Pompeii may be temporarily closed but it is possible to visit the Stabian Baths virtually. The main entrance is on the via dell’Abbondanza and passing through the foyer, where in Roman times you may have had to pay an admission fee, you enter into a large colonnaded courtyard.
Opposite is the entrance to the women’s bath complex. On the left are a swimming pool and a room for changing and cleaning after exercise in the courtyard’s gymnasium that is decorated with a painted stucco relief. Following the portico to the right we enter the men’s baths.
As our eyes adjust to the darkness in the vestibule we can look up at the ceiling and admire its magnificent painted stucco relief. Beyond, we see the apodyterium (changing room) and the niches where clothes were left. The plunge pool of the frigidarium (cold bath) is on the left
Bathers often began in the tepidarium (warm bath) to the left of the changing room. From here, directly into the caldarium (hot bath), where heat from furnaces was circulated around the room by a system of pipes in the wall (flues) and a raised hypocaust system below the floor.
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La Villa di Anteros, anche detta del Fauno, in località Cappella S. Marco, fu la prima delle ville stabiane ad essere indagata: fu infatti scavata già a partire dal 1749, sotto la direzione di K. Weber e R.J. d’Alcubierre.
L’ambiente più interessante è il larario nel peristilio piccolo nel quale si rinvennero un busto di donna e una piccola ara di terracotta, sopra al quale era un’iscrizione di dedica ai Lari e alla Famiglia da parte di Anteros ed Heracleo, che plausibilmente donarono l’ara stessa
L’assenza dell’indicazione nel testo della gens di cui i due erano rispettivamente liberto e servo potrebbe indicare l’estrema notorietà dei proprietari della villa, tanto famosi da non necessitare menzioni:
New discovery: two skeletons found beneath a collapsed wall in #Pompeii.
Turmoil, confusion, attempted escapes and, in the meantime, an earthquake, showers of pumice, volcanic ash and hot gases.
This was the inferno of the eruption of AD 79, the living hell in which the inhabitants of the ancient city of Pompeii found themselves, including the two victims whose skeletons were recently discovered during the excavation of the insula of the House of the Chaste Lovers.
They were the victims of an earthquake that accompanied the eruption, discovered beneath a wall that had collapsed between the final phase of the deposition of pumice and prior to the arrival of the pyroclastic flows that buried Pompeii for good.
The recently restored House of the Vettii is one of the most famous houses in Pompeii renowned for its vibrant and exquisite frescoes and its grand architecture including an ornately decorated garden but here are some things you may not know about it and details to look out for.
The house was discovered in 1894 by the then director of the excavations in Pompeii, Giulio de Petra, who made the novel decision to reconstruct the roofs and retain the frescoes within the house rather than prise them from the walls and display them in the Museum in Naples.
On the 11th December 1894 two seal rings were found in the peristyle of the house that bore the names of two former enslaved men or freedmen (liberti), Aulus Vettius Restitutus and Aulus Vettius Conviva, and were presumed to have belonged to the owners of the House.
Nuove scoperte a #Pompei.
La vita immobile di Pompei che riaffiora alla luce: ultimi istanti di vita fotografati negli arredi sconquassati dall’eruzione del 79 d.C.
Piatti, vasi, anfore, oggetti in vetro e terracotta lasciati in bauli e armadi, abbandonati frettolosamente durante la catastrofe e recuperati oggi con gli strumenti dello scavo stratigrafico.
Ma anche oggetti meno documentati come un prezioso bruciaprofumi decorato, e il gruppo unico di sette tavolette cerate raccolte da un cordino, di cui è stato possibile realizzare un calco.
Comune e Parco Archeologico insieme per lo sviluppo turistico-economico di Pompei e dell’intero territorio vesuviano.
Siglato questa mattina il patto tra il Sindaco Carmine Lo Sapio e il Direttore Generale @GZuchtriegel. ✍️
“Si tratta di un accordo storico – tiene a precisare il primo cittadino Carmine Lo Sapio - nessun sindaco era mai riuscito ad unire le sinergie dei due enti, sempre distanti e divisi, per lo sviluppo turistico ed economico della città”.
Il commento di @GZuchtriegel: "Parco archeologico di Pompei è un patrimonio dell’umanità, a cominciare da chi risiede attorno."
Villa Arianna: The villa was named after a large mythological fresco on the far wall of the triclinium, and the excavations conducted by the Swiss engineer Karl Weber between 1757 and 1762 almost completely unearthed it.
At the time, the excavation method consisted in a series of underground explorations aimed at recovering objects deemed worthy, as opposed to a survey of the whole architectural context.
Hence, the better preserved furnishings and frescoes were detached and brought to the Bourbon Museum at the Royal Palace of Portici.
The paintings deemed unworthy or ruined were instead left in place and often damaged further by the excavators.