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Feb 14, 2020 17 tweets 4 min read Read on X
Christopher Myers kalyban of #Cartography leads a creativity workshop at @NYUADArtsCenter with young poets from the moe_uaestudents #Masterpieces program before the final performance at @NYUAbuDhabi. Translations by… instagram.com/p/B8izE_SJttO/…
The conversation focuses on cultural memory and the role of poetry in shaping monuments to memories and what we’re trying to hold.
What will most poets say are the most important things in the world? asks Christopher Myers. He suggests that often, poets will argue for poetry as being that thing. (Even if behind the scenes, they are talking about money).
If poems are monuments, many artists make monuments to themselves.
Christopher Myers @kalyban gives praise to the young poets of Masterpieces for their strong performances. And points out how their poems about the sea draw from long tropes of travel
A poem is one of the few things your family can give you...it carries on” - Christopher Myers talks about what it means to be a poet who is a child of a poet.
Many of the students share poems they wrote about Sheikh Zayed, opening a discussion about how choices of symbols and metaphor give a deeper sense of who he was and why he was important. Celebrating books and education to emphasize values.
More discussions of the particular challenges of being a poet whose parents are poets. How can you live up to their standards, and assert your own voice?
You can make monuments to great people, and you can make poems as monuments to family and loved ones, elegies of loss.
If you think of every poem as a monument, as an architecture to someone, an elegy can also become an architecture around lisa. A map as to how to feel and think about it.
The poems the youth are sharing that they wrote have different rhythms from the rhythms of older poems. Embrace the rhythm of your own language, your own generation
Conversation about the importance of strong structures. It’s best to know the rules before you break them.
When a nation is young, you need poets. That’s how you build a nation - @kalyban Christopher Myers to @MOEducationUAE #Masterpieces students.
I also love a poem that’s about beauty. About admiration. And about building monuments to the things we can all relate too also.
When people act, they say there are 3 circles. Talking to 1000 people is talking in 3rd circle. When I’m talking to my friends, I might be talking to 2nd circle. Talking to one person or small group. The first circle is when you’re talking to yourself, or talking to God.
One thing you can hear in the poems is what circle the poets are talking to. It affects the delivery, and the choice of language.
Your job as a young poet is to read poems. If we are building the memories of our nation, our job is to see how other nations have built their own. - @kalyban

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More from @NYUADArtsCenter

Nov 28, 2022
Poet @thedesertpearl Danabelle Gutierrez visits @SabynJaveri’s @NYUAbuDhabi class Real and Imagined: Women’s Writing Across Worlds and discussed her transition from writing novels to poetry.
She also talks about the ongoing conundrum: where is home? She grew up in 3-4 different countries. She started her time as a poetry focusing on Love Poetry. She admits that it was in part a shield to protect herself from being self-revealing.
Discussion of @RebeccaSolnit and the way that female poets often get classified as “confessional”. “Even if I wasn’t revealing elements of myself in my poetry, people were still interpreting it as “confessional.”
Read 19 tweets
Nov 28, 2022
If you want to preserve your country and your culture, you must protect your language.

Dubai based Egyptian chanter @ZigZagGhanim visits Maya Kesrouany’s @nyuabudhabi Arabic literature class in advance of his performance at #Hekayah tonight.
Language is sacred, but not just because it’s the language of religion, but also because of the role it plays in human identity. Language is a living being.
When languages encounter other languages, they change and morph. @ZigZagGhanim’s music mixes classical language and modern forms (like house music) - question: is that encounter “fusion”?
Read 15 tweets
Oct 5, 2022
Starting the first @NYUAbuDhabi class visit by @RaviColtrane to two classes combined. Music Technology Fundamentals and What is Music?

Ravi answers the first question.

Music is organized sound.
He goes on to talk about his parents @JohnColtrane and Alice Coltrane. They were pioneers in building a home studio in their house when he was a child. John passed away before he could use it, but Alice used it frequently.
He launches quickly into a discussion of sound, and the role that microphone choice profoundly influences his sound. He built his own recording studio in 1999, built around a Tascam early 24 track unit - tape and hard disc based. It changed everything. Then Pro-tools etc entered
Read 39 tweets
Oct 5, 2022
In the wake of @NYUAbuDhabi Climate commitment yesterday, listening to the conversation on Creative Placemaking and the tension between cultural tourism vs serving local community via @GCDNet’a Adrian Ellis. Gonna listen to @AlserkalAvenue’s Vilma next

open.spotify.com/episode/1IEsvX…
Interesting conversations about what qualifies as quality of live and how the pandemic reshaped behaviors, needs, and wants, patterns of development and redevelopment. And what we need from our art.
As the conversations goes on, focus on values-based work in terms of behavior, and accountability, but also imagination, storytelling, expression and civic responsibility
Read 4 tweets
Sep 19, 2022
This morning, @candocodance Artistic Director Charlotte Darbyshire talks to Lee Singh’s Movement and Meaning class in the @NYUAbuDhabi 1st Year Writing Program. Starts with a brief history of the company and how their decision making process functions.
They started with collective leadership. Eventually funding channels led them to more singular leadership. Post-pandemic they are again thinking about collective leadership, and majority led by people with disabilities.
Discussion about creative restrictions. Charlotte reflects that their limitations are primarily financial. The big curatorial consideration is balancing well-known choreographer/ reputation with riskier, lesser known choreographer
Read 29 tweets
Sep 15, 2022
We start a dance workshop with @candocodance drawing from Jeanine Durning’s approach to “non-stopping”: “Start before you’re ready.”

#DanceReflections by @vancleefarpels at @NYUAbuDhabi
The next exercise is called “weaving.” It’s basically, we’ll be weaving.

Jeanine gave us some directions. No hesitation. Be unapologetic.

Ready?

Begin.
I think we can make our circle a little bit smaller.

Let’s give ourselves some real contact.
Read 22 tweets

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