1. My point: you never abandon the field. You never give up your prized slot.
Yeah, sure, classes will be online. So what. Roll with it. Grip it & rip it. Things were moving in that direction anyway for years, and that's just how it is. No use whining about the past.
2. Changes happen. They've happened to my profession too: hearings, legal education classes, etc. You have to deal with it.
In reality, humans adjust. If you're in a city surrounded by a lot of students, things will happen. You have to be there to take advantage...
3. ...of the opportunities. If you're at home, or off skylabbing it somewhere, you'll miss out. A lot of this "online" stuff is just ass-covering window-dressing that the big corps use to protect themselves. Education is changing and you have to roll with it.
4. What I don't like is this: too many good man storm off in anger, and leave the playing field, the schools, everything, to the unworthy fucks who end up ruling over us. You abandon the field, and then you complain about who's in charge.
5. You think the women and the foreign students are going to take a "year off." No. But you will, you stupid fuck. You'll listen to some dicklicker tell you to sell vitamins on his laptop from Dorkistan. And you'll buy into it. And then whine when you're ruled by pussies.
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The Dogon people's militia in Mali probably has the most hardcore drip out there. Part post-apocalyptic, part tribal, part unclassifiable. Here are some photos.
Thread.
1. Man with a--yes, you guessed it--flintlock rifle. I'm willing to bet it works, too.
Henrique Alvim Correa's nightmarish illustrations for H.G. Wells's novel, "The War of the Worlds." A thread.
In 1903, at the age of 27, Correa completed a set of drawings for the novel. He contacted Wells personally and asked his permission for their use in his book. Wells liked Correa's work more than that of the current illustrator, Warwick Goble.
They have achieved classic status. I like Goble's work as well, but Correa's images have a grainy, sinister patina that Wells found more suitable to the tone of his novel. A considerable amount of Correa's work was lost in the turbulence of the Great War and the Second World War.
1. Religion is a fundamental human activity, and attested from the very dawn of history. It persists, despite a thousand obstacles, because it serves basic psychological needs, and because societies have found it a useful advocate for public order and private morals.
2. Cut it down, and it grows anew. Ikhnaton tried to suppress the faith of Amon, but as soon as he died, the faith returned. Buddha's religious career was helped by the atheism prevalent in the India of his time.
3. The French revolutionists in the 1790s tried to repress religions, but failed, and Napoleon restored it to prominence. America has alternated between Great Awakenings (e.g., the 1740s), to the rationalistic deism of the Founding Fathers, back to the religious revivalism...
Scams, frauds, and con jobs seem to be everywhere. Time to get wise to the techniques and hallmarks of the scammer. Both short and long con. Consider it part of your self-defense training.
I'm going to list the best movies about scams and cons, in no special order.
1. The Sting (1973). Maybe the grand-daddy of all scam movies, and it works every time. Redford and Newman team up to hit a mark who definitely has it coming. The movie covers all stages of the long con: the hook, the frame-up, and the sting.
2. House of Games (1987). David Mamet's genius has never been more obvious. A ring of scam artists think they've found an ideal mark, but end up getting more than they bargained for. Ricky Jay's wizardry contributed much of the content.
1. What was great about the original novel "All Quiet On The Western Front" was its sense of quiet, meditative, stoic sense of dignity and restraint.
It was old school. It was anti-war without TRYING to be anti-war.
2. The book derived its power from the stark simplicity of its descriptions, the beauty of its prose, but most of all, from the sense of LOVE and COMRADESHIP between the characters. The vivid portrayals of guys like Kat, the old scrounger, the stolid Tjaden, and
3. ...even the cowardly Himmelstoss (whom they beat up). Just like "Storm of Steel," there is no politics in this book. No speeches. No lecturing. No whining. No overt displays of sentimentality. In other words, it used descriptive power to get its points across.