The Trigan Empire became one of the best-loved British comic strips of the post-war era: an epic tale that brought the Roman world into the space age.
Let's take a look at it...
The Trigan Empire began as the main strip in Ranger, "The National Boys' Magazine." Launched in 1965 by Fleetway the magazine ran for a mere 40 issues.
Mike Butterworth had been commissioned to write The Trigan Empire for Ranger, and Fleetway paired him with illustrator Don Lawrence. It was a wise decision; the two worked very well together.
The Trigan story starts with a crashed alien ship, found in a Florida swamp. Its crew of giants are dead, but its records are eventually translated, and the history of the aliens is revealed...
And what a history! The Trigan Empire is very much the story of Rome set in space. Three brothers - Trigo, Brag and Klud - found a city on a hill on the planet Elekton and battle their rival city states for supremacy.
The Trigans look and dress like Romans, and their capital city is founded on five hills. As they develop, the story grows into a science fiction epic of empire, conquest and political rivalry.
Trigan Empire stories were done in inks rather than acrylics. It was a tricky medium to work with, but Don Lawrence quickly mastered it and the results were stunning!
Ranger magazine folded in 1966 and the Trigan Empire story moved to the more cerebral Look And Learn, an educational comic that parents and schools approved of.
Mike Butterworth and Don Lawrence worked together on The Trigan Empire until 1976, when a royalty dispute made Don quit Fleetway to work on the Dutch comic Storm. Mike later worked with Michael Moorcock on a Hawkwind science fiction novel.
A number of other artists worked on the strip after Don Lawrence left Fleetway, including Oliver Frey, Ron Embleton and Miguel Quesada.
The Trigan Empire stories were translated into many languages, and old stories were re-published in the short-lived Anglo-Swiss comic Vulcan.
Alas the Trigan Empire finally fell in 1982, when Look And Learn finally ceased publication. It had lasted 17 years and almost 900 instalments.
The Trigan Empire stands the test of time due to its high quality artwork and sprawling universe of stories. It's a great concept, so do try to look up a few issues if you can.
More stories another time...
• • •
Missing some Tweet in this thread? You can try to
force a refresh
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.