Today in pulp I look back at the work of Victorian illustrator Sidney Sime.
Come this way...
Sidney Sime was born in Manchester in 1865. After working as a miner for five years he studied illustration at the Liverpool School of Art. His work was first exhibited in 1889.
Sime rose to fame through fantastical illustratons, working initially for Pick-Me-Up and The Idler magazine. In 1899 he used money from an inheritance to purchase and edit The Idler, before selling it on in 1901.
In 1904 he began work for Lord Dunsany, illustrating his first book The Gods of Pegana. Dunsany then became Sime's patron, and the artist worked for him on his books throughout his life.
There's a sly humour in Sime's work for Lord Dunsany: the gothic terror is always undercut with a dash of satire or a witty visual joke. Sime's experience as a caricaturist is evident in many of these drawings.
Sidney Sime has often been compared to Aubrey Beardsley. Both artist emphasized the grotesque, the decadent and the erotic in their work.
Poe, Heine, De Quincey and Meredith were great influences on Sidney Sime's aesthetic. He would read them late into the night at his Crown Cottage studio in Worplesdon.
In later life Sime became obsessed with the Book of Revelation and went on to paint his own visions of the Apocalypse. He also became a recluse, drawing and painting only when he felt like it.
Sidney Sime passed away on 22nd May 1941. His grave in St Mary's Churchyard, Worplesdon, near his studio. A gallery dedicated to his work has been established nearby: sidneysimegallery.org.uk
Sidney Sime is somewhat overlooked nowadays. That's a huge shame as his imagination and skill mark him out as an excellent and evocative illustrator of the macabre. Do look out for his work, it's very rewarding.
More stories another time...
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One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.