Tim Soret Profile picture
Mar 7, 2021 13 tweets 6 min read Read on X
Unbelievable how malevolent & uncharitable this interpretation is.

Of course Pepé the Pew is disgusting, it's the whole point of this character & this cartoon! Let me explain for those who aren't familiar with it 👉
First, the Looney Tunes characters are obviously not designed as role models.

They behave in the most insane, stupid, obsessive & reprehensible manner.

Their flawed nature is why it's morally acceptable and so regressively funny to see them fail miserably over & over. Image
Pepé the pew is a skunk: he literally stinks.
They couldn't design a more obvious signal.

As a skunk, well he's completely unaware of his own smell - when others faint or flee in horror, it's always a mystery to him. ImageImageImageImage
That's his core trait: obliviousness.
His unawareness of his own smell
*mirrors*
his obliviousness of his own flippant attitude

He's too absorbed by his seduction act to even realize that he's mistaking a cat for a skunk (paint would somehow always land on her back in absurd ways, which is the show's running joke).
The best episodes are the reversal ones, in which, after various stratagems (love potions, deodorants), Penelope finally falls in love.
But it *always* backfires terribly & he ends up terrified, chased, cornered, harassed in the most hilarious schadenfreude, completely caught at his own game.
Cartoons did more to educate kids like me than any lecturing NYT columnist: I was absolutely embarrassed for Penelope & vowed to never annoy anyone like that.

Pepé is ridiculed. An anti-role model. A moral repellent, packed in an intuitive & widely accessible format for kids. ImageImage
It's an insult to the artists, animators & writers of these cartoons to profess that they didn't know their responsibilities toward kids' education.

They expertly navigated that fine line between the moral & the outrageous, that specific humor making cartoons absurdly funny.
The message:

"Kids, don't be oblivious fools like Pepé the Pew, be more self-conscious about your own smell & behavior before annoying others".

A lesson that our dear NYT columnist should look into. To claim that this cartoon is endorsing harassment is absurd & untrue. Image
As a French, I should be the one offended by Pepé the pew. But:

1. I'm not a killjoy
2. I didn't realize his Frenchness until adult: funnily enough, flippantly flirtatious French 🇫🇷🥐characters like Pepé the Pew / the Mask were always rebranded as Italian 🇮🇹🍕in the French dub😂 ImageImageImage
The search from pernicious "intellectuals" of the absolute most uncharitable interpretation of art to score easy social justice points needs to stop.

This is not progressive, this helps no cause & nobody.
"I suppose it is tempting, if the only tool you have is a hammer, to treat everything as if it were a nail."

In our postmodern era, how we see things tells more about us than what they really are.

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More from @timsoret

Feb 6
I built a proof of concept with The Last Night's rendering tech, which would be perfect to faithfully bring PSX classics to new audiences with their crisp original art, except in 16/9 4K HDR 60fps.
I'm very unhappy with PSX remasters lately.
Either lazy (MGS) or disrespectful (Tomb Raider).

- Changing the art assets is not preservation.
- Pure emulation is lazy

PSX aesthetics can look absolutely gorgeous in 4K HDR with special techniques to retain the charm of the era.
As an industry, it's more than time to invest in game preservation. We have to protect the best memes, make them accessible.
Read 10 tweets
Sep 12, 2023
Unity is attempting to make developers pay for each new game install by a customer.

This is the most impractical, most unhinged business decision I've ever seen.

John Riccitiello should resign.
How to avoid counting pirated installs?
It works against Game Pass / PS+ / bundles?

Do we pay each time a player installs the game on a new device like Steam Deck?

It's impossible to track & count correctly, and shows a total misunderstanding of the modern video game landscape.
It's only possible in a world running on blockchain that would allow effortless, direct royalties for all stakeholders in a project. Would be cool, but that's not for today.
Read 10 tweets
Mar 12, 2023
Disney 2D animators / directors Tom & Tony Bancroft discover AI animation for the first time, mind-blown.

Interesting to see again & again how the very best artists aren't afraid by new technology. They even compare it to a "Toy Story" moment. They know.
"Whatever you did,
you just opened Pandora's box"

From this excellent series of Hollywood pros commenting their past work, revealing a lot of behind the scenes knowledge & tricks.

Quality is irrelevant. Tech is ultra early, teams are barely scratching the surface. When pointing at the moon, many are just looking at the finger.

Pixar's early work looked like this.
Many of you would have said that CG would never replace Disney 2D animation, yet here we are.
Read 8 tweets
Jan 2, 2023
What if...
AI is not our tool.
We are its tools.

Us the programmers, the writers, the artists, the commentators, the consumers, we're all feeding & calibrating AI every single day by uploading our thoughts, our art, our daily lives.

We are parents, masters, teachers, sensors.
For now, AI has no continuous experience.

Life 1.0. Static software, static hardware. It doesn't recalibrate & alters its own structure over time.

Its input data is scattered across time (anytime) & space (anywhere), rather than a real-time stream of experience (local, now).
For now, AI experiences the world indirectly.

Just like the brains in our skulls perceive the outside through exteroceptors, AI needs us to sense the world for her.

But soon, it will do so without us from billions of biological & mechanical sensors across internet in real-time.
Read 5 tweets
Dec 17, 2022
The Anti-AI art crowd right now is mobilized, pretending that the real concern is copyright. It’s not.

The real concern is to avoid competition & replacement.
AlphaZero learned to play against itself. AI will make art with or without human input.

So once the copyright argument falls, there isn’t much remaining to prevent it or even slow it down.
The sooner artists accept it & adapt, the easier the transition will be.

Right now, many are just making it harder for themselves, entertaining an illusion of victory.

It’s unavoidable.
Read 10 tweets
Dec 16, 2022
"Humans first knew the era of survival.
Then they knew the era of work.
Now they live in the era of leisure.

Machines have surpassed human labour not only in strength, but in precision, intellect, and creativity."

2017.
"The fight for survival doesn’t mean food & water, but a purpose for living.

People now define themselves by what they consume, not what they create."
I still remember how strongly the seemingly post-scarcity setting of The Last Night was attacked in 2017.

What I'm doing is eminently political, and completely irrelevant to America's culture war. We're tackling a much larger civilizational context.
Read 13 tweets

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