At no 10: the 1995 Sega Saturn! Rushed into production to beat the Sony PlayStation it launched with only six games available. A massive advertising campaign couldn't rescue it's reputation...
At no 9: the 1982 Vectex! Who needs sprites when you've got vector graphics! Plus you could add a coloured sheet to the weird shoebox monitor to give you 'colour' graphics. A brave attempt...
At no 8: the 1995 Nintendo Virtual Boy! What do you get if you cross a ViewMaster with a Game and Watch and put it on a tripod? The answer was a commercial flop. Another brave attempt at something new, at a time when VR was all the rage...
At no 7: the 1990 Amstrad GX4000! Amstrad made a console? Yes they did! Was it any good? Erm...
At no 6: the 1994 Sega Mega Jet! A portable version of the Mega Drive this was used on Japanese airlines as in-flight entertainment. Many privately owned ones are apparently from a shipment hijacked by Indonesian sea-pirates that later turned up on eBay...
At no 5: the 1977 Coleco Telstar Arcade! Probably the world's only triangular console it let you drive, shoot and play tennis - but not at the same time alas...
At no 4: the 1994 Atari Jaguar! "The world's first 64 bit console" was actually two 32 bit systems crammed into the same box. That's not cheating, is it? Buggy hardware and a lack of games led to its demise and Atari's exit from the console market...
At no 3: the 2004 Nokia N-Gage! Was it a phone? Was it a console? Was it a digital belt buckle? Nobody knew. What we did know was what killed it: the iPhone...
At no 2: the Apple Bandai Pippin! Apple made a console? With Bandai?? With a croissant for a controller??? Quietly buried by Steve Jobs in 1997 next to the Apple Newton. Send no flowers...
And the no 1 best forgotten games console is... the 1984 Yeno Super Lady Cassette Vision - a pink console for the lady gamer!
If it's any consolation the boy's version was equally as crap...
More pulp video games another time. Most will be PAL compatible...
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"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.