Hypothesis: If you want to succeed as an artist financially, you need to do two things:
1) Find a way to lock creativity and consistency in the same room.
2) Get in contact with a thousand people who love your stuff enough to send you money.
1, the marriage of discipline and spontaneity, is the source of the biggest ongoing debate in art circles. @BrianNiemeier occasionally advocates working like a pulp author to achieve this. I defer to his advice for now, though I have thoughts of my own.
This thread is about 2: That Which Must Not Be Named. The Dread Lord Marketing.
Look at my follower count. I've got what, 400, 500 people at present? I've been growing about 10 a month. I can't teach artists to market. Not yet. Though give me a couple of months and we'll see.
But I can teach you *why*.
As an artist, when you think of marketing, you think of intrusive ads by massive corporations trying to push something on you that you don't want.
You don't want to do that because you think it's scummy and you resent it.
But when a trailer for a movie you want to see comes on? You watch that and share it. When you see an ad for something that will genuinely improve your life, you don't resent it at all.
Here's the secret: there are 7,600,000,000 people on this earth. If only a percent of a percent of a percent of them like your work, that's more than enough to keep the lights on and pay your bills.
Moreover, if your art is true art, that is if it is an attempt to communicate Beauty, Truth, and Goodness, then someone somewhere out there *needs* it. It is a moral good to find that person and get your art to them.
That's what marketing is. It's not pushing your product on people who don't want it. It's finding the people that need your art. Making connections with the people whose lives would be improved by it. They support your pocket book, and you support their soul.
Me? I made a fun kids' book about a shark and a mermaid, and an alphabet book. I want to make more books that are more fun and even better. To do that, I need money.
There are people with money who want these books to be made. I just need to find them and show them I'm for real.
Toward that end, I asked @ChroniclesNate how he grew his audience, and I'm starting to try his advice out.
Will this make me an independent awesome artist? I don't know. I don't endorse stuff until I've tried it. Ask me again in a couple of months.
Here's the thing: if it doesn't work, I'm not any worse off than I was before.
My mission is to make awesome stuff and get it to awesome people. You always fail a few times along the road. You gotta embrace that and not run from it.
Remember: someone out there needs your art. Part of your duty as an artist is to find those people.
/thread
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I'm thinking I'm overthinking my various projects. Specifically my tri-panel comic / pixelart dealio.
It's got a lot of promise, but I think I need to backburner it and let it stew for a while.
Maybe just draw something.
I want a way to make stories fast and get them out widely, before refining them and producing them higher quality. The sprite comic is designed to that purpose. But... it feels like there are too many moving parts, and none of them are moving in the same direction.
No biggie.
I may have an epiphany later that causes it all to click. I may not. Either way, the work was not in vain. I've thought out a format that switches handily between Twitter and KDP. I can use that for other projects.
And then there are bad ideas I'm enthusiastic over...
Building out a Series Bible. Here's a quick doodle of Princess Pluot for said book.
I have a couple of notions. Right now, I keep a deck of blank poker cards on my person at all times so I can take notes and make doodles. But in the past I've considered making a 5x8 black and white KDP book specifically designed to serve as a month's journal.
It would make organizing my thoughts easy enough because I could keep them together chronologically.
Anyway, I don't use Word (or more accurately LibreOffice) to make books because my books are illustrated. I need finer control over the PDF output
So... for 30 odd years I've been starting projects and not finishing them.
For six months I've been cranking out a new product every other month.
Here's how, along with an assessment of the process.
There are two halves to my newfound productivity.
First half: I only undertake projects that I estimate will take me about a month.
Second: a Faustian bargain with my internal flake.
The bargain goes like this: in return for wholeheartedly committing to the project of the month come Hell or high water, I get to freely flirt with other things for my next project and abandon them guilt-free even at the last moment.
1
Once upon a time, men read pulps as much as women read romance. While we have shifted to a lower literacy culture since then, many contend masculine literacy was attacked rather than organically lost, and the factors that made it feasible are still present.
JDA's success is evidence that this theory has something to it.
I'm going to tell you the story of Re-Tail, H/T to @dicrowmatic and @jjgiorgis for bringing it up.
Last year, about Octoberish, I worked a retail job and had been free of depression for the first four months in twenty years. I began to re-evaluate my life and make plans.
As a child, I wanted to be an animator. I told my parents this, but didn't know the word for animator and said "cartoonist" since I figured that's who made cartoons.
So they got me books on cartooning, biographies of cartoonists, pens and paper...
I don't say a lot of nice things about Boomers, but my parents are the cream of that crop. Sure, it would have been wiser if they told me to ditch college and do my own thing, but they did try to empower me and make my life fantastic.
There are easily a dozen cool things I want to make, all of them worthy. The trouble is, which to do next.
Once I make a commitment to one, I don't stop, even if it turns out to be suboptimal. An artistic spirit is also often a flaky spirit, and so this is how it has to be.
So how shall I sort the projects?
-> It must be meaningful. I don't want to regret finishing it even if it turns out to be a dud.
-> Shorter is better. If I can finish it in a month, I can flit on to the next thing like a butterfly. I also learn and improve faster this way.