It is the greatest frog-worshiping zombie biker occult horror film ever made. Possibly the only one. It's certainly like no other movie you've ever seen.
Today in pulp, I look back at the 1971 classic Psychomania...
By the early 1970s British horror films were trying to get 'with it' to attract a younger audience. So it wasn't surprising that in 1971 screenwriter Arnaud d'Usseau tried to create a biker horror movie.
d'Usseau had previously written Horror Express, an Anglo-Spanish sci-fi/horror movie loosely based on John W. Campbell's novella Who Goes There. Christopher Lee, Peter Cushing and Telly Savalas did their best with the material.
For his next project Arnaud d'Usseau was paired with veteran Hammer director Don Sharp, who knew a thing or two about budget filming, and together they thrashed out a plot...
And what a plot it was: part Aleister Crowley, part Clockwork Orange and part Easy Rider. Shooting began in 1971 at Shepperton Studios, with location filming at the Hepworth Way shopping centre in Walton-on-Thames.
Nicky Henson was cast in the lead role of biker Tom Latham, the arrogant, spoilt and very well-spoken frog-obsessed son of witch and medium Mrs. Latham (Beryl Reed).
George Sanders was the big name star of the film, playing sinister, demonic, ageless butler Shadwell. Alas it was also his last ever film: struggling with dementia and the effects of a minor stroke he later sadly took his own life.
Psychomania starts in a mysterious stone circle, where Tom's biker gang 'The Living Dead' slowly drive around in the mist before heading into town for some ultraviolence on the Queen's highway.
After becoming obsessed with a frog (don't ask) Tom asks Shadwell if he knows the secret of eternal life. Indeed he does, and he shows Tom the locked room in which his father unsuccessfully sought immortality. Hallucinations (and more frogs) ensue.
Beryl Reed explains to her recovering son, the secret to eternal life is to die believing you will come back. If you believe it enough, it will happen!
Demented by this knowledge Tom and his gang smash up a Fine Fare supermarket, before Tom roars past the Frosties, out of the door and over a bridge.
The gang bury Tom sitting upright on his bike, while singing the worst folk song ever. Then, as his mother casts a frog-based spell, the immortal Tom roars out of the grave on his motorcycle before killing everyone in a local pub.
Once Tom's gang realise how easy immortality is they all kill themselves in various ludicrous ways so they can return as zombies. But Tom's girlfriend Abby can't go through with it, so she pretends to be a zombie instead to ensure she can still join in.
The undead gang then cause mayhem in the local shopping centre (with some genuinely dangerous stunts) before dragging Abby to the stone circle to kill her so she can also become a middle-class zombie biker.
I won't spoil the ending of Psychomania except to say Beryl Reed turns into a giant frog. It is perhaps a fitting denouement, in as much as it doesn't really explain what you've just watched.
Psychomania was retitled The Death Wheelers in the US. Other titles used worldwide include The Frog, The Living Dead, and Death Wheelers Are Psycho Maniacs.
Psychomania is genuinely unlike any other film you've seen: almost absurdist, certainly confusing, often very funny. It was a genuine attempt at genre-crossing experimentation, and that's always to be applauded.
The British Film Institute recently issued a remastered Psychomania on Blu-Ray and DVD so do keep an eye out for it, or check your favourite streaming service to see if they have this horror gem available.
More stories another time...
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He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.