This panel left me with some interesting ideas for my own writing.
This thread will include some of the many things the panelists said. I’m copying this over from my handwritten notes, so assume I’ve paraphrased unless I put something in quotes.
One of the things I really liked about this panel is that each of the panelists had grown up with a different mythology:
And all of them have used mythology in their writing.
The panelists began by each sharing one myth they found fascinating. I’m not going to share those myths here, because they aren’t my stories and I don’t want to get them wrong.
There will be a lot missing from my notes here for similar reasons.
After hearing the myths the panelists shared, @manuscriptgal noted that objects of daily life within a specific culture will show up in their myths. For example, snail shells in a Nigerian myth, and garlic in a Korean myth.
The panelists then discussed how myths have impacted the structure of their writing.
@gracikim said myths inspired her to write about animals becoming gods and having descendants with divine powers.
And @TheCallYA talked about how his series, The Call, involves two superimposed worlds. This connects back to the Irish origin story of bisecting the world between humans and fairies: aboveground and underground.
The panelists then discussed what myths can teach us about cultures.
@IAmSuyiDavies: They can show the influence of nonnative cultures on native ones. A lot of Nigerian myths are now interwoven with Christian or Islamic myth.
And @TheCallYA talked about how stories change to reflect the times. There are times when stories would be about invasion, and times when stories would be about plague.
On whether it’s okay to change a myth to put it in a story:
@gracikim: Myths are ever-changing, especially when they’re orally passed down. Each area has its own versions.
From @gracikim: Myths are always affected by my own experience. They’re different for everyone. Both the stories and the meanings change. I think we should have the power to mold and change myth in a way that has meaning to us.
And @manuscriptgal talked about how growing up in Canada, reading Irish and British myths, there were aspects that weren’t the same for her—like hedges weren’t wild things where she lived.
From @TheCallYA: In Ireland, every rock, pool and river has a story. It must be strange to read these myths elsewhere—like us reading Greek myths. It’s not as visceral.
The panelists on what mythology adds to their work:
@IAmSuyiDavies: For me, it’s about bringing this pantheon to notice. Half of Yoruba mythology is about people turning into spirits. You create your own deity. You have an engagement with the traditions and the people.
From @gracikim: The idea that myths are stories of the people is so true. By taking myths and using them, we’re almost building our own identity. The magic is being able to take people along with you with this new version.
The panelists were asked whether COVID is reviving or creating myths.
@TheCallYA: Tons of stories will just be changed. Like a love story where you can’t touch, or a self-isolation murder mystery. I’m sure there will be thousands of urban legends.
From @TheCallYA: When you name something and tell a story, you’re taking control of it.
From @IAmSuyiDavies: There will be stories about healing and recovery.
Those were the ideas that stood out for me from “Shared Common Myths.” I really enjoyed about mythology from so many different perspectives, and thinking about how these ideas could apply to my own writing.
I also enjoyed getting to know these authors and their work. I've already read one of the books by @TheCallYA, but now, I'm really looking forward to reading @gracikim's book when it comes out. And I'm already a chapter into @IAmSuyiDavies's book.
I'm writing up threads like this for a number of the panels I attended. This is my third panel thread, and I'm collecting them here: twitter.com/i/events/12922…
Happy reading!
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For those of us who aren’t celebrating Christmas, I would like to share a story:
In a small Jewish community on an outlying planet sits a museum. At its center, a narrow plinth. Upon the plinth, a boxy container, folded from heavy white paper, its edges charred. A wire handle across its top.
The label reads: In Commemoration of the Great Christmas Alliance
There is no further explanation posted, but ask any museum staff member, and they will tell you the tale of the time when Chinese food saved the Jews from boredom and despair, on the occasion of yet another Christmas.
This Rosh Hashanah, my thoughts kept returning to a single story. It’s the story of a soul, newly arrived at the gates of Heaven And while I’m not sure I believe in a literal heaven, with an actual gate where angels stand guard, a story doesn’t have to be factual to be true.
So a woman arrives at the gates of Heaven. She is small of stature, but she stands tall before the imposing gates. A simple black robe hangs from her shoulders, and a lacy white collar adorns her neck. In her eyes, there is a gleam of steely determination.
In most stories, this is when the angels would stop her. They would ask her to prove she deserves a place in Heaven. But in this story, the angels step aside.
The eighth panel I attended at #ConZealand this year wasn’t technically a panel. It was a dialogue between @doctorow and @Ada_Palmer entitled “Corey Doctorow and Ada Palmer Discuss Censorship and Information Control”
I learned a lot from their conversation.
This thread will include some of the things the two of them said. I’m copying this over from my handwritten notes, so assume I’ve paraphrased unless I put something in quotes.
From @Ada_Palmer: Every time there’s new media technology, people worry about the new one and forget to censor older ones. Censorship focuses on the newest saturate media - and on where people get political information from.
This thread will include some of the things the panelists said. I’m copying this over from my handwritten notes, so assume I’ve paraphrased unless I put something in quotes.
The panelists began by listing pet peeves about how justice is handled in science fiction and fantasy:
@AdriJjy: I want more about societal institutions and systemic things rather than an individual. And I hate the bad guy getting redeemed by dying.
This thread will include some of the things the panelists said. I’m copying this over from my handwritten notes, so assume I’ve paraphrased unless I put something in quotes.
First, the panelists introduced themselves. Among other things, each shared which indigenous tribe they are a part of. Because most of these tribal names were unfamiliar to me, I didn’t know how to spell them, so I looked them up afterward on author websites and twitter.