The '@RichardDawkins crowd'?
What does that even mean? Does he mean 'biologists'??
'too quick to close the books on selection'?
What does that even mean?
@RichardDawkins In the original article, he cites missing fossils, and the mathematical unlikelihood of proteins. These are standard old and tiresome canards of creationism and its bastard son ID.
@RichardDawkins These are proposals that are wilfully errant or based on misunderstandings of evolutionary science and evidence.
Gelernter may well say that, But I say that it's absolute shiny bollocks.
Here's an example from the original article (which is littered with factual errors about biology.
None of these things is true. Why must a mutation be early acting to 'help create a new form of organism'?
Many developmental pathways are deeply conserved in wildly different organisms.
'big body-plan changes required by macro-evolution, seem to be invariably fatal.'
And yet that is exactly what happens, both anatomically and in the genome, as demonstrated in ooh idk, the amphioxus genome quadrupling, or the fusion of great ape chromosomes to make Homsap Chr 2.
But there's a deeper 9Or possibly more shallow) error. Common sense arguments have little value in science. Science is the opposite of common sense, for it requires removing our perception from describing reality.
Here is the original article, which is not very good, and biologically illiterate from the second sentence: Darwin wasn't guessing, his theory was based on years of meticulous observation and experimentation. bit.ly/2PbpxZQ
There are a berzillion books on evolution that amply deal with these canards, hell, I've written a few. My first, called Creation specifically deals with the mathematical improbability of protein evolution, and indeed mutation rates (not all point mutations are equally weighted).
This is maybe not well known in the popular science domain (where I primarily write) but is undergrad evolutionary theory/molecular biology.
Anyhoo, that was a grumpy thread, because I was enjoying the Marvel announcements and then this turd slipped its way into my timeline. Your homework is to read some books. Major Transitions by John Maynard Smith/Eörs Szathmáry is a good one, but academic.
Otherwise, try pretty much anything biological by actual @RichardDawkins, or anything by Nick Lane, me, @Evolutionistrue, the Red Queen by @mattwridley, jesus, there are literally dozens of books that do this job.
And so to bed. Nunnight.
My thread lacks specific details of why these arguments are crap, which is primarily because they are old canards that have been refuted a berzillion times, freely available via the Internet.
But also cos of @Painpoint’s 4th Law of Thermodynamics: The amount of energy required to refute bullshit is an order of magnitude larger than required to create it.'
Round 2: here’s more on the scientific racist story from yesterday’s thread. This time, it’s focussed on the access and utility of Biobank data to fuel their ideologically driven agenda.
And the connected reports on the weird figureheads of the pronatalism cult, that @hopenothate and @harryshukman got stuck into.
These people are scientifically illiterate, ostentatiously strange, but motivated and publicity slakeless.
It is worth noting that though the focus is on Kirkegaard, the Collinses, Edward Dutton and a few others, there are plenty more of these grifters floating around in this faecosystem. A couple of them are or were bona fide academics, though in largely unrelated fields.
Ok, here we go: Much of my work concerns the history and return of scientific racism. I’ve written extensively about attempts to resurrect the shuffling corpse of
race science and eugenics for many years. Bigotry dressed up as biology. 1/n
Today, the Guardian, alongside @hopenothate , today publish an in depth undercover investigation into the efforts of a network of far right race and IQ obsessives, who have been trying to influence discourse about race science. theguardian.com/world/2024/oct…
@hopenothate I’ve been tracking these ideas and clowns for years, and have helped with this incredible investigation.
I was naïve in writing them off as basement dwelling racist weirdos, as what the investigation shows is that they got organised, with funding and strategy.
A short thread on grammar, as the fewer/less crowd are outnabout. I used to really care until I started working regularly on @BBCRadio4, where I discovered that the most frequent complaints were from male grammar pedants.
They typically moaned about decimate, fewer/less, octopus and bacterium/bacteria. The thing about grammar pedants is that they’re not pedantic enough, and their corrections were often erroneous - stuff that is easy to Google - and born of doctrinaire oneupmanship.
And so I revised my position to be a descriptivist. Not everyone was taught the ‘correct’ form of grammar, which obviously, is entirely made up. The only thing that matters is effectiveness of communication. @OliverKamm is my Obi Wan on this matter.
I’ve had some fun with the race wienies today - it’s almost as if I could write a book on how to argue with a racist. Anyway, here’s some of the highlights: 1) the credentialists. How can it be that I have a job in one of the best genetics departments on Earth, and the BBC?? 😘
2) ‘you’re a disingenuous retard’
3) ‘I understand population genetics cos I have eyes’. Wish I’d known it was that easy before spending all that time learning it
I read a lot of books, and here are my non-fiction books of the year, just in time for presents, in no particular order.
1: Toxic by Sarah Ditum. Britney, Paris, Lindsay, Janet, Amy. These early-noughties mononym women who stood charged with being women at the juncture between the old media and the new. Will make you sad, angry and baffled.
2: Ultra-Processed People by @DoctorChrisVT revelations about an industrial complex that underlies so much of the health problems humankind faces, because our lives are flooded by food that is not food.
I went to see Oppenheimer. It is hard to imagine a film that I disliked more intensely. Apart from Tenet.
Positives: acting is fabulous, cinematography beautiful, music a bit overbearing but massive.
Negatives <deep breath>
* learn to write dialogue. People don’t speak like that. Every sentence is designed to elicit a zinger or exposition point in response.
* the editing is frenetic. Intercutting from different locations, colour/black and white, mad angles that make no sense.
The whole film is a montage.