Churinga (or tjurunga) are the most important physical evidence of the intellectual heritage & artistic genius of the Aboriginal people.
I strongly believe that the effective prohibition on displaying them in Australian (& most other) museums is massively counterproductive. 1/9
There are no museum exhibitions of churinga. There are no books published in recent decades on them, and almost no scientific papers. They effectively cannot be sold on auction, even outside Australia. All of this is in deference to their status as Aboriginal sacred objects. 2/9
And yet sacred objects from most other religions are freely photographed, displayed, written about, and, where in private hands, bought and sold. By effectively 'disappearing' churingas from view, I believe we deprive the Aboriginal people of their due recognition... 3/9
.... as originators of arguably the oldest form of proto-writing, as well as the custodians of the oldest continuous artistic tradition - there is a direct line from the earliest churingas found in dated excavations (over 15000 BC) to the work of modern Aboriginal artists. 4/9
These extraordinary objects should be celebrated both in Australia and globally as well. Australian museums have literally tens of thousands of them in storage, invisible to the public, and largely off-limits even to academic researchers. 5/9
Most churingas in museums & in private hands were not 'looted' in the sense of being illegally excavated. They were bought from, or given by, their Aboriginal owners primarily in the period between the 1920s and the 1960s - a time of even greater power imbalances than today. 6/9
We should acknowledge and reflect on this, and we should return to Aboriginal ownership objects which we know were taken in the context of violence, outright theft or other egregiously unfair circumstances. But this still leaves many thousands of churingas sold legitimately. 7/9
I have seen many churingas with written evidence of their purchase from Aboriginal sellers in the late 1950s and 1960s, for sums - in some cases as much as £50 - which were not exploitative. I strongly feel that churinga like these should be freely studied and displayed. 8/9
Hiding evidence of the true intellectual & artistic heritage of the Aboriginal people - as embodied in objects like churinga - while certainly perhaps well intentioned, deprives them of their due recognition on the world stage as inheritors of a proud & ancient civilization. 9/9
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The seven days of Sukkot start tomorrow. Sukkot is one of the three Jewish festivals on which the ancient Israelites were commanded to make a pilgrimage to the Temple in Jerusalem.
This beautiful folio-sized machzor (prayerbook) for Sukkot according to the Provençal rite of Avignon, was written by the scribe David Tsoref in 1721. 1/
After their expulsion from France in the 14th-century, a handful of Jews remained in the Provençal Papal territory of the Comtat Venaissin. Avignon was one of four Jewish communities tolerated by the Holy See: the other 3 were Carpentras, Cavaillon, & L'isle-sur-la-Sorgue. 2/
Because of their extreme isolation from the rest of the Jewish world (and even, within the Comtat Venaissin, from each other), all 4 communities developed their own unique minhag (liturgical rite).
Most of these were never printed, and survive only in manuscript form, as here. Provençal manuscripts like this are instantly recognizable by their beautifully distinctive Hebrew script. 3/
Today, August 2, Roma people around the world commemorate the genocide of the Roma with Samudaripen memorial day. It marks both the specific moment in 1944 when the Nazis murdered around 3,000 Roma at Auschwitz, and the wider Roma genocide during the Second World War. 1/
The number of Roma killed during the Samudaripen is still unclear - the US Holocaust Memorial Museum puts the figure of Roma dead at between a quarter of million and a half a million people. 2/
However, the advocacy group the International Romani Union believes that as a result of this genocide, approximately 2 million Roma were killed, which was about two-thirds of the total Roma population in Europe at the time. 3/
One of the masterpieces of ancient Egyptian art, the 'Seated Scribe' was discovered by the French archeologist Auguste Mariette at the Saqqara necropolis just south of Cairo in 1850, and dates to the period of the Old Kingdom, around 2500 BCE. It's now in the collections of @MuseeLouvre.
The eyes are especially amazing. I'll explain why. 🧵
The eyes of the scribe are sculpted from red-veined white magnesite, inlaid with pieces of polished rock crystal. The inner side of the crystal was painted with resin which gives a piercing blue colour to the iris and also holds them in place. 2/
Two copper clips hold each eye securely in place. The eyebrows are marked with fine lines of dark paint. The scribe stares calmly out to the viewer as though he is waiting for them to start speaking. 3/
This is the Rongorongo script of Easter Island. Rongorongo lacks an accepted decipherment but is generally presumed to encode an earlier stage of Rapa Nui, the contemporary Polynesian language of the island. It is possible that it represents an independent invention of writing. 1/
Hundreds of tablets written in Rongorongo existed as late as 1864 but most were lost or destroyed in that period and only 26 of undoubted authenticity remain today; almost all inscribed on wood. Each text has between two and over two thousand glyphs (some have what appear to be compound glyphs). 2/
The longest surviving text is that on the ‘Santiago Staff’: around 2,500 glyphs, depending upon how the characters are divided. The glyph-types are a mixture of geometric figures and standardized representations of living organisms; each glyph is around one centimetre in height. 3/
Oy. Forget about being a "rabbi", if you had even a kindergarten level knowledge of Hebrew (or Judaism for that matter) you'd know that this is not old, not Jewish, not an amulet, and nothing to do with kabbalah (which you grotesquely mischaracterize). It's a crude mishmash of… https://t.co/3IJjWrqnIp https://t.co/U7OBn124MNtwitter.com/i/web/status/1…
When looking at any purportedly ancient Jewish manuscript, bear in mind: 1. Jewish manuscripts are generally austerely plain and written in black ink only. Red ink is seen occasionally as a highlight color in for example Yemenite manuscripts, but gold ink is essentially never… twitter.com/i/web/status/1…
Oi u luzi chervona kalyna - Oh, the Red Guelder Rose in the Meadow - is the anthem of 🇺🇦 Ukrainian resistance to Russian oppression.
Written in 1875, it was adapted by Stepan Charnetsky in 1914 to honor the Sich Riflemen of the First World War. 1/ twitter.com/i/web/status/1…
The red guelder rose or viburnum of the song ('kalyna' in Ukrainian) - a shrub that grows four to five metres tall - is referenced throughout Ukrainian folklore. It is depicted in silhouette along the edges of the flag of the President of Ukraine. 2/
Due to the song's association with the Ukrainian people's aspiration for independence, singing of the song was banned during the period in which Ukraine was a Soviet Republic(1919-1991). Anyone caught singing it was jailed, beaten, and even exiled. 3/