Today in pulp I'm looking back at a very popular (and collectable) form of art: micro leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of micro leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Most micro leyendas were published between 1960 and 1975, before losing ground to more conventional comic books and fotonovelas. There have been more recent reprints however.
The pen and ink artwork in micro leyendas is simple but effective, normally only one or two panels per page. Here's an excellent 1969 example from Rafael Ramirez.
Micro leyendas artwork is often uncredited, and when it is (for example this 1970 cover by Araujo) it's hard to find out much about the artist. That's a huge shame as the work - often acrylic on board - is amazing.
Cover compositions for micro leyendas vary from the traditional pulp montage to the surreal. High contrast colours dominate with plenty of space left for the title and price.
Part of the fun of micro leyendas art is trying to work out what the story was meant to be about. It's quite the creative writing exercise
More from the world of Spanish language pulp anothet time...
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Abraham Van Helsing may be the most famous of the early occult detectives, but there were many others who appeared in Victorian and Edwardian literature.
Today I look back at some of the early supernatural sleuths who helped to define a genre that is still going strong today…
Occult detectives explore paranormal mysteries, sometimes by using spiritual skills. They could be normal detectives investigating the occult, occultists who use the dark arts to solve crime, or detectives with supernatural abilities such as clairvoyance.
Occult detectives began in the mid-19th century: Poe’s Murders in the Rue Morgue (1841) had set the template for detective fiction, whilst spiritualism and paranormal research also began to interest the public. Séances and Ouija boards were familiar tropes for Victorian readers.
In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!
It's actually an old form of spycraft which is still in use today. Let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries. Operating on Short Wave radio bands they transmit a secret code of spoken numbers.
Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.
Today in pulp I revisit a mystery of the recent past: did ‘John Titor’ really travel back in time from 2038 to the year 2000 to warn us about an apocalyptic future? And why was he so keen on getting his hands on a 1975 IBM 5100 computer?
Let’s find out...
In 1998, US radio talk-show host Art Bell read out a fax from a man claiming to be from the future. Two years later the same man, calling himself Time_Traveler_0, left similar messages on the Time Travel Instutute’s internet forum.
They told a strange tale…
“Greetings. I am a time traveler from the year 2036. I am on my way home after getting an IBM 5100 computer system from the year 1975.”
For the next two years Time_Traveler_0, now calling himself John Titor, would leave many similar messages on internet forums.
The Bawdyguard, by John Dexter. Nightstand Books, 1971.
'John Dexter' didn't actually exist. It was a house alias - along with J X Williams - for a range of writers knocking out cheesy sex pulp for Greenleaf publishing. At least 20% of each novel had to be sex scenes with the other 80% titillation, voyeurism or padding. Not much space for character arcs or a hero's journey...
Greenleaf initially specialized in sci-fi magazines, until they discovered sex was selling better. A number of writers were quietly supplying novels for both scenes. Robert Silverberg, Harlan Ellison and Donald E Westlake all provides pseudonymous sex novels for the publisher.