It was a food revolution with a shelf life measured in years, changing how Britain cooked as well as what we ate. The staple diet of a generation, whose very name could conjure up the flavours of the faraway east.
Today in pulp I look back at Vesta ready meals...
Batchelors Foods had been in business since Victorian times and specialised in dried produce and soups. And by 1959, inspired by the American 'TV dinner', they decided to bring the idea of ready meals to the UK.
There was a problem however: in 1959 only 13% of UK households had a fridge, compared to 96% in the US. The American frozen TV dinner wouldn't work in Britain.
But something else might - freeze dried food!
Accelerated Freeze Drying involves freezing and then dehydrating food in a vacuum: the water in the food turns to ice and is sublimated away, leaving porous dried food that can be stored at room temperature and quickly rehydrated with hot water.
Quite sublime...
...but not necessarily tasty. However, if you added lots of spices to the dehydrated product then you could make a palatable ready meal you could store in a kitchen cupboard.
Was Britain ready for spicy food? Batchelors was about to find out.
In 1960 Batchelors and Unilever Research Laboratories began experimenting with chow main. Could it be freeze dried and safely stored? What would happen during the rehydration phase? Could the process be made efficient? A lot was at stake.
Finally in 1961 British science had perfected the technology. Market testing had been undertaken, and a new brand - Vesta, Roman goddess of the hearth - had been created to market the product.
Britain was about to go ready meal crazy...
Vesta launched with three meals: chow mein, spaghetti bolognese, and curry - both vegetarian and beef varieties. Each box contained individual nitrogen filled packets of rice or noodles, along with dried sauces and dried meat. 'Cooking' time was 20 minutes.
Vesta quickly became one of the best selling ready meals of the sixties. It had the market to itself for three whole years and by 1966 Sainsbury's alone was selling almost half a million Vesta meals a year. It was an amazing success!
Vesta also had celebrity fans: John Lennon's favourite meal when he was married to Cynthia was Vesta Beef Curry with banana slices on top. It was Britain's introduction to curry - even if it was nothing remotely like authentic Indian food.
By 1968 Vesta had expanded into risotto and paella as well as dried prawn curry. Their logo was also updated: a market stall where the canopy reflected the country of origin of the dish.
It seemed that Vesta had latched on to something big: cooking was a chore, but we wanted to claim we had 'cooked' something for the family. Ready meals took enough effort to kid ourselves we were cooking, but with the convenience of pre-prepared dried ingredients.
By the 1970s rivals such as Findus began launching their own exotic easy-to-cook dishes. But the majority of UK households now had a fridge; many had chest freezers too. The writing was on the wall for old school freeze dried ready meals...
But what killed off Vesta's dominance was the Marks and Spencer Chicken Kiev. Launched in 1979 as the UK's first chilled ready meal it was the sophisticated alternative to the rehydrated packet dinner. The fridge had finally won the convenience food war.
Nowadays the chilled ready meal is under threat from a new convenience food: pre-prepared fresh ingredients, ordered online and biked to your address along with precise cooking instructions. It seems Vesta was on to something after all - a bit too late to celebrate now alas.
But perhaps Vesta's finest moment came in 1965: it briefly featured in The Ipcress File as a proxy for the cultural and psychological conflict between Harry Palmer and his boss Colonel Ross. Not a lot of people know that.
More stories another time...
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Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.
Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.
Today in pulp... one of my favourite SF authors: Harry Harrison!
Harry Harrison was born Stamford, Connecticut, in 1925. He served in the US Army Air Corps during WWII, but became disheartened with military life. In his spare time he learned Esperanto.
Harrison started his sci-fi career as an illustrator, working with Wally Wood on Weird Fantasy and Weird Science up until 1950. He also wrote for syndicated comic strips, including Flash Gordon and Rick Random.