Appropriate for this evening, since it’s about reconciliation of political enemies mediated by a woman’s love for a guy in the other side. Granted, she’s a very young woman whose sanity goes and returns depending on whether bubelah has been condemned to death or reprieved....
2/ but her Mad Scene - a beloved device of bel canto composers and sopranos - is what compels her uncle to tell the rejected suitor “You must save your rival,” leading to the greatest baritone-bass duet in Italian opera, “Suoni le trombe,” “Let the trumpets sound”; cf....
3/ cf. Hampson/Ramey duet album, “No Tenors Allowed.” - Star is Anna Netrebko, to whom we wish quick recovery: she recently got a pos ‘rona test while rehearsing DON CARLO at the Bolshoi. Elvira in PURITANI was a long-ago role for her, but it shows off her voice well....
4/ That’s it, there IS NO tweet #4!
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“And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.”
“But a noise is in the mountains, in the mountains, and I know,
The voice that shook our palaces - four hundred years ago:
It is he that saith not ‘Kismet’; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!”
@VerbumCatholic @JoshuaTCharles It’s been just sitting there for decades 😃
@VerbumCatholic @JoshuaTCharles Some ironies:
The character that launched dear Ray Walston toward “My Favorite Martian” was named Luther: Luther Billis in “South Pacific” (stage and film).
Before “South Pacific” Ray won a Tony for playing, literally, Satan - dba “Mr. Applegate” - in “Damn Yankees.”
@VerbumCatholic @JoshuaTCharles The Luther Billis character required broad farce, whereas Uncle Martin - well, what was more exciting, in the ‘50s, than Martians? Yet Uncle Martin required Ray to deadpan, and to dress like an insurance salesman, and from *that* platform, to be funny.
1/ TLM readings for Assumption are boss! Gen 3 - we know there in enmity betw the snake and “the woman” - a typological category that includes several OT women, including Judith, so 1st reading is from her book, where she is explicitly praised for her most famous accomplishment.
2/ Old ‘Olofernes - ‘e’s been ever so much better since ‘e ‘ad ‘is ‘ead off.
3/ Not in the readings, but “the woman” includes Jael, in Judges.
What’s going on? fundyProts w nmore Biblical depth than Antietam Creed attacking Our Lady, then someone does a hostile (some wd say homophobic) thread on GKC, and now R. Brazen Witch is on about Dante.
For more about Dante and Courtly Love, read on.
2/ Dante took the Courtly Love tradition more or less as he found it; one of the rules of the CL road was that your “amor” cdn’t be your wife. But in part he broke with the conventions. CL usually involved sexual passion for the “amor,” and sometimes (less often) actual conquest.
3/ This surprises some ppl, bc we think we know all about CL from TANNHÄUSER or “Man of La Mancha” - “to love pure and chaste from afar” - n’uh uh. Except for a minority of CL poets, including Dante. “Pure and chaste from afar” was v much his thing re Beatrice.
2/ she specializes in chicks who are a bit cuckoo-for-cocoa-puffs.
3/ Elza’s fine. Noted, too, how Eric Cutler, formerly bel canto (Arturo in PURITANI) here moves to the threshold of Wagner-tenor-world, turning in a well-sung Erik - a role that doesn’t need, yet frequently gets, a full-blown heldentenor.
For a dark lord, Pizarro sure gets a jolly intro march. Beethoven’s FIDELIO on MetOperaChannel now, perf from 1976. Gwyneth Jones, Jess Thomas, Donald McIntyre; cond. John Mauceri.
2/ The horns effed up their exposed slow passage early in the overture, so they provided lovely support for Gwyneth in the Abscheulicher, and maybe the maestro didn’t demand their asses for dinner.
3/ Leonora (“Fidelio”) persuades Rocco (John Macurdy, old pro) to let the prisoners out for some air, hoping she’ll spot her husband. When Pizarro calks on Rocco to please explain, Rocco says well it’s the king’s b’day. …