Homer provides few universal rights for human beings, but one that emerges in the Iliad is the expectation of proper burial, lamentation, and memorial.
The γέρας…θανόντων (Geras thanontôn).
Literally, something like the "honor prize of the dead"
γέρας (geras) is charged in the Iliad. The whole conflict between Agamemnon and Achilles starts when Agamemnon deprives Achilles of Briseis, his γέρας (geras), which is a token of the honor (timê) he has in his community.
Earlier, when Zeus flirts with the idea of saving Sarpedon, Hera tells him that's not right and instead to send him home "where his cousins and relatives will bury him / with a mound and a stele. for this is the geras of the dead"
The Iliad ends with Zeus and Apollo arguing for a proper burial of Hektor despite Hera's and Achilles' wishes. I mean, the rites of burial are a big deal.
They are central to Greek poetry and tragedy, best known perhaps in Sophocles' Antigone where even the asshole Creon is willing to offer proper rites to the nephew who died for the city.
3. The ancient audiences conceived of the heroic world as one big interconnected family, Dannaus, Aegyptus, Agenor etec knit Persians, Greeks, Egyptians, and Phoenicians into one family. Hektor and Memnon were cousins!
4. Skin color and other physical features in epic don't map onto modern concepts of race. These assumptions are truly anachronistic and have everything to do with our own preoccupations
One final thread on why the gender, race, appearance of actors in the #Odyssey shouldn’t matter, and, moreover, why appearances are more complicated in this epic than any other
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
sorry folks. Achilles and Odysseus are not role models, they are epic heroes. Each epic starts by specifying their destructiveness to their communities.
Iliad: Achilles's rage sends myriad Achaeans to their doom
Odyssey: Odysseus tried to bring his men home and failed
in fact, the entire heroic age--the events of the Theban and Trojan Wars--is aimed at ERADICATING THE RACE OF HEROES because they are too bellicose towards each other and irreverent towards the gods [see Hesiod's Works and Days and the fragmentary Cypria]
And this is not a modern reading. As early as the 6th century BCE, allegorical interpretations [i.e., those that assumed the epics contained secret or indirect meanings] were dominant alongside the understanding that the poems were complex and their protagonists flawed