sententiae antiquae Profile picture
Oct 1, 2020 10 tweets 4 min read Read on X
.@PeterGainsford @theo_nash @ProfThibodeau

Friends, I have been following the janko discussion and as a homerist with some interest in traditional and formulaic language, I just wanted to add my two cents. Sorry to butt in! But...you know...

#JankyHomer
I have not taken Janko’s methods or his results seriously for decades because (1) it is based on deeply problematic premises and (2) the dataset will never be sufficient

#JankyHomer 2
For (1) his method and model assumes (a) a static and (b) hierarchical relationship between texts that (c) does not entertain multiple performance traditions development different levels of fixity over time

#JankyHomer 3
In addition for (1) the approach considers conscious archaism but insufficiently considers the interrelationship between audiences and performers and expectations of conventionality over time

#JankyHomer 4
For (2) the data set is IMHO not (a) large enough or reflective enough of local traditions to give good results and is (b) tainted by regularizing editing forces in the (i) Panhellenizing, (ii) Hellenist, (iii) Byzantine periods...

#JankyHomer 5
not to mention the misconceptions and reconceptions of editing authoritative texts from the Renaissance to today.

#JankyHomer 6
So, I think Janko’s method and book is a fascinating testament to a period of approaching Homer statistically, but it says little to me about any real relationships between the poems

#JankyHomer 7
Even if the method were applied with more or less good data, it would still only give really relative relationships and would add very little interpretive value if we understand the story traditions as responding to each other over time.

#JankyHomer 8, end
And I think it would be great to get @caseyduehackney in on this conversation too
also, @ArftJustin

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More from @sentantiq

Jun 3
Today we are arguing about translations and translating the Odyssey!

In particular, let’s fight about the phrase…. οὐκ ἐθέλων ἐθελούσῃ (ouk ethelōn ethelousē)

Come for the grammar, stay for the comparison of translations!
This phrase is used to describe Odysseus and Calypso when Hermes first arrives on Ogygia in book 5

It can be translated as something like “[he slept alongside her] unwillingly while she was willing” and is a particular pointed phrase
But it is a little more complicated than that and also a good indication of how Greek differs from English and some other languages

Participles are really what makes ancient Greek different. Early Greek tends to have a lot of participles and they can do very different things
Read 17 tweets
May 27
Today we are arguing about Odysseus' name!

Odysseus vs. Ulysses
The Odyssey itself toys with the hero's name. It can be traced to the verb odussomai, which means to hate or to be hateful
Athena may allude to this in book 1 when she says to Zeus:

“…Didn’t Odysseus please you
By making sacrifices along the ships of the Argives
In broad Troy? Why are you so hateful [ôdusao] to him, Zeus?”
Read 22 tweets
May 25
just to sum up, 5 points on the rancor over nolan's #odyssey cast

1. Epic is myth and fantasy, not history. these are not real people, they are part of stories

2. The terms used to describe heroes within epic are ambiguous and flexible and change over time
3. The ancient audiences conceived of the heroic world as one big interconnected family, Dannaus, Aegyptus, Agenor etec knit Persians, Greeks, Egyptians, and Phoenicians into one family. Hektor and Memnon were cousins!
4. Skin color and other physical features in epic don't map onto modern concepts of race. These assumptions are truly anachronistic and have everything to do with our own preoccupations
Read 4 tweets
May 25
One final thread on why the gender, race, appearance of actors in the #Odyssey shouldn’t matter, and, moreover, why appearances are more complicated in this epic than any other
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
Read 16 tweets
May 11
sorry folks. Achilles and Odysseus are not role models, they are epic heroes. Each epic starts by specifying their destructiveness to their communities.

Iliad: Achilles's rage sends myriad Achaeans to their doom

Odyssey: Odysseus tried to bring his men home and failed
in fact, the entire heroic age--the events of the Theban and Trojan Wars--is aimed at ERADICATING THE RACE OF HEROES because they are too bellicose towards each other and irreverent towards the gods [see Hesiod's Works and Days and the fragmentary Cypria]
And this is not a modern reading. As early as the 6th century BCE, allegorical interpretations [i.e., those that assumed the epics contained secret or indirect meanings] were dominant alongside the understanding that the poems were complex and their protagonists flawed
Read 5 tweets
Dec 29, 2024
#odyssey discourse whirling around, but reading epic is not easy because it is a little weird

1. I think almost no one in antiquity ‘read’ Homeric epic from beginning to end.
They listened to episodes and then later read passages. It would have been rare to experience either epic from beginning to end
one would have gone to reading the epic from beginning to end without prior knowledge of the characters and plots, the backstories and variations2.No
Read 20 tweets

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