The Trigan Empire became one of the best-loved British comic strips of the post-war era: an epic tale that brought the Roman world into the space age.
Let's take a look at it...
The Trigan Empire began as the main strip in Ranger, "The National Boys' Magazine." Launched in 1965 by Fleetway the magazine ran for a mere 40 issues.
Mike Butterworth had been commissioned to write The Trigan Empire for Ranger, and Fleetway paired him with illustrator Don Lawrence. It was a wise decision; the two worked very well together.
The Trigan story starts with a crashed alien ship, found in a Florida swamp. Its crew of giants are dead, but its records are eventually translated, and the history of the aliens is revealed...
And what a history! The Trigan Empire is very much the story of Rome set in space. Three brothers - Trigo, Brag and Klud - found a city on a hill on the planet Elekton and battle their rival city states for supremacy.
The Trigans look and dress like Romans, and their capital city is founded on five hills. As they develop, the story grows into a science fiction epic of empire, conquest and political rivalry.
Trigan Empire stories were done in inks rather than acrylics. It was a tricky medium to work with, but Don Lawrence quickly mastered it and the results were stunning!
Ranger magazine folded in 1966 and the Trigan Empire story moved to the more cerebral Look And Learn, an educational comic that parents and schools approved of.
Mike Butterworth and Don Lawrence worked together on The Trigan Empire until 1976, when a royalty dispute made Don quit Fleetway to work on the Dutch comic Storm. Mike later worked with Michael Moorcock on a Hawkwind science fiction novel.
A number of other artists worked on the strip after Don Lawrence left Fleetway, including Oliver Frey, Ron Embleton and Miguel Quesada.
The Trigan Empire stories were translated into many languages, and old stories were re-published in the short-lived Anglo-Swiss comic Vulcan.
Alas the Trigan Empire finally fell in 1982, when Look And Learn finally ceased publication. It had lasted 17 years and almost 900 instalments.
The Trigan Empire stands the test of time due to its high quality artwork and sprawling universe of stories. It's a great concept, so do try to look up a few issues if you can.
More stories another time...
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He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.