When I first watched Evangelion, I didn't like it very much. I was also like 13 years-old, so I'm sure that opinion will change. In one way or another, it's an anime I've come to respect over time via other media (film, video games, influences, etc.).
You walk into a company meeting and this is your client.
Watching Evangelion as an adult is pretty interesting. The show is undeniably very 90s (duh?) in its aesthetic, ambiance, and sound design, which is something that I feel gets lost in all the discourse hogwash. I'm definitely enjoying that aspect.
Really enjoy shots like these when used to heighten the intensity of a scene.
It's a little unnerving how Shinji is guilt-tripped by all the adults to pilot the Eva-01, only a few episodes in. The kid has barely had time to comprehend all the responsibility being thrown his way.
Basically, the "get in the robot, Shinji" meme is lame.
Moe
I like the juxtaposition between Misato and Ritsuko. Their back-and-forth is played well, lotsa friendly banter.
Misato has intense millennial energy.
Very much enjoyed the episode where NERV HQ loses power and the characters are forced to do things manually, including the Eva launch procedure, and Shinji, Rei, and Asuka spend most of the time navigating through emergency ducts and shafts.
I honestly don't remember the character dialogue and relationships very well in Evangelion, but so far I'm enjoying it.
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I recently watched Simoun, a mid-2000s shoujo military drama. The character Neviril is voiced by Rieko Takahashi—Dianna-Kihel's voice actress—and it's very hard to unhear! It's her only other major voice role in anime, so I've always been curious about this show.
Simoun has an interesting premise: everyone in its world is presumably born female, and the protagonists live in a theocracy that holds access to a magical spring which allows one to change/choose their physical sex when they reach adulthood.
There's a war brewing with surrounding nations, and the characters pilot fighter aircraft called "Simoun" to defend their country. There's a lot to unpack in its abstract philosophy and gender commentary. I mostly enjoyed it!
A thread about Yoko Kanno's involvement in Brain Powerd & Turn A Gundam and her professional relationship with director Yoshiyuki Tomino.
Brain Powerd and Turn A Gundam both have music and arrangement by Yoko Kanno, and they also feature the Warsaw Philharmonic Orchestra with Kanno herself on piano.
Tomino views Kanno as a ridiculously talented composer. He thinks she provides a unique perspective and perceives art in a way older men like him can't grasp. He personally learned a lot from her.
Finally buckling down to watch Dear Brother / Oniisama e..., a Riyoko Ikeda shoujo classic directed by none other than Osamu Dezaki. I've had this anime on my radar for quite a while, so I'm excited!
I've only seen a handful of Dezaki anime, but I think I really enjoy his directing approach. It just oozes with style. The unique usage of sound and still frames, the postcard memories, the exaggerated drama—it's all very fun.
It was @thaliarchus's thread from a few years back that really piqued my interest. Did a good job selling the show to me. Have a look if you're interested!
Played through #YakuzaLikeADragon. As my first Yakuza game, I enjoyed it quite a bit. Lots of political intrigue, cinematic drama, and themes of family & friendship. I also appreciate how it gives credence to people from all walks of life. It's a very satisfying JRPG experience.
Have to give a shout-out to the localization team, in particular my friend @SenseiHanzo who I've always known as a hard worker. This game is text-heavy and managing all the accents, dialects, and languages must not have been an easy feat, yet it reads well!
There's a character in #YakuzaLikeADragon who's modeled after and voiced by Ken Yasuda, the actor who plays Hideaki Anno in Blue Blazes. It's extremely hard to unsee/unhear! Having had enough, Anno decided to become a fire-breathing homeless dude.
"Turn A no Iyashi" is a book by Yoshiyuki Tomino in which he writes about how creating and directing Turn A Gundam healed his soul.
Follow this thread for selected highlights from this book. I intend to release a full translation in the future, but it's a lengthy text so it'll take time! My goal is to write an article detailing Turn A's production history, and this is a pivotal source in accomplishing that.
The book is divided into three main sections: 1) before Turn A, 2) Tomino's depression and his misc. views on life, and 3) the age of Turn A
But it's largely an unorganized stream of thoughts, so I'll attempt to establish a sense of flow.