Time for a pulp countdown now, and today it's my top 10 forgotten home microcomputers!
Let me just plug this tape recorder in and tune the TV set...
At #10: the 1982 Sharp X1! Possibly the most '80s looking 1980s computer ever created, it sold very well in Brazil. MSX really was the future once...
At #9: the 1982 Oric! rashed games more times than it loaded them and felt like typing on bubble wrap. Blakes 7 fans bought it because it sounded a bit like Orac...
At #8: the 1981 Texas Instruments TI-99/4A! This was basically bludgeoned to death by the VIC-20 in a ruthless price-cutting war, as payback for TI cornering the pocket calculator market in the 1970s and nearly bankrupting Commodore...
At #7: the 1978 Philips Videopac G7000! I know, I know, but it said it was a 'computer' on the box. Look, it's in big letters and everything...
At #6: the 1979 Luxor ABC 80! The most powerful computer ever made in Sweden...
At #5: the 1982 EG2000 Colour Genie. Dads with mullets thought it was like a Tandy CoCo. Kids knew it wasn't...
At #4: the 1983 Spectravideo SV-318 and SV-328. Said it was an MSX but wasn't really. Had a built-in joystick in the worst place ever for left handers. No software. No sales support. Even Roger Moore couldn't shift 'em...
At #3: the 1984 Oric Atmos! This was huge in Bulgaria I understand. Which is nice...
At #2: the 1984 Sinclair QL! "There's no comparison chart" because nobody had one delivered on time. Launched the term 'stringy floppies', which were as bad as they sounded...
And at #1: the 1983 Mattel Aquarius. From the makers of Barbie came the 'future proof' home computer, packing all the technology the mid-1970s had left behind.
It lasted 4 months before production ceased...
More tech from the World Of Tomorrow* anither time...
(*hours of business may vary)
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.