1/ In 1957, Walt Disney drew his company's strategy (sketch below). It centered around content: good content fueled parks, merchandising, film & TV etc, all powering Disney's flywheel.
Disney has stuck to this strategy for 64 years, while also evolving to fit a changing world 👇
2/ I'm fascinated by how deeply Disney is embedded in culture (all around the world) & by the emotional reaction to the Disney brand. It all comes down to its characters & stories.
Disney's beating heart is its content—for example, *all* of these characters are owned by Disney:
3/ Disney is at its best when it's producing high-quality IP. Its 90s resurgence was driven by fresh stories:
1989: Little Mermaid
1991: Beauty & the Beast
1992: Aladdin
1994: The Lion King
1995: Pocahontas
1997: Hercules
1998: Mulan
1999: Tarzan
4/ That brought Disney out of a decades-long slump. In the 2000s & 2010s, CEO Bob Iger shrewdly *acquired* the best IP. He saw that content would be central to Disney's strategy & went on a shopping spree:
5/ New characters brought renewed life to Disney's theme parks. Bob Iger doesn't get enough credit for the performance of Disney Parks during his tenure:
In 2007, Parks was 30% of revenue & 22% of profit. In 2019 (pre-COVID), that share grew to 38% & 45%. Profit grew *400%*
6/ But Iger's ace was Disney+. While most of media was asleep at the wheel, he forced Disney to disrupt itself. Disney lost licensing money from Netflix & cannibalized its own TV and box office money.
Iger said, "The riskiest thing we can do is just maintain the status quo."
7/ It worked. Iger managed to turn the 95-year-old ship. Just look at how fast Disney+ came out of the gate:
8/ Disney+ is now central to Disney's strategy. It gives Disney a direct relationship with customers & valuable data. Content is still king, but it flows through Disney+—& Disney+ creates fresh IP too (Baby Yoda, anyone?)
Here's my take at what the new flywheel might look like:
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Taylor Swift's Eras tour is set to make her the highest-grossing female artist of all time.
I've been thinking a lot about Taylor Swift as a businesswoman.
Let me geek out for a minute about Swift and what we can learn from her:
First, it's no secret I'm a massive Taylor Swift fan. Billy Joel said it best when he called her "The Beatles of her generation."
This is partly an excuse for me to write about my favorite artist. But you also don't have to be a fan to appreciate Swift as a savvy businesswoman:
Taylor Swift is only 33, but she's already the only woman to win three Grammys for Album of the Year.
She holds the record for most songs to ever chart on the Billboard Hot 100 (188 songs), and last fall became the first artist to own the entire Top 10 simultaneously.
A question I think about often is: is brand a moat?
My answer has always been yes, but the recent deterioration of digital advertising makes the answer even clearer.
Brand is a stronger moat than ever, and that's not a good thing:
1/ To step back, marketing, in its modern form, essentially didn’t exist before the Industrial Revolution.
There was such little product differentiation that it wasn’t necessary. Then manufacturing exploded, and production became cheaper & faster than ever before.
2/ New entrants crowded the market & marketing became essential.
Today, marketing is often *all* that distinguishes a product.
In America, kids as young as 2 can recognize brands on shelves, and by age 10 kids have recognition of 300 to 400 brands.
1/ One interesting shift: the globalization of culture.
From 2017 to 2022, 47 of the 50 most-streamed songs in the world were in English. But that dominance is slipping.
In India, Indonesia, & Korea, the share of English-language tracks has fallen from 52% to 31%.
2/ In Spain and LatAm, the share of English-language songs has slipped from 25% to 14%.
It's the same story on TV: in Argentina, Brazil, and Colombia, only about half of the most-watched shows are North American. In Japan and South Korea, it’s only 35%.
3/ We see the globalization of pop culture in what audiences are consuming:
• Squid Game (Korean) became the most-watched show on Netflix
• Khaby Lame (Senegalese-Italian) is the most-followed person on TikTok
• Bad Bunny (Puerto Rican) is the most-streamed artist on Spotify
The most powerful trend in tech right now: "The TikTokization of Everything"
How it's reshaping literally every industry:
To back up, there have been two major forces powering tech for the past decade: mobile and cloud.
Mobile facilitated the rise of massive consumer internet companies: Uber & Lyft, Instagram & Snap, Robinhood and Coinbase. Each was founded between 2009 and 2013.
Digital advertising rapidly shifted to mobile in the 2010s, and desktop-era companies like Facebook had to scramble to reinvent their businesses.