As Ceefax is trending today let's take a quick look back at the 1970s analogue internet on your telly!
Just waiting for the right page...
Teletext is a way of sending text and very blocky graphics alongside a traditional TV signal, to be decoded and displayed by a suitably equipped telly.
Rumbelows can sort you out with a Ferguson or ITT set if you need one...
And on 23 September 1974 the first teletext service started in the UK: Ceefax on BBC, and Oracle on ITV!*
(*assuming your parents let you watch ITV. Not all did.)
Soon Britain became obsessed by this slightly strange technology. Information on the telly? Whatever next!
And it wasn't long before Blue Peter came along to explain how the magic worked in 1975:
Over to you Lesley...
BBC News soon saw the advantages of Ceefax, and began using it for breaking news: bbc.co.uk/news/magazine-…
And no trip back from the pub was complete without plonking down on your favourite armchair to watch Pages From Ceefax accompanied by some soothing music!
From 1979 onwards the BBC began using Ceefax to provide subtitles, helping to make TV more accessible.
And by the early 1980s you could also get Ceefax on your computer, allowing you to download software for free!
Not quite a torrent, but near enough...
Teletext seemed to have it all and for many years it was a staple part of our news and entertainment diet.
But new technology aways usurps the old and Ceefax came to an end on 22 October 2012, when 625-line analogue TV broadcasts in the UK ended.
Its job was done...
If you were a fan of Ceefax you'll certainly want to check out the online Teletext Museum: teletext.mb21.co.uk
Anyway I hope this thread has helped answer your many questions about what we did before the internet arrived.
Basically we stared at a screen all day for fun...
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Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.