It is the greatest frog-worshiping zombie biker occult horror film ever made. Possibly the only one. It's certainly like no other movie you've ever seen.
Today in pulp, I look back at the 1971 classic Psychomania...
By the early 1970s British horror films were trying to get 'with it' to attract a younger audience. So it wasn't surprising that in 1971 screenwriter Arnaud d'Usseau tried to create a biker horror movie.
d'Usseau had previously written Horror Express, an Anglo-Spanish sci-fi/horror movie loosely based on John W. Campbell's novella Who Goes There. Christopher Lee, Peter Cushing and Telly Savalas did their best with the material.
For his next project Arnaud d'Usseau was paired with veteran Hammer director Don Sharp, who knew a thing or two about budget filming, and together they thrashed out a plot...
And what a plot it was: part Aleister Crowley, part Clockwork Orange and part Easy Rider. Shooting began in 1971 at Shepperton Studios, with location filming at the Hepworth Way shopping centre in Walton-on-Thames.
Nicky Henson was cast in the lead role of biker Tom Latham, the arrogant, spoilt and very well-spoken frog-obsessed son of witch and medium Mrs. Latham (Beryl Reed).
George Sanders was the big name star of the film, playing sinister, demonic, ageless butler Shadwell. Alas it was also his last ever film: struggling with dementia and the effects of a minor stroke he later sadly took his own life.
Psychomania starts in a mysterious stone circle, where Tom's biker gang 'The Living Dead' slowly drive around in the mist before heading into town for some ultraviolence on the Queen's highway.
After becoming obsessed with a frog (don't ask) Tom asks Shadwell if he knows the secret of eternal life. Indeed he does, and he shows Tom the locked room in which his father unsuccessfully sought immortality. Hallucinations (and more frogs) ensue.
Beryl Reed explains to her recovering son, the secret to eternal life is to die believing you will come back. If you believe it enough, it will happen!
Demented by this knowledge Tom and his gang smash up a Fine Fare supermarket, before Tom roars past the Frosties, out of the door and over a bridge.
The gang bury Tom sitting upright on his bike, while singing the worst folk song ever. Then, as his mother casts a frog-based spell, the immortal Tom roars out of the grave on his motorcycle before killing everyone in a local pub.
Once Tom's gang realise how easy immortality is they all kill themselves in various ludicrous ways so they can return as zombies. But Tom's girlfriend Abby can't go through with it, so she pretends to be a zombie instead to ensure she can still join in.
The undead gang then cause mayhem in the local shopping centre (with some genuinely dangerous stunts) before dragging Abby to the stone circle to kill her so she can also become a middle-class zombie biker.
I won't spoil the ending of Psychomania except to say Beryl Reed turns into a giant frog. It is perhaps a fitting denouement, in as much as it doesn't really explain what you've just watched.
Psychomania was retitled The Death Wheelers in the US. Other titles used worldwide include The Frog, The Living Dead, and Death Wheelers Are Psycho Maniacs.
Psychomania is genuinely unlike any other film you've seen: almost absurdist, certainly confusing, often very funny. It was a genuine attempt at genre-crossing experimentation, and that's always to be applauded.
The British Film Institute recently issued a remastered Psychomania on Blu-Ray and DVD so do keep an eye out for it, or check your favourite streaming service to see if they have this horror gem available.
More stories another time...
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let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.