Today in pulp I head to Carnaby Street in the 1960s!
It's a swinging shindig...
Carnaby Street in London's Soho gets its name from Karnaby House, which was built in 1683. But it's fame comes from fashion. It all started in 1957 when John Stephen opened his men's outfitters His Clothes, specialising in the Mod look.
To make his store stand out Stephen painted the outside canary yellow and played pop music. Soon other fashion retailers opened up nearby and the street became one of the must-see places for the swinging sixties shopper.
So where should we start on our tour of '60s Carnaby Street? Well let's begin with women's fashion...
Lady Jane was the first women's fashion boutique on Carnaby Street, opened by Henry Moss and Harry Fox in 1966. Models used to get changed in the windows leading to many court appearances for the owners - not for obscenity, but due to the watching crowds blocking the street.
Lord John was the man's equivalent of Lady Jane. Opened in 1963 it specialised in the mod look, and both the Rolling Stones and the Small Faces were regular patrons.
I Was Lord Kitchener's Valet started in Portobello Road but by 1967 it had opened two stores on Carnaby Street. Specialising in military tunics as fashion statements it was perfect for fans of Sergeant Pepper.
Jimi Hendrix was a fan of Lord Kitchener's Valet and was behind one of Carnaby Street's legendary stunts: in 1968 he released two parakeets - called Adam and Eve - on the street as a gesture of peace. Wild parakeets are now found across London, possibly thanks to Jimi's gesture!
Another Carnaby Street stunt took place in 1966: to launch the new Tom Cat boutique the owners persuaded Tom Jones and Bond girl Christine Spooner to walk down the street with a cheetah.
What made Carnaby Street special wasn't just the range of boutiques, it was the colour and spectacle that came with them. This was fashion as a way of living, not just as a way of looking modern.
Another big part of the Carnaby Street vibe was people watching: the 'Carnabitian Army' were name-checked by The Kinks in their 1966 hit Dedicated Follower Of Fashion.
A good bit of tailoring always does wonders for a person's mood, and if you can't make it down to Soho your local thrift store or flea market may well have some quality vintage gear for you to make your mark in.
But wherever you shop don't forget the golden rule: it's not what you wear, it's how you wear it that matters!
More stories (with peace and love) another time...
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let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.