In order to avoid compulsively checking the news tonight, I'm thinking of doing a bad movie night! Anyone got any suggestions for a terrible movie? Maybe one that could have and SHOULD have been good but somehow absolutely crashed and burned? -R
Hokay let's narrow this sucker down -R
oooookay lemme just get my snacks ready for this one, be back soon
my favorite quirk of Kenneth Branagh is how he always casts himself as the most interesting character of every movie he directs. Hamlet, Iago, Gilderoy Lockhart, and now our boi Poirot
It's been a while since I read it, but Poirot is… short and round, right?
I do like this little intro deduction scene, with him figuring out the relic thief was the chief of police, but I can't say I like this wistful, angsty "I see ze world as it should be… it makes ze life unbearable……" exchange immediately after
"…I'm shouting at you in english… and now I'm doing it louder and slower."
Oh yeah, I also ominously discuss how "when it's all over… then NOTHING can touch us……" in front of the man I just clocked as a brilliant detective
Okay maybe it's cuz it's book dialogue that's naturally designed to flow on the page and not to be spoken, but some of the lines sound a little TOO snappy to me
so there's this thing in old detective shows where you could sometimes identify the killer by who the most well-known, expensive actor in the cast was. So I like how EVERY actor in this movie is some big-name all-star. It's kind of a cheeky nod.
I literally have no idea what just happened with this intro scene. I know I'm not SUPPOSED to know at this juncture, but that was still quite the frenetic pace
this may be the most normal Depp has ever looked and sounded in a movie
…I miss trains :(
not to sass this threatening cutout-letters note but could they really not find a second "E" for "bettr"? the most common letter in the english language??
okay I can hear some of the dialogue weirdness now - these actors are trying to naturally deliver lines that worked on paper but sound unnatural in their tone or accent, like "it is just so" in a thick american accent
this movie is hornier than I expected
there's less shot-reverse-shot in this movie than I expected, some of these dialogue scenes seem to go on a bit longer than average because of that
"I like a good rosé" is the woke catchphrase of the new millennium
would you guys finish that patisserie already I'm about to reach into the screen and take it
the environmental shots in this movie are gorgeous and I miss trains :c
mon dieu it is en avälaenche
ahhhh, THERE'S the dutch angle. branagh does it again
who is this ominous lady constantly talking about sin and lucifer? she sounds like the life of the party
iiiiinteresting directorial choice not showing us the body at all and doing this whole discovery scene as a top-down long take
it feels like a directorial flex showing that they COULD do the shot, but at the cost of the actual impact of the shot
Poirot: someone haz been meurdëred
The passengers: …"not the dickhead"? What do you want me to say-
poor josh gad. "you finally get to play a serious role! but you're a super racist alcoholic"
there are so many long shots in this movie. characters stand in a static location and talk about things they're observing that are either too small in shot to see or purposefully out of frame. directorial flex of the long shot sacrificing clarity of framing.
cool, so apparently "dickhead" is a bit light for ratchet
"He… made a rather overt overture" sounds pretty wack in a modern american accent
the general mystery format of "colorful cast of characters, all with their own quirks, clash in an exposed space" is definitely fun. maybe I should watch knives out
another set of dutch angles! and it's on the racist german doctor being racist!
kung-fu boxer missionary lady is my favorite character right now
I do really love the writing in Poirot. "Crime is the anomanly. I believe it takes a fracture of the soul to murder another human being." It's a wistful, optimistic perspective on humanity for a murder mystery.
did… did the princess LIKE-like that lady? the music is getting very wistful. am I just missing something? was it an actual case of gal-pals?
does poirot even need that cane? this chase scene is getting ridiculous
"ze FUDGE! It is FULL of ze fudge!!"
seriously there are so many long shots in this movie
honestly josh gad's acting is really impressive here? I feel bad he's pidgeonholed in comedy
oh, so this lady is ACTUALLY high, not just acting like a disney villain
this story puts a lot of focus on race and heritage, but I guess it was the turn of the millennium
whaaaaaat willem dafoe is a non-german non-racist detective????
the cool thing about this movie is I DID read the book but it was a very long time ago and I don't remember anything except the final twist, so this is all very new
Angsty Sadboi Dead-Wife Poirot is not an angle I'm particularly interested in seeing explored tbh
honhonhon, so many tweests
kind of cool how this one guy inadvertently fucked with so many people they formed their own Clue-style ensemble cast
I don't remember this many action scenes in the book
the dutch angle returns with a vengeance
I like how movies need to play a little "clack" noise whenever someone reveals a gun so we know they have a gun
I like the conductor friend, he's like an audience proxy going "no wait that shit don't make sense"
"I was colonel armstrong's Batman in the war."
