Happy #NationalWritingDay everybody! Today I'm looking back at that essential item all writers need, love and occasionally bash their heads against: the typewriter!
What? You're still writing in longhand? Tsk...
All pulp authors love a typewriter! Here's Michael Avallone - "The fastest typewriter in the East" - on how to write well quickly...
If you think you don't have time to write, remember this: Ray Bradbury began writing Farenheit 451 on a pay-by-the-hour rental typewriter in the UCLA library.
At his peak pulpwriter Orrie Hitt could write a book every two weeks, bashing them out on a Remington Royal typewriter with a carton of smokes and a bottle of Bourbon for sustinance.
Gruselroman legend Helmut Rellergerd (aka John Sinclair) is still writing stories on his old Olympia typewriter to this day - sometimes one a week!
Typewriter Repair Man! He's the hero we've been looking for...
Olivetti service advert, 1953.
The first novel written on a word processor was Bomber, published by Len Deighton in 1970. Deighton had an 91kg leased IBM MT72 carefully winched into his London home through an upstairs window.
It'll never catch on you know...
If you're not sure how to use a typewriter heres's a guide to the 1954 Olivetti Lettra 22.
Other typewriters are available...
And if you get bored writing... well you can always type a picture of Kojak'a head. Who loves ya baby!
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?