In the late 1950s Arthur Radebaugh produced a US Sunday newspaper comic strip called 'Closer Than We Think!' It tried to anticipate the way we would live in the future, based on current trends and ideas in science.
As it's now the future let's see how he did...
Automic automobiles: thankfully not a thing! The Ford Nucleon concept car was designed in 1957, but never went beyond the model making stage. It would have used a steam engine powered by a small nuclear reactor in the boot.
Robot warehouses: this is most definitely a thing now. Ocado's robot warehouse in Hampshire caught fire in February 2019: fire fighters had to dodge the still-running robots to put the blaze out!
Innerscope TV pills: not quite a thing... yet. Endoscope cameras are routinely used by hospitals, but at some point we can expect nanobot cameras to become available - much less uncomfortable!
Jetpack postmen: not really needed now we have email, though Amazon are still working on drone package delivery systems. The first jetpack flight was in 1961 and ever since they've been a solution in search of a problem.
The electronic home library. We sort of have this now; between Kindle and the internet we can consume more knowledge more quickly than anyone could have predicted. Not as elegantly as this illustration alas.
Atomic dirigibles: both the US and the USSR looked into atomic airships during the cold war, but the idea of an airborne nuclear reactor powering a flying aircraft carrier thankfully never caught on.
Push-button education. Distance learning using video has been with us for many decades now, not least during the pandemic. Interactive whiteboards are also standard in most schools. However you can't replace a good teacher - not even with a 5K television.
Universal language boxes: well we do have Google translate which can be handy when travelling, but we're still some way away from machine learning mastering all the nuances and idioms of human language. Maybe we should all learn Esperanto instead.
Space monkey colonies: never gonna happen - we've seen Planet of the Apes and we're not going there!
More retro-futurism another time. Keep dreaming big!
(That Soviet nuclear zeppelin in full...)
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In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.
This is the story of the digital watch...
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.
But one American company was setting out on a new timekeeping odyssey...
Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.
Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever-changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
In February 1974 something profound and inexplicable happened to author Philip K Dick that changed his life forever. Was it an illness, a psychotic reaction, or something truly mystical?
Today in pulp I look back at the exegesis of Philip K Dick...
Philip K Dick was both prolific and influential. In his youth he came to the conclusion that, in a certain sense, the world is not entirely real and there is no way to confirm whether it is truly there.
By the end of the 1960s Philip K Dick had published over 40 novels and stories, as well as winning the 1963 Hugo Award for The Man In The High Castle. But he still struggled financially.
What with you being so busy and everythign you may not have visited your local library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian!
Why is she angry? Because people keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
Today in pulp I look at the original white stripes: the world of dazzle camoflague!
Traditional pattern camoflague had been used by the British Royal Navy to break up a ship's outline for some time. But in 1917 artist Norman Wilkinson presented the Admiralty with a different idea - camoflague that confused enemy rangefinders.
Dazzle - known in the US as Razzle Dazzle - would use high contrast colours in irregular patterns to make it difficult for enemy gunners to calculate a ship's range and bearing. This would (hopefully) lead to them taking up a poor firing position when they attacked.