Egyptian chanter @ZigZagGhanim visits Maya Kesrouany’s @nyuabudhabi Arabic literature class in advance of his performance at #Hekayah tonight.
Language is sacred, but not just because it’s the language of religion, but also because of the role it plays in human identity. Language is a living being.
When languages encounter other languages, they change and morph. @ZigZagGhanim’s music mixes classical language and modern forms (like house music) - question: is that encounter “fusion”?
Starting the first @NYUAbuDhabi class visit by @RaviColtrane to two classes combined. Music Technology Fundamentals and What is Music?
Ravi answers the first question.
Music is organized sound.
He goes on to talk about his parents @JohnColtrane and Alice Coltrane. They were pioneers in building a home studio in their house when he was a child. John passed away before he could use it, but Alice used it frequently.
He launches quickly into a discussion of sound, and the role that microphone choice profoundly influences his sound. He built his own recording studio in 1999, built around a Tascam early 24 track unit - tape and hard disc based. It changed everything. Then Pro-tools etc entered
In the wake of @NYUAbuDhabi Climate commitment yesterday, listening to the conversation on Creative Placemaking and the tension between cultural tourism vs serving local community via @GCDNet’a Adrian Ellis. Gonna listen to @AlserkalAvenue’s Vilma next
Interesting conversations about what qualifies as quality of live and how the pandemic reshaped behaviors, needs, and wants, patterns of development and redevelopment. And what we need from our art.
As the conversations goes on, focus on values-based work in terms of behavior, and accountability, but also imagination, storytelling, expression and civic responsibility
This morning, @candocodance Artistic Director Charlotte Darbyshire talks to Lee Singh’s Movement and Meaning class in the @NYUAbuDhabi 1st Year Writing Program. Starts with a brief history of the company and how their decision making process functions.
They started with collective leadership. Eventually funding channels led them to more singular leadership. Post-pandemic they are again thinking about collective leadership, and majority led by people with disabilities.
Discussion about creative restrictions. Charlotte reflects that their limitations are primarily financial. The big curatorial consideration is balancing well-known choreographer/ reputation with riskier, lesser known choreographer