Time for a pulp countdown now, so here's my top 10 book titles that would make great prog rock album titles!
Everyone loves a 10 minute drum solo, right?
At #10: Murdock's Acid Test! Side one is mellow acid jazz, but side two is all stream of consciousness poetry and percussion...
At #9: Into Plutonian Depths! A concept album where Chinese war gongs, the Welsh harp and nine detuned Hammond organs evoke the legend of Persephone...
At #8: Bluebeard's Seventh Wife! Reminiscent of early Soft Machine this album includes an underwater piano AND an electric glockenspiel...
At #7: Thongo At The End Of Time! Trippy free-form eclectic harmonies interspersed with chants from the Upanishads make this album ideal for meditation and/or hot yoga...
At #6: Don't Tempt The Hangman! Old school folk acoustic songs with perhaps more hurdy-gurdy than is strictly necessary or bearable...
At #5: The Light Of Lilith! Unkindly reviewed by Melody Maker as "barely listenable" this album has found a more sympathetic audience recently, and is now rightly hailed as the ur-text of drum & bass lounge music...
At #4: Conscience Interplanetary! Ambient dub soundscapes melding effortlessly with the whispered poetry of e.e. cummings form themselves into an alarmingly intense ASMR cosmic head massage...
At #3: Death Is A Ruby Light! I hope you like post-minimalist interpretive percussion because that's basically all this is, and it's in mono to boot...
At #2: Space, Time and Nathaniel. Recorded live in Antwerp as a War Of The Worlds sequel, the lyrical Moogs and clarinet swirls depict the reawakening of the Earth as the Martian red weed gives way to daffodils and dragonflies...
And at #1: Epitaph For A Dead Beat! A cacophony of jazz fusion harmonies in 5/4 time, undergirded by Mellotron and the bells of St. Oswald's church in Lymington. A classic...
More pulp countdowns another time. Stay cool cats...
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Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.