Devi Mahatmya manuscript, Telugu translation of Sanskrit. Both paintings are concerned with the forces of Devi, represented in the form of grotesque leonine creatures, devastating the armies of a rogue king.
Mysore
ca. 1825
opaque watercolour and gold on paper.
VAM
The rulers of Mysore, descendants of the feudal chiefs of the kings of the Vijayanagara kingdom, fiercely sought to preserve the Hindu values and culture of their court in the face of Muslim pressures from the surrounding southern Deccan.
Mural painting traditions in nearby Andhra Pradesh, such as those at the Virabhadra temple at Lepakshi, gave strength to their cause. This painting boldly asserts its Hindu character and gives us an insight into this little studied aspect of South Indian Painting.
meaning: “I meditate on Viṣṇu, who has a serene appearance, lying on the serpent Ananta, from whose navel springs a lotus; who presides over all of creation as the Lord of the dēvā-s. He is the sustainer of the entire universe, boundless and infinite like the sky; with a blue +
Photograph of the Mirabai Temple and of the Kumbha Shyama Temple at Chittaurgarh, taken by an unknown photographer in the 1900s.
The temple in the foreground is the Kumbha Shyama Temple, situated in the fort and originally built in the 8th c. during the Pratihara period.
In the background is the temple dedicated to the 15th century saint princess of Jodhpur Meera Bai, who was famous for her poetic compositions and bhakti for Sri Krishna.
The impressive fortress of Chittaurgarh is situated on a narrow ridge that rises abruptly 150 metres above the plain. This ancient site was occupied by a succession of rulers from the seventh century including the Pratiharas who built many stone temples.
THREAD: Divine illustrations by Vaddadi Papaiah (1921-92), also known by the name VaPa; Telugu illustrator best known for his work on the covers of children's magazine Chandamama.