DIALOGUE+ ❤️
Her answer is that it doesn't differ that much—she focuses on writing lyrics/melodies that are natural for the singers.
For characters, there might be lines/feelings that listeners want to hear. For seiyuu, she keeps in mind what their future might look like.
Her answer is that it doesn't differ that much—she focuses on writing lyrics/melodies that are natural for the singers.
For characters, there might be lines/feelings that listeners want to hear. For seiyuu, she keeps in mind what their future might look like.
Going back a bit, ZAQ would like to try collaborating with
- Nogizaka46: their songs are catchy and wonderful, so she feels like it'd challenge her as a creator
- fox capture plan: they do a jazz-like piano rock and have done songs for a bunch of dramas
- Nogizaka46: their songs are catchy and wonderful, so she feels like it'd challenge her as a creator
- fox capture plan: they do a jazz-like piano rock and have done songs for a bunch of dramas
A genre that ZAQ would like to try writing songs in is hip-hop—it isn't commonly used with anisong.
She points out HypMic as an example of combining the two that she admires!
She points out HypMic as an example of combining the two that she admires!
Songs that have been challenging for ZAQ:
- Serendipity is challenging live due to rapid high notes and transitions between falsetto / her normal voice
- In terms of recording and production, Caste Room was a challenge, partially because her production environment was in upheaval
- Serendipity is challenging live due to rapid high notes and transitions between falsetto / her normal voice
- In terms of recording and production, Caste Room was a challenge, partially because her production environment was in upheaval
ZAQ in hopeness vs Sparkling Daydream... very different aesthetic #KuroCon
