The ghost of Frederick Jackson Turner and the dreaded f-word have risen again, it seems.
#Twitterhistorians scoffing at this, rightly so, no doubt, but it's worth thinking about why we hate FJT.
Many reasons we hate FJT, but here are two:
1) frontier thesis was celebratory, assumed white supremacy, i.e., racist
2) leaves out Indigenous people
But with all due respect to Patricia Nelson Limerick, isn't it (more or less) true that there was a "frontier" in the sense of east-to-west settler population explosions, esp. in what is now the east and midwest and (sort of) multiple "frontiers" in the west?
To that extent, what if we reverse FJT's celebration and recognize Indigenous people, don't we have settler colonialism's logic of elimination? And, isn't one of settler colonialism's ideological products "rugged individualism?"
And, again referencing Limerick, isn't one of the "legacies of conquest" (not only in regional, western history, but all of U.S. imperialism), a bunch of "rugged individualists" running around with guns taking over Malheur (Bundys 2016) . . .
or Proud Boys coming into Portland to fight for 2A and against Antifa? Safe bet the economists will screw up the analysis of "frontier" and "rugged individualism," but there is an issue here, no?
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I'm honestly puzzled by the desire of western historians to tame the 1889-90 Ghost Dance,
making it into a religion of accommodation,
instead of (what I think it was), an anti-colonial movement.
A short thread:
Elliot West's monumental new book Continental Reckoning objects to characterizing the Ghost Dance as "reactionary, a reflex to reverse the unstoppable flow of events"
This seems to me an overly easy way to dismiss the perspective that the Ghost Dancers wanted to reverse colonialism and return to the undeniably much better world that existed prior to its advent.
My article refuting Gary Anderson’s denial of genocide during the California Gold Rush has been published by AICRJ.
A thread about why I wrote the article and its arguments (if you don’t have access, DM me and I’ll send a pdf).
As I was writing a chapter on California for vol. 2 of Surviving Genocide I realized that I had to look at Anderson’s argument that genocide did not happen in California (made in Ethnic Cleansing and the Indian [2015] and a forum in Western Historical Quarterly [2016])
Anderson is a credible historian and his argument against genocide has received support from credible sources.
I was dismayed to learn today from @develvishist that a 2019 publication by a prestigious academic press @OxUniPress @OUPHistory claims Wounded Knee was not a massacre.
A thread on why OUP should retract this publication:
The claim that WK was not a massacre appears in this book:
"In Harm's Way: A History of the American Military Experience."
It purports to be "the most current, comprehensive, clear, yet concise survey of US military history from colonial times to the twenty-first century."
Here is what the book says about Wounded Knee (thanks to @develvishist):
A year ago Trump’s 1776 Commission decided to honor MLK day by releasing its REPORT!
Let’s have a look at a few of the slimy ways the commissioners appropriated MLK for their reactionary* agenda.
*Note: I did not say conservative.
In defense of American exceptionalism and upholding colorblind white supremacy, the 1776 Report opportunistically quoted MLK upholding the values of the Declaration of Independence.
The Report even had a photo of MLK at the March on Washington, as if MLK would agree with an agenda to stop all talk about race.
In 1960, the great Dakota artist Oscar Howe painted "Wounded Knee Massacre," which I am posting today on the 132nd anniversary of the massacre, along with Howe's own little-known commentary on the painting.
In describing Wounded Knee, Howe wrote, "I have kept the painting semi-objective rather than abstract. It was not meant to be a shocker but merely a recorded true event." (yet, it really is a shocker!)
"There was more to the massacre, but I left out some of the gory details." (but note that a woman in the background is holding up a child, pleading for her life with a soldiers and to the right a soldier is bayoneting a child, so some of the gory details are there).
Catching up on some of the responses by Jeffrey Flynn-Paul to criticisms of his Spectator piece. I'm struck by their fundamental dishonesty. Here's why:
In this one F-P says his essay is "mostly a response" to a BBC piece. That's just not true. In the Spectator he writes, "as this piece was going to press, an article was published by the BBC." He had written the whole thing BEFORE the BBC thing caught his attention.
(The BBC piece is probably idiotic, but so what. For F-P to hold it up as a target is a ridiculous strawman. He can't use it to dismiss hundreds of scholars who have worked hard for an accurate account of Indigenous history.)