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Abigail Nussbaum Profile picture
@NussbaumAbigail
Sep 15, 2020 • 4 tweets • 1 min read • Read on X
Wait, so "pretend that we can make it 2019 again by wishing really hard" turned out *not* to be viable business strategy? I am shocked and amazed! theatlantic.com/culture/archiv…
I realize this might be hard to believe given everything on the news right now, but most people aren't stupid. They're not going to risk getting and spreading a deadly disease just to see a movie that's going to be on VOD in three months.
It probably didn't help that Tenet had lukewarm reviews and that WB already tried its "knowing even the slightest thing about this movie will ruin the experience completely" strategy with Interstellar and it turned out to be bunk. But mostly, people aren't going to the movies.
Just think, if Hollywood studios had actually used their substantial political power to agitate for meaningful pandemic mitigation strategies instead of buying into the "health vs. economy" canard, they might now have a market where people feel safe to consume their product!

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More from @NussbaumAbigail

Abigail Nussbaum Profile picture
Jan 13, 2023
Kaleidoscope: yet more confirmation that when writers talk about "freeing" themselves from storytelling constraints - in this case, a single narrative structure - what they actually end up doing is abdicating the responsibility to make choices about their story.
And the thing is, making those choices is part of the writers' job. How the audience experiences your story is as important as the substance of that story, and a major part of your work as a storyteller.
Leaving that choice to chance means you have to make other compromises elsewhere in your story, make it thinner to compensate for where you've surrendered control. In Kaleidoscope, every episode has to function as a beginning, so characters and relationships remain flat.
Read 6 tweets
Abigail Nussbaum Profile picture
Mar 22, 2022
The thing that gets me about the Lauren Hough/Lambda Award business is: this is a dispute between Hough and the award. Yet somehow it has become a reason to attack trans critics of Sandra Newman's novel, even though everyone knows they had nothing to do with the Lambda decision.
Whether or not you believe that the Lambda decision was justified, I think it's clear to everyone that @AnaMardoll, @scumbelievable, and other trans people who criticized The Men weren't in charge of it. So why are they being called to account for it?
It just feels really telling that in a dispute between a general-purpose LGBT award and a cis author, somehow trans people have been made the bad guys even though they had no input into it. And it feels like a roundabout way of disqualifying the trans critiques of the novel.
Read 5 tweets
Abigail Nussbaum Profile picture
Oct 21, 2020
Something I keep thinking about is that coronavirus could have been a huge gift to Trump and the Republicans. They act like it was his 2008 financial crisis, but really it was more like 9/11 - something that could have boosted their favorability in exchange for very little work.
All they had to do was nothing - stand back, let the CDC take the lead, use the playbook Obama left them, and take credit at the end. Hell, even Kushner's testing plan was apparently pretty solid before it was abandoned because they thought the virus would only hit blue states.
And it's not as if they didn't know how bad things were going to get. Republican senators were selling their stocks. Trump himself, we now know, was telling people how dangerous the disease was.
Read 5 tweets
Abigail Nussbaum Profile picture
Oct 20, 2020
Haven't seen anyone talking about #Helstrom. Which is good, because it's a really unimpressive show. But it also means I have no one with whom I can share my awe at Hulu somehow managing to capture all the weaknesses of the Netflix MCU shows, and none of the strengths.
I had problems with Hulu's Runaways, but it at least had its own style. #Helstrom is just the Netflix MCU special: vague and roundabout plotting, difficulty establishing stakes, annoying characters, and - most of all - murky, boring visuals.
The one thing #Helstrom has going for it is the character of Ana. It's pretty clear to me that the show should have been rewritten with her as its focus - she has the more interesting story, and the more dynamic personality.
Read 5 tweets
Abigail Nussbaum Profile picture
Sep 22, 2020
Not quite sure how to feel about this week's #LovecraftCountry. Taken on its own it's a strong hour, anchored by a fantastic Jamie Chung, who's never been less than magnetic in anything I've seen her in. Someone give her a show already.
But as part of the ongoing story of #LovecraftCountry, it feels like an odd fit. Are we just supposed to handwave the fact that Tic is apparently a war criminal? Is this something the show is going to revisit, or is it in the past?
The episode does such a great job of putting us in Ji-Ah's point of view that we end up alienated from Tic. To the point that her forgiveness of him feels unearned. "We're both monsters, so it's OK" is a really glib way of addressing the things he's done. #LovecraftCountry
Read 7 tweets
Abigail Nussbaum Profile picture
Sep 14, 2020
So JK Rowling’s latest Cormoran Strike book (which is 900 pages long! WTF!) is apparently about a trans serial killer. I think we all knew this was coming, though I personally thought that lead times would put this plotline off until book 6.
This has caused people to bring up The Silence of the Lambs, which feels like an excuse to talk about my increasingly complicated feelings towards it.

(This discussion is of the book, not the film, which is a faithful adaptation but misses the book’s point in several key ways.)
Silence has been one of my favorite books since I was a young girl, but it is undeniably transphobic, unfortunately in ways that can’t be disentangled from its core theme and strong feminist subtext.
Read 27 tweets

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