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Pulp Librarian Profile picture
@PulpLibrarian
May 18, 2021 • 12 tweets • 4 min read • Read on X
Scrolly
Time for a pulp countdown now, and today it's my top 10 forgotten home microcomputers!

Let me just plug this tape recorder in and tune the TV set...
At #10: the 1982 Sharp X1! Possibly the most '80s looking 1980s computer ever created, it sold very well in Brazil. MSX really was the future once...
At #9: the 1982 Oric! rashed games more times than it loaded them and felt like typing on bubble wrap. Blakes 7 fans bought it because it sounded a bit like Orac...
At #8: the 1981 Texas Instruments TI-99/4A! This was basically bludgeoned to death by the VIC-20 in a ruthless price-cutting war, as payback for TI cornering the pocket calculator market in the 1970s and nearly bankrupting Commodore...
At #7: the 1978 Philips Videopac G7000! I know, I know, but it said it was a 'computer' on the box. Look, it's in big letters and everything...
At #6: the 1979 Luxor ABC 80! The most powerful computer ever made in Sweden...
At #5: the 1982 EG2000 Colour Genie. Dads with mullets thought it was like a Tandy CoCo. Kids knew it wasn't...
At #4: the 1983 Spectravideo SV-318 and SV-328. Said it was an MSX but wasn't really. Had a built-in joystick in the worst place ever for left handers. No software. No sales support. Even Roger Moore couldn't shift 'em...
At #3: the 1984 Oric Atmos! This was huge in Bulgaria I understand. Which is nice...
At #2: the 1984 Sinclair QL! "There's no comparison chart" because nobody had one delivered on time. Launched the term 'stringy floppies', which were as bad as they sounded...
And at #1: the 1983 Mattel Aquarius. From the makers of Barbie came the 'future proof' home computer, packing all the technology the mid-1970s had left behind.

It lasted 4 months before production ceased...
More tech from the World Of Tomorrow* anither time...

(*hours of business may vary)

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More from @PulpLibrarian

Pulp Librarian Profile picture
May 11
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?

Today I look at one of the earliest pulp legends: Spring-Heeled Jack! Image
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.

But one apparition caught the Victorian public attention more than most... Image
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.

The public soon named him "Spring-Heeled Jack." Image
Read 14 tweets
Pulp Librarian Profile picture
May 5
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!

Press any key to continue... Image
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light. Image
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.

It was an interesting approach... Image
Read 8 tweets
Pulp Librarian Profile picture
Apr 26
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.

This is the story of Agatha Christie's 11 lost days... Image
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage. Image
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard. Image
Read 18 tweets
Pulp Librarian Profile picture
Apr 23
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.

Let me try and set it out. Image
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing. Image
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines. Image
Read 29 tweets
Pulp Librarian Profile picture
Apr 18
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain! Image
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable. Image
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior. Image
Read 13 tweets
Pulp Librarian Profile picture
Apr 15
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.

This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world. Image
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with. Image
Read 21 tweets

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