GCSE MACBETH Profile picture
Jul 25, 2019 8 tweets 2 min read Read on X
#SummerOfJuliet

Act 1 Sc 5

R&J's first meeting. A very familiar scene -- let's try to find some upgrade-worthy ideas.

Counter-intuitive as it seems, I'm going to start with the Montague and Capulet parents, and how this scene relates to them.

1/
I really recommend this article (bl.uk/shakespeare/ar…) from the British Library on Elizabethan relationships, especially this passage:

2/ Image
This is the type of context I love to teach -- showing social norms as dynamic and changing, not the fixed ideas of "In Shakespeare's time people thought..."

And this scene speaks directly to both the young and old in Shakespeare's time.

3/
For the young, this is the thrill of re-centering relationships around attraction and romantic love. The agency that R and J have in finding each other, away from parental supervision.

For the parents, it's a source of anxiety. This scene is all of their fears come true.

4/
Look at what Lord Capulet says to Paris in 1.2:

"My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice."

But in asking Paris to wait and respect J's agency, he's opening the door to the vicissitudes of love.

5/
Of course, Lord Capulet's insistence that Paris wait until Juliet is older seems to be based on a naive assumption that she won't fall in love until *HE* thinks she's ready.

Now, Lady Capulet...

6/
Lady Capulet recognises, and has been an exponent of, Juliet's sexual readiness and she hopes to channel it towards Paris. Like Lord C, her plans are undone by the new unpredictability of a society in which passion overrules parental wishes.

7/
My favourite phrase when teaching context is "exploits contemporary anxieties". Here, Shakespeare exploits contemporary anxieties about the role of romantic love and attraction in relationships and marriages between the young.

More in a bit!

8/8

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with GCSE MACBETH

GCSE MACBETH Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @GCSE_Macbeth

Apr 30
Some ideas about the WITCHES in Macbeth.

The extent to which the Witches cause rather than predict M's tragedy is deliberately ambiguous. And that's entirely Shakespearean: his tragedies always deal in blurred lines between fate, individual agency and outside influence.

1/
Shakespeare uses foreshadowing and verbal echoes to create the effect that the Witches are influencing events. We might say they create a pattern of events.

In Act 1 Sc 1 their line "fair is foul and foul is fair" is rich with meaning for the play as a whole.

2/
And of course, their influence over Macbeth is demonstrated when his first line in the play is "So foul and fair a day I have not seen" (Act 1 Sc 3).

The First Witch's speech in Act 1 Sc 3 is also worth exploring for its foreshadowing:

3/
Read 20 tweets
Apr 10
Thinking about SLEEP and SLEEPLESSNESS in Macbeth.

Sleep is mentioned 34 times in the play. Sleep represents what we today might call "mental health": rationality, clear thought, natural order.

"Balm of hurt minds...Chief nourisher in life's feast", indeed (Act 2 Sc 2)

1/
Sleeplessness, conversely, is the sign of a damaged mind, of corruption, of the influence of evil.

In fact, the motif of sleeplessness is introduced in 1:3 by the First Witch as she plans to torture a sailor:

"Sleep shall neither night nor day / hang upon his penthouse lid"

2/
The first character to experience sleeplessness in the play is Banquo:

"A heavy summons lies like lead upon me,
And yet I would not sleep. Merciful powers,
Restrain in me the cursèd thoughts that nature
Gives way to in repose." (2:1)

3/
Read 12 tweets
Dec 1, 2023
The influence of the mystery / whodunnit genre on An Inspector Calls is under-recognised. The formula, of a detective arriving at a well-to-do house with a family of unlikeable characters, was well established by 1945.

This was the era of Agatha Christie!

1/
Christie was already writing for the stage by 1945 and in her fiction had already begun to experiment with the genre: including, for example, Murder on the Orient Express whose punchline is *SPOILER* that every suspect with a motive helped to kill the victim.

2/
AIC uses the conventions of the genre to create its structure and tension. We know that all the Birlings (and Gerald) will be somehow related to the girl's death...but how? The first audiences probably expected that one of them was directly responsible or involved...

3/
Read 7 tweets
May 8, 2023
Kingship in Macbeth.

(with love to @NooPuddles for the inspiration!)

There are 3 kings in the present of the play Macbeth, and others implied who will reign in the future.

1/
What sort of king is Duncan?

I think a solid 7/10. He treats his people well, he rewards service, he's a gracious guest at the Macbeths' castle.

But what we CAN say about Duncan is that he's a bit naive.

2/
Duncan has two notable lines relating to the treacherous Thane of Cawdor.

First he says in Act 1 Sc 2:
"No more that Thane of Cawdor shall deceive
Our bosom interest."

A bit of irony here, as of course the NEXT Thane of Cawdor, Macbeth, will also turn traitor.

3/
Read 20 tweets
Mar 19, 2023
A high-grade analysis of the song "Sk8er Boi" by Avril Lavigne (2002).

1/
"He was a boy
She was a girl
Can I make it any more obvious?"

The opening lines introduce ANTITHESIS as the key language technique in this song, in this case the antithetical pairing of "boy" and "girl".

2/
The rhetorical question invites us to assume a certain "obvious" type of narrative: this is going to be a love story.

It's also worth noting the third-person viewpoint here and the detached, omniscient narrator: this will be important later.

3/
Read 35 tweets
Feb 11, 2023
Revisiting key quotes from Macbeth:

Act 1 Sc 2
SOLDIER: "His brandish'd steel / Which smoked with bloody execution."

The soldier's account of Macbeth's exploits in battle establish him as a fierce warrior capable of bloody violence.

1/
The play sets up a contrast between Macbeth's skill and savagery in battle, shedding the blood of countless enemies, and his doubt and self-torment over killing one man when it's the King himself.

2/
"Blood" changes its meaning throughout the play: in battle, blood is a symbol of patriotism and heroism. Duncan tells the soldier his wounds "smack of honour". But later blood becomes a symbol of guilt and inescapable consequences.

3/
Read 7 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us!

:(