In the sculptures of Mathura and Badami and also in several later day depictions, Vishnu DOES NOT place his foot upon Bali. The laughing face in the sky is Rahu.
You seem to be absolutely clueless about conventions of early Indian art.
Bali is SHOWN in the SAME sculpture. He is shown pouring water in the hands of Vamana and confirming his gift. His wife vindhyavali stands to his right.
With his Uttariya and choti, he looks very much like a member of the "choti and thread" club :)))
I am STUNNED by the UTTER stupidity of this tweet.
Uncle posts a painting of Vamana trampling Bali who is shown wearing a crown on his head & getting buried in the ground
How does one expect to SEE choti on the head when the head is COVERED by crown?
And here is the painting of Bali and Vamana by the great MALAYALI painter Raja Ravi Varma (c.1910).
Vamana is shown placing his foot on Bali.
One can CLEARLY see the Choti on Bali's head and tilak on his forehead
I could go on and on.
But here is my question.
Can Menon uncle show us a SINGLE painting of painting of Bali before 20th century which depicts Bali like this?
It is my challenge. If he shows even one, I will concede his point
In fact, the Mahabali in this FAKE painting looks eerily similar to the so called "Holy Face of Jesus" which is nothing but a forgery impression on the FAKE shroud of Turin.
Just that he was a little Indianised by keeping the mustache, removing beard and darkening the skin
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Rana Safvi is hailed as a ground breaking historian and award winning author in secular Jamaat. Her entire work eulogizes Mughal invaders and Gangi Jamuni Tehzeeb.
This thread dissects and fact-checks some statements made by her. Thread (1)
We first examine some of the statements made by this "historian" which unveil the real "historical knowledge" she possesses.
After the dissection, we shall delve into the nature, motivation of her work, the powers behind her promotion and hype around her work. Let us begin (2)
Rana Safvi posted a picture. She claimed that this structure was found during excavations from
Bet Dwaraka (Gujarat).
This verse is a part of the section which describes the very popular narrative of Vyasa requesting Ganesha to become the writer of Mahābhārata on Brahma's advice. Ganesha instantly agrees. This is followed by a comparison of Parvas of Mahabharata with the branches of a tree
While this section is found in Southern (Kumbakonam) and Bengal recensions, it is absent in Sharada, Newari and Malayalam recensions etc of Vyasa Mahabharata.
As a result, the entire section was removed in the critical edition(which was used for translation by Shri Bibek Debroy)
This alleged verse is quite popular in modern Hindu and Hindutva circles. It is often passed off as a verse from Mahābhārata. But it has ABSOLUTELY ZERO scriptural basis and is a modern creation.
Infact, NOWHERE in entire Sanskrit literature is हिंसा ever equated to धर्म
When you tell modern Hindus this verse is fake, their knee jerk reaction is "but this verse even if fake is essence of Mahābhārata which is about righteous war".
This misconception arises coz their understanding of what हिंसा entails is different from how ancients understood it
Here is a fascinating map of all the places of ancient India as mentioned in Mahābhārata. This map is put on display in Purana Qila, which is the ancient Indraprastha of Mahābhārata.
Take a look at the map and see the name of your region during those days.
Mahābhārata is simply the encyclopedia of ancient India. The geographical details are very comprehensive. Below in this thread, I shall elaborate upon every region (2/n)
To the NW in Afghanistan is country of Yavanas, the Bactrian Indo-Greeks (Modern Begram). To their East in Hindukush is the country of Aśvakas and Kāmbojas. The Kamviri Nuristanis of Afghanistan, Kamboj of Punjab and Kammas of Andhra Pradesh could be their partial descendants.