Lockdowns are mentally tiring, so you may not be in the mood to finish all those classic novels you started to read. Fortunately I have an alternative for you: Classics Illustrated!
Let's take a look at a few...
Homer eroticism: The Odyssey. Classics Illustrated, 1951.
Wrestling with issues of state: The Life of Abraham Lincoln. Classics Illustrated, 1958.
Peck 'n' Pa...
The Food Of The Gods by HG Wells. Classics Illustrated 160, 1961.
Chug! Chug! Chug! Dr. Jekyll & Mr Hyde, by Robert Louis Stevenson. Classics Illustrated, 1968.
Eyebrow game... Faust, by Goethe. Classics Illustrated, 1962.
I think this is the Nik Kershaw edition: Don Quixote, by Miguel De Cervantes. Classics Illustrated, 1943.
Spoilers! Jane Eyre, by Charlotte Brontë. Classics Illustrated, 1947.
That's a very *ahem* unusual bottle shape you've drawn.
The Bottle Imp, by Robert Louis Stevenson. Classics Illustrated, 1954.
"Is this a dagger I see before me?" Macbeth, by William Shakespeare. Classics Illustrated 128, 1955.
That Scooby-Doo / Sherlock crossover you've been waiting for. Classics Illustrated, 1947.
Don Draper on a unicycle. The Time Machine by H G Wells. Classics Illustrated, 1956.
Hamlet, the codeine edition. Classics Illustrated, 1969.
A few panels from the 1949 Classics Illustrated edition of Wuthering Heights by Emily Brontë.
You can read many Classics Illustrated titles for free thanks to the Internet Archive: archive.org/details/classi…
Do have a look and crib your way to a classics education! What are the chances...
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Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.