The Trigan Empire became one of the best-loved British comic strips of the post-war era: an epic tale that brought the Roman world into the space age.
Let's take a look at it...
The Trigan Empire began as the main strip in Ranger, "The National Boys' Magazine." Launched in 1965 by Fleetway the magazine ran for a mere 40 issues.
Mike Butterworth had been commissioned to write The Trigan Empire for Ranger, and Fleetway paired him with illustrator Don Lawrence. It was a wise decision; the two worked very well together.
The Trigan story starts with a crashed alien ship, found in a Florida swamp. Its crew of giants are dead, but its records are eventually translated, and the history of the aliens is revealed...
And what a history! The Trigan Empire is very much the story of Rome set in space. Three brothers - Trigo, Brag and Klud - found a city on a hill on the planet Elekton and battle their rival city states for supremacy.
The Trigans look and dress like Romans, and their capital city is founded on five hills. As they develop, the story grows into a science fiction epic of empire, conquest and political rivalry.
Trigan Empire stories were done in inks rather than acrylics. It was a tricky medium to work with, but Don Lawrence quickly mastered it and the results were stunning!
Ranger magazine folded in 1966 and the Trigan Empire story moved to the more cerebral Look And Learn, an educational comic that parents and schools approved of.
Mike Butterworth and Don Lawrence worked together on The Trigan Empire until 1976, when a royalty dispute made Don quit Fleetway to work on the Dutch comic Storm. Mike later worked with Michael Moorcock on a Hawkwind science fiction novel.
A number of other artists worked on the strip after Don Lawrence left Fleetway, including Oliver Frey, Ron Embleton and Miguel Quesada.
The Trigan Empire stories were translated into many languages, and old stories were re-published in the short-lived Anglo-Swiss comic Vulcan.
Alas the Trigan Empire finally fell in 1982, when Look And Learn finally ceased publication. It had lasted 17 years and almost 900 instalments.
The Trigan Empire stands the test of time due to its high quality artwork and sprawling universe of stories. It's a great concept, so do try to look up a few issues if you can.
More stories another time...
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Today I'm looking at a few books from New York publishing house Grosset & Dunlap...
London After Midnight, by Marie Coolidge-Rask. Grosset & Dunlap, 1928.
This is a movie tie-in version, although the last known copy of the film was destroyed in 1965 at a fire at MGM's vaults. It's one of the most sought-after lost silent films now.
A Thousand Years A Minute, by Carl H Claudy. Grosset and Dunlap, 1939. Cover by A C Valentine.
Part of the Adventures in the Unknown series, this is a time travel novel sending its heroes back to the prehistoric world.
One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
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"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.