As Ceefax is trending today let's take a quick look back at the 1970s analogue internet on your telly!
Just waiting for the right page...
Teletext is a way of sending text and very blocky graphics alongside a traditional TV signal, to be decoded and displayed by a suitably equipped telly.
Rumbelows can sort you out with a Ferguson or ITT set if you need one...
And on 23 September 1974 the first teletext service started in the UK: Ceefax on BBC, and Oracle on ITV!*
(*assuming your parents let you watch ITV. Not all did.)
Soon Britain became obsessed by this slightly strange technology. Information on the telly? Whatever next!
And it wasn't long before Blue Peter came along to explain how the magic worked in 1975:
Over to you Lesley...
BBC News soon saw the advantages of Ceefax, and began using it for breaking news: bbc.co.uk/news/magazine-…
And no trip back from the pub was complete without plonking down on your favourite armchair to watch Pages From Ceefax accompanied by some soothing music!
From 1979 onwards the BBC began using Ceefax to provide subtitles, helping to make TV more accessible.
And by the early 1980s you could also get Ceefax on your computer, allowing you to download software for free!
Not quite a torrent, but near enough...
Teletext seemed to have it all and for many years it was a staple part of our news and entertainment diet.
But new technology aways usurps the old and Ceefax came to an end on 22 October 2012, when 625-line analogue TV broadcasts in the UK ended.
Its job was done...
If you were a fan of Ceefax you'll certainly want to check out the online Teletext Museum: teletext.mb21.co.uk
Anyway I hope this thread has helped answer your many questions about what we did before the internet arrived.
Basically we stared at a screen all day for fun...
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What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!
A pencil and dice may be required for this thread...
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next.
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread.