People who have no voice can have a creative spark, born of suffering or solitude. Mostly it's hidden, but in the 20th century it began to be admired, celebrated, and even perhaps exploited.
For our #ThursdayMotivation today let's look at the world of 'Outsider Art'...
Outsider Art, Art Brut, Visionary Art, Naïve Art: nobody has really settled on a name for artworks made by non-traditional artists which express a raw, energetic experience of the world. It's art often hidden in the margins, calling to be heard.
Outsider Art began to be recognised in 1911 by Der Blaue Reiter group of artists in Munich. The group was short-lived but influential: it was fundamental to Expressionism and admiring of the art of those who lived with mental health issues.
Interest in Outsider Art grew further when Dr. Walter Morgenthaler published "Ein Geisteskranker als Künstler" in 1921, a book about the intricate artworks of his psychiatric patient Adolf Wölfli.
In 1948 Jean Dubuffet, Andre Breton and others formed the "Compagnie de l’Art Brut" to find and publicise the 'rough art' that Der Blaue Reiter group had celebrated. Over the years they built a vast collection.
Art Brut celebrated works by untrained, intuitive artists, many who were troubled outsiders with no connection to the art world. Artists like Foma Jaremtschuk, who lived with schizophrenia and created unique pictures drawn from inner experiences.
In 1972 Roger Cardinal coined the phrase "Outsider Art" as an English translation of Art Brut. Today I'll share some works by Outsider artists who have come to public prominent, sometimes only after they have passed away and their life's work has been discovered.
Kiyoshi Yamashita was an itinerant Japanese Outsider artists of the 1950s who worked mainly in collage and paints. His wanderings and travels influenced his choice of subject and in 1956 his unique work was exhibited across Japan.
Georgiana Houghton was a noted Victorian medium and Outsider artist. Her 'spirit drawings' began in 1858 at her séances and she later exhibited her work in London in 1871.
The Philadelphia Wireman is an unknown Outsider artist who created over 1000 wire-frame sculptures that were found abandoned on a Philadelphia street in 1982 outside a homeless shelter. Nothing further is known about the artist.
Susan Te Kahurangi King is a New Zealand Outsider artist whose work has been exhibited worldwide. She has not spoken since the age of eight, and has chosen instead to express herself through her artworks.
Henry Darger is possibly the most widely known Outsider artist. His 15,000 page manuscript "The Story of the Vivian Girls in What Is Known as the Realms of the Unreal of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion" was discovered after his death in 1973.
Norbert Kox was formally an American biker and gang member. Following 10 years of religious-inspired isolation he developed a unique apocalyptic artistic vision, using skills developed whilst painting and customising motorbikes.
The Prophet Royal Robertson was a reclusive American Outsider artist, whose style echoed the themes of comic books. Robertson lived with paranoid schizophrenia for most of his life and his artworks reflect his sense of being a prophet and visionary.
Ataa Oko was a Ghanaian artist who specialised in figurative palanquin design and fantasy coffin building, before developing as an Art Brut painter in his 80s. Ghanaian coffin art is a modern tradition and was greatly developed by fellow Ghanaian artist Paa Joe.
We should bear in mind that some Outsider artists were deeply troubled and had not expressed any desire for their private work to be shown more widely. Posthumously discovering and exhibiting Outsider Art treads a fine line between curation and voyeurism.
Raw Vision is a magazine dedicated to Outsider Art. Do check out their website for more examples from other artists: rawvision.com
Let's leave this brief review of Outsider art with the work of contemporary Visionary artist Mina Mond (minamondart.tumblr.com). Creativity is a gift we can all develop, share and appreciate. Hopefully that's what life is for.
More stories another time...
(Apologies: this thread broke in the middle. Hopefully that's fixed now. Here's a piece by Felipe Jesus Consalvos, a Cuban cigar roller whose Outsider artworks were only discovered after he passed away in 1960. His collage work, involving cigar bands mixed with objets trouvés)
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It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?