Imagine calling yourself a "Christian" and thinking following Jesus means giving people weapons and denying them water.
I don't know how you explain to people that Jesus had a moral philosophy and it wasn't, "Sit in a building once a week looking pious."
It was fierce. Active. You help those less fortunate. You welcome the stranger. You love your enemies. It's not easy, it's not about hate.
You don't have to be a Christian to admire Jesus.
So many who claim to follow Jesus don't understand the first thing about the revolutionary act of channeling God's love for you into your love of others.
Jesus was very clear about these things. He did not mince words.
This is one of the most heartless pieces I have ever read.
JD, as someone who also grew up in very difficult circumstances and who also wrote a book about it, the fact that you have no understanding of immigration, no empathy for immigrants is sickening.
Why do people come here? Your answer is, because they are greedy.
You don’t care about the poverty and violence they face, which is particularly sad since the REASON you are famous is bc you wrote a book about your own experience w poverty and violence.
You say big business is at the heart of the Democratic Party. You say and again that Republicans are the party of the “working class.” They aren’t. Republicans are becoming the party of the WHITE working class.
If you're wondering why the music industry is talking about NFTs, beyond cryptocurrency apps, beyond "democratization of patronage" is one simple, glaringly obvious fact:
Music is worth WAY more than it's current price in the modern world and corporations are strangling artists.
Musicians currently only get 12% of all revenue in the music business. That's it. The rest go to middlemen (labels, streaming services, publishers).
This system both undervalues music AND benefits corporations at the expense of artists.
NFTs have the potential to change this.
Music has been undervalued (mispriced) for a very long time. Basically after Napster disrupted the CD-based music economy in 2002, streaming services rushed to fill the void by artificially lowering the price of music so they could still control it.