Few authors have had as much influence on my progress as a human being - to say nothing of my writing - as @DanielPinkwater. The course of my life was profoundly altered by reading Alan Mendelsohn, the Boy From Mars in middle school, and I have read dozens of his books since.
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I find that many distinctive authors circle themes and plots, like a cannoneer rangefinding with artillery, trying to bullseye some impossible-to-define perfect target. I county myself in that group, and I definitely count Pinkwater there.
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I can't tell you exactly what it is he's trying to hit, but every book seems to come closer to some irreducible Pinkwaterian ideal, and his latest, Adventures of a Dwergish Girl, is the closest he's come yet.
First, let me attempt* to summarize the plot. Dwergs are basically a magical race inhabiting the Hudson Valley. They're something like Tolkien's dwarves, but not. Male dwergs are pretty odd-looking and rarely venture into the world.
*"Attempt" is doing a lot of work here.
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But female Dwergs, like protagonist Molly O'Malley, can pass for short-ish humans, albeit with very large feet and the ability to move with uncanny speed through the woods near Kingston, NY.
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Molly can't abide the sameness and dullness of life in the unchanging, eternal Dwergish village of her birth, so she moves to Kingston, NY, where she befriends Arnold Babatunji, a Naples-obsessed restaurateur who runs the Hudson Valley's greatest pizzeria, who hires Molly.
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For a time, life is good. Molly learns about pizza, pals around with a former boy-genius who runs the village radio station, and sleeps in a forest dwelling of her own devising, supplementing her income with the cash from the lumpy Dwergish gold coin she's pawned.
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But the pawn-broker is tied up with gangsters - some of them ghosts, some living - and then Molly befriends Leni, an indigenous girl whose people have lived in the Catskills since time immemorial.
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Leni tempts Molly to ride the Greyhound to NYC, where she rides the subway, and, more importantly, samples the indescribable wonderments of papaya juice and all-beef franks, which change her life.
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And of course, while in New York, Molly encounters Carlos Chatterjee, a Revolutionary War reenactor who runs a spectacular junk shoppe on the mezzanine of an uptown MTA station.
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Carlos turns out to be crucial to the resolution of Molly's main challenge, which is the transdimensional meat-robots in British redcoat uniforms who seem to be bent on reenacting the 1777 burning of Kingston (spoilers!).
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Averting this disaster is a big project for Molly, who enlists the Catskills Witch (who has moved to Manhattan) and the semi-mythical King of the Dwergs, who uses bee-style waggle-dancing to advise them.
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This is a book with:
So.
Much.
Stuff.
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My all-time favorite place to eat in NYC is Shopsins. Pinkwater novels are like expanded Shopsins menus. Motto: "nothing exceeds like excess." But this isn't mere kitchen-sinkery: it's skilled wunderkammering, a carefully curated study in contrasts.
I take him to mean that he's describing the world as he perceives it, not adding any weirdness. We live in a weird place. 2020 certainly proves that hypothesis.
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I think there's something to this - the thing that makes Pinkwater's work so great is his ability to describe the everyday absurdity in terms that make it clear how weird normalcy is (and vice-versa).
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That's definitely Dwergish Girl's charm. I read this to my 12 year old, who is way too cool to be getting bedtime stories of her old, irrelevant father's favorite weird writers.
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Every night, she insisted that she didn't want me to read from it. Every night, she begged for another chapter when I was done (and interrupted repeatedly to ask incisive questions about the Revolutionary war, papaya juice, ghosts, radio announcers, etc).
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Pinkwater's got The Magic (whatever that is) and he keeps getting better at it.
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It's hard to talk about the Epstein class without thinking about "The Economy" (in the sense of a mystical, free-floating entity whose health or sickness determines the outcomes for all of us, whom we must make sacrifices to if we are to prosper).
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As nebulous as "The Economy" is as an entity, there's an economic priesthood that claims it can measure and even alter the course of the economy using complex mathematics. We probably won't ever understand their methods, but we can at least follow an indicator or two.
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The best summary of Trump's trade "philosophy" comes from Trashfuture's November Kelly, who said that Trump is flipping over the table in a poker game that's rigged in his favor because he resents having to pretend to play the game at all.
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Ireland is a tax haven. In the 1970s and 1980s, life in the civil-war wracked country was hard - between poverty, scarce employment and civil unrest, the country hemorrhaged its best and brightest. As the saying went, "Ireland's top export is the Irish."
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Code is a liability (not an asset). Tech bosses don't understand this. They think AI is great because it produces 10,000 times more code than a programmer, but that just means it's producing 10,000 times more liabilities.
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We are about to get a "post-American internet," because we are entering a post-American *era* and a post-American *world*. Some of that is Trump's doing, and some of that is down to his predecessors.
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Look, I'm not trying to say that new technologies *never* raise gnarly new legal questions. But what I *am* saying is that a lot of the time, the "new legal challenges" raised by technology are somewhere between 95-100% bullshit.
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It's ginned up by none-too-bright tech bros and their investors, and then swallowed by regulators and lawmakers who are either so credulous they'd lose a game of peek-a-boo, or (likely) in on the scam.
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