Today in pulp I head to Carnaby Street in the 1960s!
It's a swinging shindig...
Carnaby Street in London's Soho gets its name from Karnaby House, which was built in 1683. But it's fame comes from fashion. It all started in 1957 when John Stephen opened his men's outfitters His Clothes, specialising in the Mod look.
To make his store stand out Stephen painted the outside canary yellow and played pop music. Soon other fashion retailers opened up nearby and the street became one of the must-see places for the swinging sixties shopper.
So where should we start on our tour of '60s Carnaby Street? Well let's begin with women's fashion...
Lady Jane was the first women's fashion boutique on Carnaby Street, opened by Henry Moss and Harry Fox in 1966. Models used to get changed in the windows leading to many court appearances for the owners - not for obscenity, but due to the watching crowds blocking the street.
Lord John was the man's equivalent of Lady Jane. Opened in 1963 it specialised in the mod look, and both the Rolling Stones and the Small Faces were regular patrons.
I Was Lord Kitchener's Valet started in Portobello Road but by 1967 it had opened two stores on Carnaby Street. Specialising in military tunics as fashion statements it was perfect for fans of Sergeant Pepper.
Jimi Hendrix was a fan of Lord Kitchener's Valet and was behind one of Carnaby Street's legendary stunts: in 1968 he released two parakeets - called Adam and Eve - on the street as a gesture of peace. Wild parakeets are now found across London, possibly thanks to Jimi's gesture!
Another Carnaby Street stunt took place in 1966: to launch the new Tom Cat boutique the owners persuaded Tom Jones and Bond girl Christine Spooner to walk down the street with a cheetah.
What made Carnaby Street special wasn't just the range of boutiques, it was the colour and spectacle that came with them. This was fashion as a way of living, not just as a way of looking modern.
Another big part of the Carnaby Street vibe was people watching: the 'Carnabitian Army' were name-checked by The Kinks in their 1966 hit Dedicated Follower Of Fashion.
A good bit of tailoring always does wonders for a person's mood, and if you can't make it down to Soho your local thrift store or flea market may well have some quality vintage gear for you to make your mark in.
But wherever you shop don't forget the golden rule: it's not what you wear, it's how you wear it that matters!
More stories (with peace and love) another time...
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Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.
Today in pulp... one of my favourite SF authors: Harry Harrison!
Harry Harrison was born Stamford, Connecticut, in 1925. He served in the US Army Air Corps during WWII, but became disheartened with military life. In his spare time he learned Esperanto.
Harrison started his sci-fi career as an illustrator, working with Wally Wood on Weird Fantasy and Weird Science up until 1950. He also wrote for syndicated comic strips, including Flash Gordon and Rick Random.
Today in pulp... Blade Runner! Let's look back at the classic 1982 movie and see how it compares to original novel.
"It's not an easy thing to meet your maker..."
Blade Runner is based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep? However 'inspired' may be a better word, as the film is very different to the book.
In the novel Deckard is a bounty hunter for the San Francisco police. The year is 1992; Earth has been ravaged by war and humans are moving to off-world colonies to protect their genetic integrity. They are given organic robots to help them, created by the Rosen Association.
In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.
This is the story of the digital watch...
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.
But one American company was setting out on a new timekeeping odyssey...
Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.