Okay, I really like the bit where Michelle Pfeiffer pulls off the blonde wig revealing herself as a brunette. That's clever, cuz we all know she's a natural blonde!
ok I know it's serious but everyone filing out of Ratchet's room post-murder is unintentionally hilarious clown-car style
Welp, that was emotionally loaded
unlike the gun
hey, finally, a long take that's well-used! hercule walks out of an apparently empty train, internally monologuing about how fucked up this case was - and then he reaches the final car and we see that everyone's still on the train, meaning he didn't report their crime
cheeky, setting up death on the nile
Welp, definitely a bit silly in places, but could've been way worse!
The pacing was definitely VERY odd, though. Thinking about it, the all-star cast got almost no time to shine. -R
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I've been listening through the hobbit audiobook and it's really helping me collect my thoughts on the problem I had with the movies, which is that all the characters are sort of reworked to be more sympathetic in ways that undercut the chaos of the original book -R
Thorin isn't Tiny Aragorn and his being a selfish dickhead in the leadup to the Five Armies isn't the result of a dragon-induced heel-turn, he was basically ALWAYS like that but never had any actual power or leverage to back it up -R
and Bilbo stealing the Arkenstone is contorted into very twisty knots to make it an act of heroic concern for his friend rather than a bit of petty fuck-you-ness after getting sent alone down a dragon tunnel for the fourth time -R
lovely day to remember that trans rights are human rights, trans people deserve dignity and autonomy over their choices, none of this is up for debate, and trying to scapegoat a vulnerable population to further a transparent agenda is ugly and embarrassing 😘 -R
there is something very funny about how TERFs are so dedicated to enforcing the gender binary that they've circled back to the pre-feminist "every single woman is weaker than every single man and it is her fate to be crushingly victimized and powerless forever" -R
"no no we're very feminist we believe" *checks notes* "women are weak and" *checks footnotes* "femininity is a curse" -R
I think the best evidence for "people don't really know what they want and creators shouldn't just give what they're asked for" is what dropping entire seasons of TV at once is doing to us -R
"I want to know what happens next NOW" is the kind of question that forms the backbone of a lasting fandom. Incremental buildup of narrative and speculation on future development reinforces fan spaces and builds communities that can and do outlast the series finale. -R
Dropping an entire season at once may give the instant gratification fans exactly what they're asking for, but it actively sabotages the possibility of fan discussion. Anyone who can't binge the whole thing right away will AVOID fan spaces due to the spoiler saturation -R
There's a pattern I've observed in fandom that makes me really sad, and it's that a media property will be absolutely beloved for being groundbreaking or exciting or just really fun, and then about a year or two later all that enthusiasm violently reverses into shame -R
Not quiet shame, either - loud, aggressive, must-be-on-the-Not-Cringe-Side-of-history shaming. And like any cycle of bullying, it becomes self-reinforcing - unabashedly enjoying it puts a target on your back from everyone trying to prove how cool and cynical they are -R
Joke's on the rest of you, I made the Star Wars Prequels 1/7th of my personality
-B
sometimes I wonder why Encanto's ending didn't quite give me the warm and fuzzies it was clearly designed to do and then I remember not a single human being apologized to Bruno -R
Which is kind of indicative of something I observed in the movie overall that just didn't quite gel with me – which was this feeling that the resolution was the family overall saying "don't worry, we loved and valued you this whole time" -R
which is nice, sure, but for me that wasn't a question. Mirabel's family can love her without being GOOD for her. Her primary grievance was being excluded, ignored, minimized and shoved in a closet out of everyone's way. "We love you" doesn't undo or even acknowledge that. -R