My Authors
Read all threads
Olatunji Akin Euba (1935-2020)

Arguably Africa’s foremost pianist, he died 2 days ago. His compositions involve a synthesis of African traditional material (often from his own ethnic group, the Yoruba people) and contemporary classical music.
His most ambitious composition is the opera Chaka: An Opera in Two Chants (1970), which blends West African percussion and atenteben flutes with twelve tone technique.
Akin was born on 28 April 1935 in Lagos, Nigeria, & studied composition with Arnold Cooke at the Trinity College of Music, London, obtaining the diplomas of fellow of the Trinity College London (Composition) and fellow of the Trinity College London (Piano).
He was awarded a Rockefeller Foundation Fellowship in 1962. He received B.A. and M.A. degrees from the University of California, Los Angeles, where he studied with Mantle Hood, Charles Seeger, Professor J. H. Kwabena Nketia, Klaus Wachsmann, and Roy Travis.
Akin held a Ph.D. in ethnomusicology from the University of Ghana, Legon (1974). While at Legon, Euba's doctoral work was supervised by Professor Nketia, and his dissertation is entitled "Dundun Music of the Yoruba".
He was professor and director of the Centre for Cultural Studies at the University of Lagos, and also served as a senior research fellow at the University of Ife (now Obafemi Awolowo University) in Nigeria.
Akin served as head of music at the Nigerian Broadcasting Corporation for five years. He was a research scholar and artist in residence at IWALEWA House, the African studies center of the University of Bayreuth in Germany between 1986 and 1992.
He was the Andrew Mellon Professor of Music at the University of Pittsburgh between 1993 and 2011 and until his death, Andrew W. Mellon Professor, Emeritus in music.
He was the founder and director of the Centre for Intercultural Music Arts, London (founded in 1989), and director emeritus of the Centre for Intercultural Musicology at Churchill College, University of Cambridge.
Euba's scholarly interests include the musicology and ethnomusicology of modern interculturalism. He organized regular symposia on music in Africa and the Diaspora at Churchill College, Cambridge as well as the Central Conservatory of Music in Beijing.
These events featured such notable composers and scholars as J. H. Kwabena Nketia and Halim El-Dabh. With his Elekoto Ensemble, he brought together musicians from Nigeria, China, India, Germany, Malta, and the United States.

Image: Akin & the Elekoto, 1980
Source: Wikipedia
Missing some Tweet in this thread? You can try to force a refresh.

Enjoying this thread?

Keep Current with Yoruba History - by NNP

Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

Twitter may remove this content at anytime, convert it as a PDF, save and print for later use!

Try unrolling a thread yourself!

how to unroll video

1) Follow Thread Reader App on Twitter so you can easily mention us!

2) Go to a Twitter thread (series of Tweets by the same owner) and mention us with a keyword "unroll" @threadreaderapp unroll

You can practice here first or read more on our help page!

Follow Us on Twitter!

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3.00/month or $30.00/year) and get exclusive features!

Become Premium

Too expensive? Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal Become our Patreon

Thank you for your support!