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13 Sep, 16 tweets, 14 min read
🔴 Happening now: Celebrate 20 years of REQUIEM FOR A DREAM with @DarrenAronofsky, @BurstynEllen, Matthew Libatique, @iamclintmansell, and James Chinlund.

Part of the Best of TIFF Reunions, presented by @bell. #TIFF20 twitter.com/i/broadcasts/1…
“A lot of people think that making those films, and films that are intense in subject matter, end up being super intense and depressing sets. For me, it was a set of constant discovery and excitement, and fun.” ––@DarrenAronofsky on REQUIEM FOR A DREAM #TIFF20
Star @BurstynEllen delivered a transformative performance in REQUIEM FOR A DREAM, and earned an @TheAcademy Award nomination for it.

“Most work that you do, you can do pretty easily. But this was gorgeously hard. Difficult, and demanding, and it was just exhilarating.” #TIFF20
“I can look back on it fondly today, but when we were going through it, it was a push... we pushed each other, and pushed ourselves to try to be as best as we can.” ––D.O.P. Matthew Libatique on REQUIEM FOR A DREAM #TIFF20
The score for REQUIEM FOR A DREAM was initially going to be based in hip-hop, but the story helped dictate the direction.

“You go in with a lot of ideas, then the film sort of starts telling you what it wants and what it responds to.” ––@iamClintMansell #TIFF20
The majority of REQUIEM FOR A DREAM was shot in sequence, which helped @BurstynEllen calibrate her performance.

Each department contributed to Sara’s transformation. The crew created a master list tracking weight, hair, makeup, and costumes. #TIFF20
The cinematography in REQUIEM FOR A DREAM starts wide to reflect the characters’ connection to their environment, and becomes more internal as the film progresses.

“I think you allow the emotion of the scene to dictate the camera.” ––@DarrenAronofsky #TIFF20
The red dress became key to the design of the film. Production designer James Chinlund wanted to eliminate the colour red from the rest of the film, which became challenging due to budget constraints and shooting on location. #TIFF20
“It was another device for me as a designer to really look at the world very carefully, and it was another tool in addition to Darren’s intensity, that helped me stay focused and sharp and make sure we were making the right choices.” ––Production designer James Chinlund #TIFF20
.@DarrenAronofsky and @iamclintmansell enlisted the Kronos Quartet to achieve the hypnotic score.

“They understood the film...It wasn’t just a standard of watching someone performing it –– they were breathing life into it.” ––Clint Mansell #TIFF20
“Filmmaking is a huge collaborative experience, and if you are orthodox to a certain vision that doesn’t allow the contribution of artists that do work in their medium that’s way beyond anything you can do, then you’re a fool.” ––@DarrenAronofsky on REQUIEM FOR A DREAM #TIFF20
Where does REQUIEM FOR A DREAM sit for today’s panelists?

“I consider it my best work.” ––@BurstynEllen #TIFF20
REQUIEM FOR A DREAM was James Chinlund’s second feature film, and his second collaboration with Matthew Libatique.

“It taught me that it’s possible to achieve greatness, to shoot harder and higher. That doesn't happen on every film, and it taught us that we can do it.” #TIFF20
DO THE RIGHT THING “made it possible for me as a person of colour that I could feel like I could do this and make films. Now...I have people of colour come up to me and say REQUIEM FOR A DREAM does that for them, and that means a lot.” ––Matthew Libatique #TIFF20
And...that’s all for now. Thank you to @DarrenAronofsky, @BurstynEllen, @iamclintmansell, James Chinlund, and Matthew Libatique for joining @cameron_tiff to celebrate 20 years of REQUIEM FOR A DREAM. #TIFF20
The Best of TIFF Reunions, presented by @bell, continue on September 16 with @brielarson, @jacobtremblay, @lennyabrahamson, and Emma Donoghue (@EDonoghueWrites) joining us to take a look back at TIFF ‘15 People’s Choice Award winner, ROOM. #TIFF20

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More from @TIFF_NET

19 Sep
Autumn Peltier on what she hopes THE WATER WALKER will do for climate change awareness:

"Everyone needs water. We are all one. I hope we can all come together and create awareness for our future, and protect the land and the water." #TIFF20
Greta Thunberg on the future of climate activism:

"It isn’t going to be the politicians who suddenly realize there’s a climate crisis...But by influencing all people in general, we can build that pressure towards elected officials. That’s how a democracy works."
#TIFF20
"'You’re only 15 years old, why does it matter what you say?' But it’s more impactful coming from a child, because we shouldn’t have to be the ones to speak up about these issues. We have to empower youth." —Autumn Peltier on the criticism of her age as an activist
#TIFF20
Read 4 tweets
14 Sep
🔴 Happening now: The incredible @Ava DuVernay joins @cameron_tiff at #TIFF20 for a powerful conversation on art, activism, and Black Lives Matter.

Presented by @BronStudios
“I’m a storyteller that works a lot with historical narrative. I always feel like we’re in the presence of history, and I don’t understand why people don’t see life that way. This year, people see it that way.” ––@Ava DuVernay on 2020 #TIFF20
Advice that Gina Prince-Bythewood gave @Ava:

"Not to let bad behaviour slide, especially as related to male crew members and their interactions with you as a woman. It’s important to call it by what it is...in the open. Let it be known–certain things won’t be tolerated." #TIFF20
Read 9 tweets
13 Sep
Calling all cowboys and aliens:

CONCRETE COWBOY star @calebmclaughlin joins us tomorrow at 4:30pm EDT for a Twitter Q&A. Drop your questions below using #TIFF20.
@TIFF_NET Q: @TIFF_NET @calebmclaughlin what are some things you and idris did to build your father/son relationship on screen? #TIFF20
- @wheelclair

A:
@TIFF_NET Q: @TIFF_NET @calebmclaughlin how has your experience on this film shaped you as a person? #TIFF20
- @thatIowlife

A:
Read 9 tweets
13 Sep
🔴 Happening now: Four-time Oscar nominee Saoirse Ronan joins host @annetdonahue for a special In Conversation With... to discuss her powerhouse performances over the past decade, and her new #TIFF20 film AMMONITE.
Saoirse Ronan became an actor out of necessity but fell in love the second she stepped on set:

"I like the discipline with the play aspect, but it wasn’t really until I got to 12—so much older—when I was doing ATONEMENT, that I told my Nan 'I want to do it forever." #TIFF20
On her film BROOKLYN:

“I think what made it overwhelming was that it was a very severe combining of two worlds. I was completely terrified. But it ended up being such a special film for me and it was an honour to be able to tell that story.” —Saoirse Ronan #TIFF20
Read 10 tweets
12 Sep
“...the greatest thing I’ve ever done in my life is capturing Ellen Burstyn’s performance on film.” ––@DarrenAronofsky in 2000 on REQUIEM FOR A DREAM #TIFF20
Adapted from Hubert Selby Jr.’s classic novel, REQUIEM FOR A DREAM is a stylistically arresting film that follows four people as their dreams for a better life descend into a spiral of despair and self-destruction. #TIFF20
REQUIEM FOR A DREAM found its innovative visual style by focusing on the individual characters.

“The camera language is all directed toward subjectivity, so [the language] is born out of that notion.” ––D.O.P. Matthew Libatique #TIFF20
Read 6 tweets

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