Here’s a true story about a woman who survived her execution, only to end up on the anatomist’s dissection table in the 17th century. Follow along as I untangle this terrible tale for you.
(2/7) It was a cold, blustery morning in 1651 when Anne Greene, an unmarried woman, was led to her place of execution at Cattle Yard in Oxford. Just days before, she had been found guilty of murdering her newborn baby and hiding its corpse in her employer’s house.
(3/7) As she approached the gallows, she declared her innocence, blaming instead "the lewdness of the Family wherein she lately lived." Afterwards, the executioner secured the noose around her neck & turned the ladder, leaving her to hang before the crowd.
(4/7) Thirty minutes passed, during which time her friends yanked on her legs to hasten death. Eventually, Anne’s body was cut down, placed in a coffin, and taken to Thomas Willis and William Petty to be dissected - as the bodies of many murderers were at this time.
(5/7) But just as they were about to make an incision which would split the body open from the sternum to the pubic bone, a strange sound emanated from the “corpse.”
ANNE WAS ALIVE!
(6/7) Willis and Petty quickly came to her aid, pouring hot cordials into her mouth, rubbing her arms and legs to warm her body, and bleeding her. Within twelve hours, Anne was able to speak.
(7/7) Given her miraculous revival, Anne was granted a reprieve and declared innocent, the new conclusion being that the baby had been stillborn. She later married and bore three more children.
A chilling tale with a happy ending... sorta.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
In the first half of the 20th century, polio was the leading cause of death in children and young adults. In extreme cases, the virus can cause spinal and respiratory paralysis, making it impossible to breathe. 1/7
An outbreak in Brooklyn in 1916 led to the widespread closure of cinemas, parks and swimming pools. The names and addresses of the infected were published daily in newspapers. Warning notices were nailed to their doors, and entire families were forced into quarantine. 2/7
By the 1920s, the situation had reached critical mass. One day Philip Drinker – an industrial hygienist– visited a hospital to consult on a problem with the air conditioning. The sight of dying children with paralysed diaphragms, however, affected him deeply. 3/7
I've missed out on a lot of events this year due to #breastcancer, which means I've missed opportunities to engage with readers about my new book, #TheFacemaker. So, let me take a moment to tell you more about this book, which took me five years to research and write.👇 /1
From the moment the first machine gun rang out over the Western Front, one thing was clear: Europe’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
Never before had the world faced such slaughter. /2
Stretcher-bearers could rarely step onto a battlefield without becoming a target. Their mortality rates were extraordinarily high. When Private W. Lugg picked up an injured man, it took him ten hours to travel 400 meters. Wheeled carts were mostly useless on blasted terrain. /3
From the moment the first machine gun rang out over the Western Front, one thing was clear: Europe’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
The war claimed millions of lives and left millions more wounded. In the midst of this brutality, however, there were also those who strove to alleviate suffering. Not all soldiers had access to surgery, nor did everyone wish to undergo months (or years) of painful operations.
Artists sculpted masks for disfigured soldiers. This prosthesis was created by the American sculptor Anna Coleman Ladd. During the war, she created masks of the soldiers’ faces from clay or plasticine in order to create a prosthetic piece made of thin galvanized copper.
During the Civil War, attempts were made to reconstruct the faces of soldiers injured in battle. Pictured here is Private Roland Ward, who underwent several operations without anesthetic to repair his face in the 1860s.
(3/8) The most skillful surgeon to emerge during this period was Gurdon Buck, who helped repair the face of Private Carleton Burgan (below) after a gangrenous infection destroyed his upper mouth, palate, right cheek & eye.
(1/15) My forthcoming book THE FACEMAKER is about the pioneering surgeon Harold Gillies who rebuilt soldiers' faces during World War I. But Gillies is only one part of this story. Today's THREAD is in honour of the nurses who played an integral part in the war effort.👇
(2/15) Never before had the world faced such slaughter. During WWI, medical staff applied 1.5 million splints, administered 1,088 million doses of drugs, fitted over 20,000 artificial eyes & used 7,250 tons of cotton wool while applying 108 million bandages to injured combatants.
(3/15) More than 6,000 medical staff would die and over 17,000 would be wounded in the British Army alone. No matter how hard doctors and nurses worked, they were consistently overwhelmed by the sheer number of wounded men.
From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
The war claimed millions of lives and left millions more wounded. In the midst of this brutality, however, there were also those who strove to alleviate suffering. Not all soldiers had access to surgery, nor did everyone wish to undergo months (or years) of painful operations.
Artists sculpted masks for disfigured soldiers. This prosthesis was created by the American sculptor Anna Coleman Ladd. During the war, she created masks of the soldiers’ faces from clay or plasticine in order to create a prosthetic piece made of thin galvanized copper.