Starman the Libertarian is a South American superhero from the 80s, who will be familiar to Colombians of a certain age. You could usually find him on most news stands.
Created by Rafael Curtberto Navarro - who also created Kalimán: El Hombre Incredible - Starman was first published in 1980 by Editora Cinco and ran for over 100 issues.
Set in the futuristic world of 2005 Earth has suffered a huge nuclear war where most of the population has mutated into creatures called Tarhumans.
Not only that but Earth is now ruled by the evil space tyrant Moloch, who destroyed the rebel forces of Liberio, Starman's father.
Libero's army retreats to the moons of Jupiter where his son Starman is given amazing super powers, courtesy of the solar wind.
However Starman's powers depend on the sun and rapidly wane if he is ever cold.
Aided by his robot cat Gatonico, Starman returns to earth to do battle with the evil Moloch and his army of Tarhumans.
Dr. Hana also helps Starman in his battle against Moloch, though she does get captured a lot.
Once Earth is freed of tyranny Starman, Dr. Hana and Gatonico continue their mission to spread justice and freedom across the galaxy.
It's a great space opera and copies are still.available on ebay if you search for them.
The series certainly takes a few liberties with copyright: Dr. Hana has a very Princess Leia vibe and some of the spaceships are clearly copied from Chris Foss illustrations.
However for lovers of liberty and fans of epic space opera Starman El Libertario is certainly a hero to celebrate!
More forgotten pulp heroes another time...
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.