Lockdowns are mentally tiring, so you may not be in the mood to finish all those classic novels you started to read. Fortunately I have an alternative for you: Classics Illustrated!
Let's take a look at a few...
Homer eroticism: The Odyssey. Classics Illustrated, 1951.
Wrestling with issues of state: The Life of Abraham Lincoln. Classics Illustrated, 1958.
Peck 'n' Pa...
The Food Of The Gods by HG Wells. Classics Illustrated 160, 1961.
Chug! Chug! Chug! Dr. Jekyll & Mr Hyde, by Robert Louis Stevenson. Classics Illustrated, 1968.
Eyebrow game... Faust, by Goethe. Classics Illustrated, 1962.
I think this is the Nik Kershaw edition: Don Quixote, by Miguel De Cervantes. Classics Illustrated, 1943.
Spoilers! Jane Eyre, by Charlotte Brontë. Classics Illustrated, 1947.
That's a very *ahem* unusual bottle shape you've drawn.
The Bottle Imp, by Robert Louis Stevenson. Classics Illustrated, 1954.
"Is this a dagger I see before me?" Macbeth, by William Shakespeare. Classics Illustrated 128, 1955.
That Scooby-Doo / Sherlock crossover you've been waiting for. Classics Illustrated, 1947.
Don Draper on a unicycle. The Time Machine by H G Wells. Classics Illustrated, 1956.
Hamlet, the codeine edition. Classics Illustrated, 1969.
A few panels from the 1949 Classics Illustrated edition of Wuthering Heights by Emily Brontë.
You can read many Classics Illustrated titles for free thanks to the Internet Archive: archive.org/details/classi…
Do have a look and crib your way to a classics education! What are the chances...
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It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.
Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.