Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
Popeye was the Magazine for City Boys, with the City Style - a bit Preppy, a bit Paninaro- becoming one of the dominant '80s looks. At least for the chaps.
Women's street style was a more complicated affair on Japan with many competing trends. Kawaii - the aesthetic of cuteness - vied with Otome ("maiden style"), Lolita, Pink House, Prarie Look and many other influences in the 1980s.
So in 1982 the publishers of Popeye released a new magazine: Olive. Aimed at City Girls looking for a City Style it lasted for only a few issues before it was withdrawn, radically retooled and reissued.
Olive: The Magazine for Romantic Girls hit the newsstands in 1983 and for many years was the go-to guide for Japanese street style.
But what was the "Romantic Look" and where did it come from?
Well ther were a number of Olive styles over the years. The classic look was French high school style - Lycéene - with lots of volume and details.
Natural Kei, often associated with the Pink House label, involved soft patterns and lots of layering. Long skirts were the norm.
Character fashion was also a notable influence, with fashion styles reflecting popular singers and bands from Madonna to Bananarama.
By the early '90s the focus had moved from specific brands towards specific ways of combining clothes and accessories. How you wore it mattered more than what you wore.
And by the mid-90s the French high school lok was giving way to Schoolgirl Style, although Olive Girls still wove the maiden-type aesthetic through them.
The Age of Magazines may be passing, but Instagram can't replace the well-curated insights or the sheer pleasure of a good fashion magazine. So here's to Olive and all the Romantic Girls it influenced!
More stories another time...
(Big 6th form common room vibes here...)
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What do Batman, Spiderman, Bettie Page, Madonna and women wrestlers have in common? Well I'll tell you: they all feature in the life of today's featured pulp artist.
Today I look back at the career of "the father of fetish" Eric Stanton!
Eric Stanton was born in New York in 1926. His childhood was marred by many illnesses, and confined to bed he learnt to draw by tracing comic books. He was fascinated by strong Amazonian women like Sheena, Queen of the Jungle and soon began creating similar cartoons.
After high school Stanton joined the Navy in 1944, putting his skills to use in drawing aircraft recognition cartoons. Post-war he got a job with cartoonist Gordon 'Boody' Rogers, creator of Babe: Amazon Of The Ozarks.
Given the weather is getting warmer I feel obliged to ask the following question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp... Blade Runner! Let's look back at the classic 1982 movie and see how it compares to original novel.
"It's not an easy thing to meet your maker..."
Blade Runner is based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep? However 'inspired' may be a better word, as the film is very different to the book.
In the novel Deckard is a bounty hunter for the San Francisco police. The year is 1992; Earth has been ravaged by war and humans are moving to off-world colonies to protect their genetic integrity. They are given organic robots to help them, created by the Rosen Association.