People who have no voice can have a creative spark, born of suffering or solitude. Mostly it's hidden, but in the 20th century it began to be admired, celebrated, and even perhaps exploited.
For our #ThursdayMotivation today let's look at the world of 'Outsider Art'...
Outsider Art, Art Brut, Visionary Art, Naïve Art: nobody has really settled on a name for artworks made by non-traditional artists which express a raw, energetic experience of the world. It's art often hidden in the margins, calling to be heard.
Outsider Art began to be recognised in 1911 by Der Blaue Reiter group of artists in Munich. The group was short-lived but influential: it was fundamental to Expressionism and admiring of the art of those who lived with mental health issues.
Interest in Outsider Art grew further when Dr. Walter Morgenthaler published "Ein Geisteskranker als Künstler" in 1921, a book about the intricate artworks of his psychiatric patient Adolf Wölfli.
In 1948 Jean Dubuffet, Andre Breton and others formed the "Compagnie de l’Art Brut" to find and publicise the 'rough art' that Der Blaue Reiter group had celebrated. Over the years they built a vast collection.
Art Brut celebrated works by untrained, intuitive artists, many who were troubled outsiders with no connection to the art world. Artists like Foma Jaremtschuk, who lived with schizophrenia and created unique pictures drawn from inner experiences.
In 1972 Roger Cardinal coined the phrase "Outsider Art" as an English translation of Art Brut. Today I'll share some works by Outsider artists who have come to public prominent, sometimes only after they have passed away and their life's work has been discovered.
Kiyoshi Yamashita was an itinerant Japanese Outsider artists of the 1950s who worked mainly in collage and paints. His wanderings and travels influenced his choice of subject and in 1956 his unique work was exhibited across Japan.
Georgiana Houghton was a noted Victorian medium and Outsider artist. Her 'spirit drawings' began in 1858 at her séances and she later exhibited her work in London in 1871.
The Philadelphia Wireman is an unknown Outsider artist who created over 1000 wire-frame sculptures that were found abandoned on a Philadelphia street in 1982 outside a homeless shelter. Nothing further is known about the artist.
Susan Te Kahurangi King is a New Zealand Outsider artist whose work has been exhibited worldwide. She has not spoken since the age of eight, and has chosen instead to express herself through her artworks.
Henry Darger is possibly the most widely known Outsider artist. His 15,000 page manuscript "The Story of the Vivian Girls in What Is Known as the Realms of the Unreal of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion" was discovered after his death in 1973.
Norbert Kox was formally an American biker and gang member. Following 10 years of religious-inspired isolation he developed a unique apocalyptic artistic vision, using skills developed whilst painting and customising motorbikes.
The Prophet Royal Robertson was a reclusive American Outsider artist, whose style echoed the themes of comic books. Robertson lived with paranoid schizophrenia for most of his life and his artworks reflect his sense of being a prophet and visionary.
Ataa Oko was a Ghanaian artist who specialised in figurative palanquin design and fantasy coffin building, before developing as an Art Brut painter in his 80s. Ghanaian coffin art is a modern tradition and was greatly developed by fellow Ghanaian artist Paa Joe.
We should bear in mind that some Outsider artists were deeply troubled and had not expressed any desire for their private work to be shown more widely. Posthumously discovering and exhibiting Outsider Art treads a fine line between curation and voyeurism.
Raw Vision is a magazine dedicated to Outsider Art. Do check out their website for more examples from other artists: rawvision.com
Let's leave this brief review of Outsider art with the work of contemporary Visionary artist Mina Mond (minamondart.tumblr.com). Creativity is a gift we can all develop, share and appreciate. Hopefully that's what life is for.
More stories another time...
(Apologies: this thread broke in the middle. Hopefully that's fixed now. Here's a piece by Felipe Jesus Consalvos, a Cuban cigar roller whose Outsider artworks were only discovered after he passed away in 1960. His collage work, involving cigar bands mixed with objets trouvés)
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Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.
Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever-changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
In February 1974 something profound and inexplicable happened to author Philip K Dick that changed his life forever. Was it an illness, a psychotic reaction, or something truly mystical?
Today in pulp I look back at the exegesis of Philip K Dick...
Philip K Dick was both prolific and influential. In his youth he came to the conclusion that, in a certain sense, the world is not entirely real and there is no way to confirm whether it is truly there.
By the end of the 1960s Philip K Dick had published over 40 novels and stories, as well as winning the 1963 Hugo Award for The Man In The High Castle. But he still struggled financially.
What with you being so busy and everythign you may not have visited your local library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian!
Why is she angry? Because people keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
Today in pulp I look at the original white stripes: the world of dazzle camoflague!
Traditional pattern camoflague had been used by the British Royal Navy to break up a ship's outline for some time. But in 1917 artist Norman Wilkinson presented the Admiralty with a different idea - camoflague that confused enemy rangefinders.
Dazzle - known in the US as Razzle Dazzle - would use high contrast colours in irregular patterns to make it difficult for enemy gunners to calculate a ship's range and bearing. This would (hopefully) lead to them taking up a poor firing position when they attacked.
Friendship is universal. So are human-eating alien lizards in sunglasses. At least that's what we thought in 1983, thanks to one blockbuster TV mini-series.
This is the story of V...
Writer Kenneth Johnson had a strong background in TV drama and sci-fi, having worked on The Incredible Hulk and The Six Million Dollar Man. In 1976 he created The Bionic Woman series.
But his next project would be more political...
Johnson was interested in Sinclair Lewis's 1935 novel It Can't Happen Here, a story about how fascism might take hold in America. He worked up a modern retelling of the story - called Storm Warning - and pitched the idea to NBC as a mini-series.