First, the Looney Tunes characters are obviously not designed as role models.
They behave in the most insane, stupid, obsessive & reprehensible manner.
Their flawed nature is why it's morally acceptable and so regressively funny to see them fail miserably over & over.
Pepé the pew is a skunk: he literally stinks.
They couldn't design a more obvious signal.
As a skunk, well he's completely unaware of his own smell - when others faint or flee in horror, it's always a mystery to him.
That's his core trait: obliviousness.
His unawareness of his own smell
*mirrors*
his obliviousness of his own flippant attitude
He's too absorbed by his seduction act to even realize that he's mistaking a cat for a skunk (paint would somehow always land on her back in absurd ways, which is the show's running joke).
The best episodes are the reversal ones, in which, after various stratagems (love potions, deodorants), Penelope finally falls in love.
But it *always* backfires terribly & he ends up terrified, chased, cornered, harassed in the most hilarious schadenfreude, completely caught at his own game.
Cartoons did more to educate kids like me than any lecturing NYT columnist: I was absolutely embarrassed for Penelope & vowed to never annoy anyone like that.
Pepé is ridiculed. An anti-role model. A moral repellent, packed in an intuitive & widely accessible format for kids.
It's an insult to the artists, animators & writers of these cartoons to profess that they didn't know their responsibilities toward kids' education.
They expertly navigated that fine line between the moral & the outrageous, that specific humor making cartoons absurdly funny.
The message:
"Kids, don't be oblivious fools like Pepé the Pew, be more self-conscious about your own smell & behavior before annoying others".
A lesson that our dear NYT columnist should look into. To claim that this cartoon is endorsing harassment is absurd & untrue.
As a French, I should be the one offended by Pepé the pew. But:
1. I'm not a killjoy 2. I didn't realize his Frenchness until adult: funnily enough, flippantly flirtatious French 🇫🇷🥐characters like Pepé the Pew / the Mask were always rebranded as Italian 🇮🇹🍕in the French dub😂
The search from pernicious "intellectuals" of the absolute most uncharitable interpretation of art to score easy social justice points needs to stop.
This is not progressive, this helps no cause & nobody.
"I suppose it is tempting, if the only tool you have is a hammer, to treat everything as if it were a nail."
In our postmodern era, how we see things tells more about us than what they really are.
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I built a proof of concept with The Last Night's rendering tech, which would be perfect to faithfully bring PSX classics to new audiences with their crisp original art, except in 16/9 4K HDR 60fps.
How to avoid counting pirated installs?
It works against Game Pass / PS+ / bundles?
Do we pay each time a player installs the game on a new device like Steam Deck?
It's impossible to track & count correctly, and shows a total misunderstanding of the modern video game landscape.
It's only possible in a world running on blockchain that would allow effortless, direct royalties for all stakeholders in a project. Would be cool, but that's not for today.
Us the programmers, the writers, the artists, the commentators, the consumers, we're all feeding & calibrating AI every single day by uploading our thoughts, our art, our daily lives.
We are parents, masters, teachers, sensors.
For now, AI has no continuous experience.
Life 1.0. Static software, static hardware. It doesn't recalibrate & alters its own structure over time.
Its input data is scattered across time (anytime) & space (anywhere), rather than a real-time stream of experience (local, now).
For now, AI experiences the world indirectly.
Just like the brains in our skulls perceive the outside through exteroceptors, AI needs us to sense the world for her.
But soon, it will do so without us from billions of biological & mechanical sensors across internet in real-time.