The Trigan Empire became one of the best-loved British comic strips of the post-war era: an epic tale that brought the Roman world into the space age.
Let's take a look at it...
The Trigan Empire began as the main strip in Ranger, "The National Boys' Magazine." Launched in 1965 by Fleetway the magazine ran for a mere 40 issues.
Mike Butterworth had been commissioned to write The Trigan Empire for Ranger, and Fleetway paired him with illustrator Don Lawrence. It was a wise decision; the two worked very well together.
The Trigan story starts with a crashed alien ship, found in a Florida swamp. Its crew of giants are dead, but its records are eventually translated, and the history of the aliens is revealed...
And what a history! The Trigan Empire is very much the story of Rome set in space. Three brothers - Trigo, Brag and Klud - found a city on a hill on the planet Elekton and battle their rival city states for supremacy.
The Trigans look and dress like Romans, and their capital city is founded on five hills. As they develop, the story grows into a science fiction epic of empire, conquest and political rivalry.
Trigan Empire stories were done in inks rather than acrylics. It was a tricky medium to work with, but Don Lawrence quickly mastered it and the results were stunning!
Ranger magazine folded in 1966 and the Trigan Empire story moved to the more cerebral Look And Learn, an educational comic that parents and schools approved of.
Mike Butterworth and Don Lawrence worked together on The Trigan Empire until 1976, when a royalty dispute made Don quit Fleetway to work on the Dutch comic Storm. Mike later worked with Michael Moorcock on a Hawkwind science fiction novel.
A number of other artists worked on the strip after Don Lawrence left Fleetway, including Oliver Frey, Ron Embleton and Miguel Quesada.
The Trigan Empire stories were translated into many languages, and old stories were re-published in the short-lived Anglo-Swiss comic Vulcan.
Alas the Trigan Empire finally fell in 1982, when Look And Learn finally ceased publication. It had lasted 17 years and almost 900 instalments.
The Trigan Empire stands the test of time due to its high quality artwork and sprawling universe of stories. It's a great concept, so do try to look up a few issues if you can.
More stories another time...
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Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.
Today in pulp... one of my favourite SF authors: Harry Harrison!
Harry Harrison was born Stamford, Connecticut, in 1925. He served in the US Army Air Corps during WWII, but became disheartened with military life. In his spare time he learned Esperanto.
Harrison started his sci-fi career as an illustrator, working with Wally Wood on Weird Fantasy and Weird Science up until 1950. He also wrote for syndicated comic strips, including Flash Gordon and Rick Random.
Today in pulp... Blade Runner! Let's look back at the classic 1982 movie and see how it compares to original novel.
"It's not an easy thing to meet your maker..."
Blade Runner is based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep? However 'inspired' may be a better word, as the film is very different to the book.
In the novel Deckard is a bounty hunter for the San Francisco police. The year is 1992; Earth has been ravaged by war and humans are moving to off-world colonies to protect their genetic integrity. They are given organic robots to help them, created by the Rosen Association.
In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.
This is the story of the digital watch...
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.
But one American company was setting out on a new timekeeping odyssey...
Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.
Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever-changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!