Today in pulp I head to Carnaby Street in the 1960s!
It's a swinging shindig...
Carnaby Street in London's Soho gets its name from Karnaby House, which was built in 1683. But it's fame comes from fashion. It all started in 1957 when John Stephen opened his men's outfitters His Clothes, specialising in the Mod look.
To make his store stand out Stephen painted the outside canary yellow and played pop music. Soon other fashion retailers opened up nearby and the street became one of the must-see places for the swinging sixties shopper.
So where should we start on our tour of '60s Carnaby Street? Well let's begin with women's fashion...
Lady Jane was the first women's fashion boutique on Carnaby Street, opened by Henry Moss and Harry Fox in 1966. Models used to get changed in the windows leading to many court appearances for the owners - not for obscenity, but due to the watching crowds blocking the street.
Lord John was the man's equivalent of Lady Jane. Opened in 1963 it specialised in the mod look, and both the Rolling Stones and the Small Faces were regular patrons.
I Was Lord Kitchener's Valet started in Portobello Road but by 1967 it had opened two stores on Carnaby Street. Specialising in military tunics as fashion statements it was perfect for fans of Sergeant Pepper.
Jimi Hendrix was a fan of Lord Kitchener's Valet and was behind one of Carnaby Street's legendary stunts: in 1968 he released two parakeets - called Adam and Eve - on the street as a gesture of peace. Wild parakeets are now found across London, possibly thanks to Jimi's gesture!
Another Carnaby Street stunt took place in 1966: to launch the new Tom Cat boutique the owners persuaded Tom Jones and Bond girl Christine Spooner to walk down the street with a cheetah.
What made Carnaby Street special wasn't just the range of boutiques, it was the colour and spectacle that came with them. This was fashion as a way of living, not just as a way of looking modern.
Another big part of the Carnaby Street vibe was people watching: the 'Carnabitian Army' were name-checked by The Kinks in their 1966 hit Dedicated Follower Of Fashion.
A good bit of tailoring always does wonders for a person's mood, and if you can't make it down to Soho your local thrift store or flea market may well have some quality vintage gear for you to make your mark in.
But wherever you shop don't forget the golden rule: it's not what you wear, it's how you wear it that matters!
More stories (with peace and love) another time...
• • •
Missing some Tweet in this thread? You can try to
force a refresh
One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.