Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
Popeye was the Magazine for City Boys, with the City Style - a bit Preppy, a bit Paninaro- becoming one of the dominant '80s looks. At least for the chaps.
Women's street style was a more complicated affair on Japan with many competing trends. Kawaii - the aesthetic of cuteness - vied with Otome ("maiden style"), Lolita, Pink House, Prarie Look and many other influences in the 1980s.
So in 1982 the publishers of Popeye released a new magazine: Olive. Aimed at City Girls looking for a City Style it lasted for only a few issues before it was withdrawn, radically retooled and reissued.
Olive: The Magazine for Romantic Girls hit the newsstands in 1983 and for many years was the go-to guide for Japanese street style.
But what was the "Romantic Look" and where did it come from?
Well ther were a number of Olive styles over the years. The classic look was French high school style - Lycéene - with lots of volume and details.
Natural Kei, often associated with the Pink House label, involved soft patterns and lots of layering. Long skirts were the norm.
Character fashion was also a notable influence, with fashion styles reflecting popular singers and bands from Madonna to Bananarama.
By the early '90s the focus had moved from specific brands towards specific ways of combining clothes and accessories. How you wore it mattered more than what you wore.
And by the mid-90s the French high school lok was giving way to Schoolgirl Style, although Olive Girls still wove the maiden-type aesthetic through them.
The Age of Magazines may be passing, but Instagram can't replace the well-curated insights or the sheer pleasure of a good fashion magazine. So here's to Olive and all the Romantic Girls it influenced!
More stories another time...
(Big 6th form common room vibes here...)
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In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!
It's actually an old form of spycraft which is still in use today. Let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries. Operating on Short Wave radio bands they transmit a secret code of spoken numbers.
Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.
Today in pulp I revisit a mystery of the recent past: did ‘John Titor’ really travel back in time from 2038 to the year 2000 to warn us about an apocalyptic future? And why was he so keen on getting his hands on a 1975 IBM 5100 computer?
Let’s find out...
In 1998, US radio talk-show host Art Bell read out a fax from a man claiming to be from the future. Two years later the same man, calling himself Time_Traveler_0, left similar messages on the Time Travel Instutute’s internet forum.
They told a strange tale…
“Greetings. I am a time traveler from the year 2036. I am on my way home after getting an IBM 5100 computer system from the year 1975.”
For the next two years Time_Traveler_0, now calling himself John Titor, would leave many similar messages on internet forums.
The Bawdyguard, by John Dexter. Nightstand Books, 1971.
'John Dexter' didn't actually exist. It was a house alias - along with J X Williams - for a range of writers knocking out cheesy sex pulp for Greenleaf publishing. At least 20% of each novel had to be sex scenes with the other 80% titillation, voyeurism or padding. Not much space for character arcs or a hero's journey...
Greenleaf initially specialized in sci-fi magazines, until they discovered sex was selling better. A number of writers were quietly supplying novels for both scenes. Robert Silverberg, Harlan Ellison and Donald E Westlake all provides pseudonymous sex novels for the publisher.
Case 32: High Marks For Malice (1989). Nordic knits always work and they're great for detectives. Pastels are very flattering but you'll need a good lint roller if it's a long case you're investigating. This is a clear fashion win.
Case 51: A Model Crime (1990). Gold is a hard colour to pull off, but the details are on point here: single button and shoulder pads make it a power look and Nancy has sensibly avoided the '90s waitcoat trend. Another win.