It all started with a need for a new uniform for the mobilised army to replace ‘Service Dress’. ‘Battledress, Serge’ (1937-8) had smooth lines, concealed buttons & collar with hook & eyes (officers had a collar & tie). It was largely devoid of flashy insignia #BattledressThread
The original ‘Battledress, Serge’ comprised a ‘blouse’ and high waisted voluminous trousers. (I’m concentrating on the blouse). The collar was extremely tough on the neck, so lining helped, with officers had the neck tailored open #BattledressThread
Buttons in the new uniform needed no cleaning: they were ‘vegetable ivory’ (plastic) on simple shanks. When ‘Battledress, Serge’ was issued to Home Guard units, they had to find their own buttons - like these #BattledressThread
Battledress was simple in conception but still needed a fair amount of material, and all the concealed buttons & pleats required work. With a mass citizen army in the making, ‘austerity’ measures were needed. So along came ‘1940 Pattern’ (wait for it) #BattledressThread
The thing is, ‘1940 Pattern’ is more of an evolving beast. Starting in 1940, simplifications were starting to be made, with major changes in 1942. The Army in its wisdom called this ‘1940 Pattern’. (Following?)
‘1940 Pattern’ is one commonly associated with the British soldier on his return to Europe from 1942. Now there was coloured insignia, shoulder titles, formation signs, etc. Totally different to that worn earlier in the war. #BattledressThread
Then there was ‘War Aid Battledress’. This was supplied by the Americans for the British, hence its name. This one, to a 2nd Lt, Middlesex Regiment, has been adapted by the officer with serge facings, to look good open-necked. (Typical of this type of thing) #BattledressThread
‘War Aid’ battledress is typically seen worn by British troops in the Italian campaign. It was noticeably greener (compare the collar facing), concealed buttons and had distinct buttoned pockets. It was also SO much softer than standard #BattledressThread
Post-war, battledress continued as the standard uniform of the British soldier to the 1960s. At the end of the war battledress was worn with collar and tie - the 1946 pattern was designed for this purpose, with tabs to fasten the collar - no hook & eyes #BattledressThread
And 1946 pattern also brought back the box pleat on the pocket, nice, eh?
(Oh, yes, there was also a 1947 pattern too. Must get one of those 🤨) #BattledressThread
National Service - that period of compulsory military service from 1949-63 - is pretty much synonymous with 1949 Pattern Battledress. (There was no faffing about with stand and fall collars this time - there was a full-on open-neck for shirt and tie) #BattledressThread
If you type ‘Battledress’ into a ‘well-known internet auction site’ you are pretty much guaranteed to come across 1949 Battledress. If that’s what you want, great. But make sure you to know what you’ve got there. This multi-decorated Colonel’s example is cool. #BattledressThread
A thread on Trench Art letter openers of the Great War - ‘a letter writing war’ facilitated in part by its detritus 🧵
The typical form of the letter opener was of a cartridge case (used or otherwise), a split bullet, and a piece of shell brass, fashioned into a miniature sword.
Several types can be identified in Allied and particular Commonwealth origin examples. The most typical was an ‘exaggerated scimitar’ shape
Scenes from The Captive Heart (1946) - a PoW film with a difference
No heroics or escapes: filmed in an actual PoW camp, Marlag & Milag Nord, the exterior shots gave an authentic feel of a camp
It picked out significant events, such as the long wait for Red Cross parcels in 1940, and the shackling of prisoners as a reprisal action following Dieppe in 1942
British Army steel helmets: 1915-85 a 🧵 for your interest and attention 😬
War Office Pattern, with Brodie’s patent liner, c1915-16. Repainted and with a rough cast finish, its original (and startlingly bright) apple green paint scheme can be seen behind the liner. 1/
War Office Pattern helmet, a salvaged/re-fitted example with replacement liner/chin strap. This chin strap no longer has a buckle, and the liner gave more protection. This one, with a rubber ring beneath the crownpad, was fitted in 1917. This helmet has a rough ‘cammo’ finish 2/
Mark 1 helmet, 1916-17, identified by its fitted rim and improved liner, this one without the additional rubber ring under the crown pad, that was introduced in 1917. This one belonged to a Sherwood Forester, with original painted insignia. 3/
Kitchener: the enigma who became Britain’s war lord and living icon, 1914
Kitchener’s image of strength as depicted by society photographer Bassano became an icon to decorate people’s homes - as well as to persuade recalcitrants to join the army
Kitchener Kitsch became fashionable on the home front, providing a physical presence for the Secretary of State for War in everyday settings
Gallipoli: variations on a theme. First UK edition of Moorhead’s classic. On the cover? The @I_W_M diorama model of the landings at V Beach #gallipoli
Gallipoli: variations on a theme. US paperback edition of Moorhead’s classic. On the cover? The iconic depiction of the 1st Lancashire Fusiliers landing at W Beach #gallipoli#lancashirelanding#sixvcsbeforebreakfast
Gallipoli: variations on a theme. UK paperback edition of Moorhead’s classic. On the cover? A unique depiction of the River Clyde and the landings at V Beach #gallipoli