A brilliant song in the film Athma. I had long wondered why Ilaiyaraaja had TN Seshagopalan sing this, and not, say, KJ Yesudas, who was the go-to singer for such type of numbers at that time.
The song, of course, is set to the rare ragam Gowda Malhar.
This ragam is widely credited to have been conceived by Harikesanallur Muthiah Bhagavathar. He well and truly belongs to the pantheon of greats in Carnatic music.
And his well known disciple was Ramanathapuram Sankara Sivam, who in turn was the guru of, well, TN Seshagopalan.
TNS is generally seen to uphold the Harikesanallur tradition.
So, the whole song was Ilaiyaraaja's way of paying a tacit & beautiful tribute to a legitimate legend of Carnatic by getting his disciple TNS sing a song in a ragam conceived by him (Bhagavathar).
This is so touching!
I don't think there is another Tamil film song in the same ragam. (Needs verification).
But what could be a better homage to a musical master than a song that will perpetuate his tradition & style.
Thanks to Raaja, Harikesanallur's Athma is now forever etched in a song in Athma.
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As Vinayagar Chathurthi fills the streets with Pillayar idols, one's mind drifts to Trichy, 1953, when EVR & his minions smashed Ganesha idols in public. A moment of bigotry that could’ve spiralled unchecked, if not for one unheralded man: S Veerabadran Chettiar.🧵(Pic: Internet)
A 'devout Shaivite', Veerabadran took EVR's bigotry to court. Not once. Not twice. But four times, all the way to the Supreme Court. Despite personal threats, technical dismissals & pressure to withdraw, Veerabadran stood firm. His fight wasn’t just legal. It was civilizational.
Lower courts could dismiss his case only on technical grounds: "The idol wasn’t consecrated." "No government sanction." "It was EVR’s personal property." Each verdict failed to deal with the larger immoral act. Lesser men would have given up. But Veerabadran, he didn’t flinch.
I have been receiving mails from people surprised that there is a KJ Yesudas Malayalam version of Raaja's show-stopping Ananda Ragam song from Panneer Pushpangal.swarajyamag.com/people/k-j-yes…
Yes, the song in female voice in Tamil is a male one in Malayalam. Listen to it. Tharunya Moham. Vintage Yesudas voice. You know why it was changed in Malayalam
This song is what set me on this thread. A bunch of songs popular in one language and a KJY version in another. Some of it well known, some others not so.
I was recently at a concert where a top singer (not going to name the one) rendered a Kalyani ragam krithi that was flat without much spirit. Mortified, I came back and listened to the same ragam by my most favourite singer K J Yesudas.
It was then it struck me that KJY has sung at least 20 different songs in Kalyani alone in films & Carnatic concerts. So I went to YT & checked out the songs that I could remember. The sheer variety that our music directors have shown in strumming songs in Kalyani is tremendous.
These days almost all the standard restaurants in major cities in TN have podi idli on their menu. And that, sirs, can be a problem. For, podi idli, if it's true to its conception, does not belong in a hotel menu.
It is not a dish to be served hot. It is, unlike revenge, not to be served cold either. But it acquires its flavour & feel over a bit of time.
Many people tend to remember actors, who have not been big stars, through the songs that were picturised on them. If there were even half-decent songs on the actor, there is a good chance of him being recalled even more fondly. In that sense Pratap Pothen was lucky.
Aside from iconic ones in Tamil like En Iniya Pon Nilave (Moodu Pani) and Kodai Kaala Kaatre (Panneer Pushpangal), he was lucky enough to get some handy melodies and fun songs. A small thread on them.
When I heard the news of his death, for some strange reason this simple melody came to mind. Shankar Ganesh in his most Raja wannabe mode.
Mazhaiye Mazhaiye (Amma)
The death of well-known industrialist N Sankar yesterday is an apt occasion to talk of one small geographical belt that has thrown up pioneering entrepreneurs from TN: Kallidaikurichi.
From this quaint town in Tirunelveli district and nearby areas have hailed some top industrialists. The most well known is, of course, S N N Sankaralinga Iyer, the founder of Sanmar and India Cements group, and the grandfather of N Sankar.
It is after Sankaralinga Iyer that India Cements sold its products under the brand name Sankar Cements. the towns of its industrial plants in TN are named: Sankarnagar and Sankaridurg.