Dragon Quest: The Adventure of Dai ep.26: Popp seems more impressive than ever. The Dragon Masters...less so. Looks really nice, yet again. 3.75/5 #DragonQuest#ep26
The opening has been revamped a bit, with added images of stuff we’ll see in this new phase of the series. Which means it’s also a lot of stuff that wasn’t in the 90s anime at all.
Remember that chess set from last episode? It’s moving up in the world!
This episode leaves out two parts from the manga: one is a short scene where Popp tries and fails to find Matoriv, to get his master’s help...
...And the second is a sequence where Galdandy goes off and attacks Bengarna with his pet dragon Ruud, as a warm-up before Baran gets back. I assume this was cut for reasons of both time and content. It’s not especially graphic, but does entail a lot of civilian causalities.
The Popp/Matoriv scene helps drive home that they’ve got nobody else to turn to, but I think the Galdandy scene is the major loss, since it really shows off his character. Also, Ruud looks almost exactly like Shenlong, so as a DB fan it’s real fun seeing him mow people down.
Also left out: Teran’s king saying how he banned weapons and most of the country’s population left (something already mentioned by Nabara in ep.23). Remember, this guy is “king” of approximately 50 people.
This “psychic signal” discussion isn’t in the manga...or at least not this part of it. It seems vaguely familiar so maybe it’s moved from another part of the manga, but I can’t find it. Seems like an odd thing to bother adding otherwise.
This episode pretty much hinges on Popp’s fake-out heel turn. I don’t think it’s too hard to figure out that he’s up to something, but I think knowing he’s making himself look ignoble in order to be noble just makes the scene better.
This composition was apparently deemed too silly-looking to use in the anime.
Near as I can figure, ルード/Ruud is an anagram of ドル/doru, which is...almost but not quite the first half of ドラゴン/dragon. We’ll soon see a case of ドル/doru being used to name something dragon-y, so it seems like an association did Sanjo make, for whatever reason.
Apart from Galdandy/Ruud, they really don’t do a good job selling the notion that these three are the “greatest Dragon Riders”, as opposed to just three strong guys who happen to be riding on dragons at the moment. Borahorn in particular couldn’t care less about his dragon.
As you might expect, Ruud’s death is more graphic in the manga. It’s also notably more graphic than when Piccolo blows up Shenlong.
And of course, without the scene earlier of Galdandy and Ruud happily killing people together, his huge reaction to Ruud’s death seems a bit out of nowhere, as does Popp’s complaint that he’s killed tons of humans
(I guess even in the manga Popp doesn’t know Galdandy attacked Bengarna and is just assuming he’s killed humans because he’s allied with the Dark Army. But still, the line has more weight since we the readers have seen Galdandy kill humans)
Kind of so-so on the new ending theme, but I do like the sneak peak of...well, I guess I won’t say what exactly.
Next week: the might of Borahorn!
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Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork