Matt Welch Profile picture
Jan 8, 2021 15 tweets 5 min read Read on X
Almost tried to tell this whimsical dream/music/childrearing story on the last @wethefifth Patreon episode, but it was too boring and I was too, ah, sleepy. But! That’s why we have Twitter. So, here’s how @KenLayne unknowingly turned my 5-year-old into a @JasonIsbell fan.
Do you know how your dream-brain has weird augmented/invented geographies that you keep coming back to? And also, how you keep some musical acts at bay that you just KNOW you will eventually like once you actually listen to them? So these intersected for me a few nights back.
Through no fault of his own, one of the places my dream-brain keeps returning me to is this very nice, Sunset-magazine style 2-story, Sedona-looking flagstone-and-big-windows place in a flat empty desert that @KenLayne supposedly lives in. (He has never lived in any such house.)
Imagine this, only with more window and less stone, more shaped like the Elvis/Priscilla Palm Springs house, and no driveway/courtyard situation, just flat desert, scrub, rocks, sand…and no neighbors. Image
The important thing about this imaginary compound, which I visit every month or so, is that the geography is mutable, magical: South over the mountains from Palm Springs, east in Arizona through the weird red rocks, just past the “reservoir” near San Diego. Outside of Vegas, etc.
I never really go *inside* the fancy house, but as you’d expect, Layne has some good solid pic-a-nic benches in the sand & scrub, plus outdoor fire-rings for conversatin’. There, on a recent night, was none other than @JasonIsbell. I immediately felt embarrassed and apologetic.
Why? Because Jason for a while now has been THAT musical act: The one that people I respect like a lot, & I can tell by the descriptions that I will, too. I enjoy him as a Twitter follow. And yet I have never heard a single song. Fountains of Wayne used to be that; now it’s him.
As you can imagine, this had me feeling self-conscious sitting across from him on Ken Layne’s desert picnic bench. So I stammered, filibustered, made a fool of myself. It scrambled the plans of whatever possibly criminal scheme we were all cooking up around the campfire.
Woke up, went downstairs, hung out with the 5-year-old, asked her what music she wanted to listen to, she shrugs. So, with a pang of leftover dream-guilt, I said: “Hey Alexa, shuffle songs by Jason Isbell!”

And of course, I liked it!
More importantly, the 5-year-old, who has a very specific and idiosyncratic taste in music (pro-Beatles, pro-“Underwear Frog,” pro-@sheandhim, pro-Arianna Grande), started pricking up her ears and glancing at the music-box at key moments. Had never done that with, say, Beck.
This is the song that sealed the deal. To be clear — I’m just reading on the couch, not responding to the music, at all. She’s coloring or playing. And by halfway through the first listen, she’s singing the chorus: “Tired of traveling alone…”
This is her tonight, uncoached.
This is now what we sing together when we walk through the neighborhood. And having just learned it on guitar—Jason, dude, why the capo? (There's obviously some music thing I don't grasp.)
Twin moral of the story: 1) Always fill up with extra gas before the San Diego reservoir so you can make it all the way to Ken Layne’s imaginary desert compound east of the Colorado River. And 2) don’t delay listening to music you know you’ll like!
Postscript: This is what she drew tonight, listening to it. Image

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More from @MattWelch

Feb 14, 2023
Since @Reason is one of the "ten riskiest online news outlets," according to a "disinformation" tracker that receives funding from the State Dept., you might want to put on protective gear before reading this one.
reason.com/2023/02/14/glo…
"the site publishes no information regarding authorship"

I mean sure, unless you count BYLINES, you absolute maroons.
reason.com/people/matt-we…
"its articles were often biased in their construction and relied on sensationalised, emotional language."

Fear not, you can avoid such sensationalism and bias and emotional language by heading to our Disinfo experts' 10 "lowest-risk" sites, like, um, HuffPost, NPR & Buzzfeed.
Read 5 tweets
Oct 24, 2022
"During our lengthy conversation, Yarvin argued that the eventual fall of US democracy could be 'fundamentally joyous and peaceful.'”

vox.com/policy-and-pol…
"Moving forward in the state of emergency, Yarvin told Anton the new government should then take 'direct control over all law enforcement authorities,' federalize the National Guard, and effectively create a national police force that absorbs local bodies."
"[A]ccording to Yarvin’s theories, true power is held by 'the Cathedral,' so they have to go, too. The new monarch/dictator should order them dissolved. 'You can’t continue to have a Harvard or a New York Times past the start of April,' he told Anton."
Read 4 tweets
Oct 14, 2022
4-hour flight delay? No more baseball on TV? Really? Well, time to strap on some Chardonnay (like a man), tune out the slurring business calls around me, and talk about how one’s allergy to certain topics can paradoxically produce bursts of interest in same. Today’s topic: Dudes.
Not long after 9/11, I fell into proximity with some Men’s Rights activists. You can predict what happened next—I ran screaming for the exits. Their eyes were a bit too wild, their edges too rough, their bitterness palpable, their issues often inscrutable, hard to believe.
This was not the first time, nor will it be the last, that I closed myself off to a possible story due to an instinctive distrust of passionate activists, particularly those who are organized around some immutable characteristic or overly broad category. A journalistic mistake.
Read 21 tweets
May 5, 2022
So, today's a big day for @wethefifth. We've moved our whole operation & archive over to @SubstackInc, released our first Members Only episode, started the avalanche of new content. Why are we doing this? Above all, because Substack protects free speech: wethefifth.substack.com/p/why-the-fift…
There are vanishingly few media operations or facilitators out there that take as a core value expanding the spaces for people to talk and debate and laugh freely. I've been fortunate enough to work for one the past two decades: @Reason. Substack is on that very short list.
Prior to and independent of our contractual arrangements, I interviewed Substack COO @hamishmckenzie about how core liberal values (and some idealistic notions about The Discourse) animated their operations. And how they resist pressure to deplatform. reason.com/2022/04/10/are…
Read 10 tweets
Apr 18, 2022
It has come indirectly to my attention that people are dismayed I used the phrase “apocalyptic troll” to describe columnist Max Boot. It is a jarringly ungenerous descriptor, I admit. So I’d like to defend it, since I do try to take language seriously. 1/X reason.com/2022/04/14/gat…
Let’s start with “apocalyptic.” In the same paragraph I used that descriptor, I quoted (and linked to) Boot asserting that, “For democracy to survive, we need more content moderation, not less." It is my contention that that is not only apocalyptic, it is self-evidently so.
If that were a one-off, I wouldn’t have used the term. But it’s not a one-off; it’s a style. “I reject the absolutist grandstanding of so many of the president’s critics,” Boot wrote, about torture, “who would turn international law into a suicide pact.” latimes.com/archives/la-xp…
Read 16 tweets
Mar 8, 2022
So, 31 years ago today, the debut issue of the first post-communist independent English-language newspaper in the former East Bloc appeared on Prague newsstands. It was five of us from UCSB’s fab @dailynexus, one brilliant Czech 18-year-old econ dropout, and assorted weirdos. 1/x
Early ‘90s Prague was obviously a blast, as you can read in my recent @Reason feature, but it was also fraught with conflicts that have direct relevance to our current moment, all played out without benefit of knowing how things would work out in the end.
reason.com/2021/11/13/the…
Our 4th-issue cover story was about the outbreak of war in Yugoslavia, a topic we would cover with on-the-ground correspondents in basically every issue until the paper’s 1995 demise. It was the ominous background music lurking just within earshot of all the parties.
Read 17 tweets

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