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Oct 2, 2020 7 tweets 5 min read Read on X
Keita Nagahara directed (and co-storyboarded with Saeki) the first episode of Assault Lily. The brisk, fun delivery makes it work as junk food, and every now and then he elevates it with his direction - a daunting first step, solemn grief even after a battle that didn't mean much ImageImageImageImage
I was curious about how much KyoAniDo spirit would leak into it and the answer so far is a fair amount. The intro stood out for that reason: reminiscent of their casual strolls that tell us about characters we don't know much about yet, like in Tamako Market #01
Depending on where you draw the line, you might find it stylistically diverse or just incoherent. As an animation nerd I'm the last person who'll complain about artstyle shifts that don't compromise the atmosphere

That said, did he correct the layouts where she's just K-ON Mio Image
In other KyoAni-related matters, Naoya Nakayama directed the ending and provided all 1st key animation for it. Similar to his KoiAs ED & the special Iino daydreaming sequence in Kaguya-sama S2: striking usage of empty space, intense but delicate lighting, focus on feminity ImageImageImageImage
The more surprising bit was this very neat stylized sequence... due to the artstyle anyway, the focus is the same and so is his unrepressed horny
ALSO fun story time: they clearly finished the OP late because some streaming platforms got an unfinished version. Coloring and compositing errors, unfinished assets, placeholder effects that hadn't been removed, and all the typography unfinished - including the logo!
I'm actually glad the unfinished version is out there because they hadn't applied broadcast dimming to it yet either, so you get to better appreciate that a certain SHAFT ace's outrageously dense effects animation ImageImageImageImage

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More from @Yuyucow

Apr 9, 2024
Been seeing praise for the small team on Eupho S3. Usual disclaimer: even with the proven efficacy of this approach, don't reduce anime credits to "lower number = better quality/conditions", they don't tell you everything & often lie. But it's a neat topic
KyoAni episodes across a show are split between key animator units in rotation. They tend to be led by a veteran (Hiroshi Karata in this case, I suspect he animated the fun intro) and have a handful more people, including some of the youngest staff. Presumed unit 1 in green here Image
For early episodes where things aren't settled in stone yet, or particularly tricky ones, you might see more than one unit credited. They may handle clean-up or entire cuts, involving a whole different unit, available individuals, or ace animators hovering above these norms
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Apr 2, 2023
Been really looking forward to the Tengoku Daimakyou adaptation - out of excitement due to its interesting high-profile team, but also because I was curious how they'd navigate such a tricky series to adapt. So far, the anime's qualities far outweigh the compromises. Great start!
TDM is a dense series with maniacal foreshadowing, but at the same time a breezy and comfortably paced read. The manga balances the page-turner side with laid-back postapocalyptic adventures very well, and with just 1 cours for this long arc, the anime has to shift the approach
That makes me appreciate the involved series composition over just speeding through the manga as it was. The way they're finding new points to connect the two storylines & coming up with very effective cliffhangers of their own tells me they do get (at least part of) the appeal
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Feb 5, 2023
Vibrant start to Hirogaru Sky Precure, one of the most energetic intros in the franchise at a time when you can't take that for granted. Wealth of amusing scenarios, witty irreverent script, and a bunch of neat animation that culminates in this cool & loosely expressive setpiece
Brought to mind Ryunosuke Kingetsu's older anime works, when he came up with many off-kilter worlds where surreal nonsense passes as their own normality - hope his wild ideas don't clash too much with Precure's rigid formula. For now they're letting him be a nasty freak, lol
I think the series has the right ingredients for the staff to offer genuinely diverse scenarios weekly, like how Sora is a parkour master so they'd be able to have her solve issues without her Precure powers. Pls let them have fun, o merch overlords
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Dec 21, 2022
The stunning Yama no Susume Next Summit finale explains the unusual structural choices they made. Early recaps even at the cost of runtime, switching to full eps at the end, all for the sake of the conquest of the mountain Aoi painfully lost to *8 years ago*. Now, sweet revenge
The scenery alone is enough to move you to the core if you've been watching this far - for what it signifies, and because it makes it easier to tell that they put everything they had into this. Their own experiences, their own photos, carefully tweaked to fit YamaSusu's worldview
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Nov 29, 2022
Yama no Susume (Mama no Susume?) NS #09-B was led by the opening team of Irei Eri direction x Yusei Koumoto supervision. The former's processing is the show at its prettiest & the latter offers the most lavish art, so it's no wonder they got called *2 years later* to make the OP ImageImageImageImage
Hinata's view of Aoi's back as they climb brings to mind all the POV shots in that sequence. Irei's camera's movement emulates the eye so in this case it's got rhythmic swaying, while in the OP there's a wider variety with appropriate tracking, more stationary takes, etc
The most impressive aspect has to be the animation direction. There are many valid approaches to YamaSusu's design work and the show embraces that, but this is the most fully-realized one, obscenely detailed and still not compromising the usual expressiveness. Sasuga Yusei....... ImageImageImageImage
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Nov 29, 2022
A month ago, Yuki Kamiya / uki directed his first Chainsaw Man ending sequence so I pointed out how much he loves the orange & blue contrast

You're not going to believe who directed this week's ending
Beautiful sequence regardless, a bit of an alternative retelling of the relationship the episode is all about. The looming Makima eye in their moment of intimacy got me good
She
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