"OK Gloria, this is an international spy novel so try and look suspenseful. And provocative. And continental. With a hint of frisson. Keep it classy."
"OK Deborah, this is a really tense scene in the novel so try and look imperiled. And intriguing. And beguiling. Maybe a hint of chagrin. Now light me."
"Right Agatha, you're an international hitwoman so try and look dangerous. And possibly Spanish. And equestrian. Give me Spanish horses in your eyes. Be a danger jockey, but a bit teasing. Maybe undo a button."
"Right Penelope we're going for medieval on this one, but sexy. Sexy medieval. Champagne and Charlemagne. The Wife of Bath on a hen night. Give me Joan of Arc, but with a kinky whip."
"OK Amanda, I want stern but sexy. And petrochemical. Sexy inorganic petrochemical. And cleavage. Massive pipelines and big plungers, but classy."
"OK Jill, think Cairo. Pyramids. Sexy pyramids. Amenhotep in expensive perfume. Cleopatra on a promise. Maybe with some pouting."
"OK Pamela, I want seduction. And intrigue. And the deep sea fishing industry. Think cod, but sexy. Sexy, intriguing cod. Literally give me fishnets. With cleavage."
"OK Fiona, this one's in Berlin. I want sexy, but Teutonic. Classy. Think European. A braless Brandenburg Gate of beguiling. Menace that map."
"OK Daphne I want British, but sexy. Sophisticated. Maybe with cleavage. And mystery. Mysterious cleavage. Mary Poppins in a string bikini. With a gun. Sexy fish and chips. But classy."
"Remember Emily, you're a cobra. A sexy, dangerous cobra. On a plane. You're a snake on a plane. With long legs. Maybe a pout. Give me pouty snakey danger. Hiss a little if it helps."
"Look Claudia, we don't have any budget. Just do your best. Sexy, but with documents. Put your hood up if you're cold. And scene..."
• • •
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What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!
A pencil and dice may be required for this thread...
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next.
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread.