Sounds like National Trust bosses are still seeking to push through cutting the two curatorial jobs at @AveburyNT—downgrading the curator role & cutting 2 FTE to 0.5. This’d be sheer vandalism at Britain’s best small archaeology museum, a collection gifted to the nation in 1966.
Letters sent by the leading @StoneAveWHS archaeologists last month—and the museum’s Advisory Board—haven’t yet led to action. The Trust has cared for the Keiller Museum for 26 years so far in its 82 years—it is a key element of the visits made by 250,000 people a year to Avebury.
Trust bosses seem committed to cuts in curatorship, archaeology & education—Apart from 'Treasure Houses' where they're creating new Property Curators due to the significance of the properties. World Heritage Site status clearly doesn’t tick this box—due to free public access?
The presence of a full-time Curatorial team, with specialist knowledge of prehistory and the archaeology of the WHS, has proved essential in developing research and public understanding of the monuments that form the core of the Avebury NT estate.
Research on the Keiller museum collections has been at the heart of some of the most influential research projects on British prehistory in recent years: from Whittle’s re-assessment of the Keiller excavations at Windmill Hill to Parker-Pearson’s Beaker People project.
If the cuts go ahead, key aspects of the recent @HistoricEngland Research Framework for the Stonehenge Avebury and Associated Sites World Heritage Site could simply not be implemented and current research projects (eg “Living with Monuments” Project) would be severely compromised
Research at the Keiller Museum isn’t just an academic concern. There’s huge public interest in the results of such work. Part of the NT’s function is as a research organisation, as reflected in its IRO status. Research draws visitors and revenue to Avebury impact.ref.ac.uk/casestudies/Ca…
Quite apart from breaching the stipulation of the original 1966 Keiller bequest to the nation, a lower grade part-time post would fail to provide much more than routine visitor management—without new research programmes, without effective education and public outreach.
The proposals would also go against the Trust’s own claim in July, that it will "refocus efforts to protect cultural heritage, with limits on cuts to staff caring for houses, gardens and collections" nationaltrust.org.uk/news/our-spend…
The decision hasn’t yet been made but may be imminent. The global archaeology community would be scandalised by any such cuts at the heart of this most loved prehistoric landscape. Trust bosses must rethink & use some of that £1.47 billion to save these roles & others like them.
Just a final bit of context, so we keep this in proportion >>
1/16
It’s a strange calling, to get your hands dirty with the detritus of the past, to crouch with a trowel in a muddy trench, to trace the delicate contours of earth works in rainy fields, to run soil through a sieve, to ink letters and numbers onto potsherds and ziplock bags,
2/ to perhaps put what some you found on display to the public and to deposit the vast majority of it in box after box in a museum store room, all in the name of excavating ghosts, waking the dead, reading a past that was not written down but just left behind.
1/14 this announcement by the Smithsonian is another sign that we are witnessing a fundamental global shift in the ethics of museum curation
in the past a self-selected handful of the richest and most powerful institutions has sought to control, dominate and close down the debate
2/ but since the 1990s restitution has become a mainstream part of professional practice in the very different historical circumstances of returning Nazi loot or ancestral human remains to Indigenous people around the world.
every now and then working at a museum like the @Pitt_Rivers means that you experience a moment of sheer terror and shock
I had one of those moments, a truly M.R. James winter night kind of moment of revelation, while working yesterday evening
(THREAD)
I was working through some historic photographs of museum curators to send to a colleague as part of a current artist collaboration
Most of the photographs were from the first decade of the 20th century, shared with a designer we're working with for details of dress
for example I sent her this photo taken “on the occasion of the first practical examination in anthropology in 1908″, showing Beatrice Blackwood, Sir Francis Knowles, 5th Baronet, James Harley, and their tutor the curator Henry Balfour
My new interim report on what we currently know about the Benin collections of the University of Oxford has just been published online - read it here >> prm.ox.ac.uk/benin-bronzes
the 229-page report summarises
- 145 objects which provenance research suggests were looted in the Benin 1897 attack
- 15 further objects possibly from that attack
- more items taken in other expeditions in what's today Nigeria
- further Benin objects exported in the 20th century
here are some of those @Pitt_Rivers objects in a thread
1/ Carved ivory tusk burnt in the fires during the desecration of Benin city
it's been a very busy week for the return of looted objects from France to Bénin 🇧🇯 and from the UK to Benin City, Nigeria🇳🇬
here's a summary of what's been going on (THREAD) 👇
1/ a "farewell exhibition" is being held at the @quaibranly
displaying the 26 items of the Trésor de Béhanzin, looted from the Abomey Palace in the Kingdom of Dahomey in 1892—which will be returned to Cotonou next month
The exhibit is open till Sunday quaibranly.fr/fr/expositions…
2/ a major conference was held to mark this landmark return, with speeches from many of the key players including Prof @FelwineSarr and Prof Bénédicte Savoy @KuK_TUBerlin — who compared this watershed moment to the fall of the Berlin Wall: "there was before, and there was after"
the Trésor de Béhanzin—looted by General Alfred Dodds in November 1892 from the Palace of Abomey, and donated by him to the French state—is being returned from Paris to Bénin
here’s a shortlist thread of some of the 26 items involved: