In the late 1950s Arthur Radebaugh produced a US Sunday newspaper comic strip called 'Closer Than We Think!' It tried to anticipate the way we would live in the future, based on current trends and ideas in science.
As it's now the future let's see how he did...
Automic automobiles: thankfully not a thing! The Ford Nucleon concept car was designed in 1957, but never went beyond the model making stage. It would have used a steam engine powered by a small nuclear reactor in the boot.
Robot warehouses: this is most definitely a thing now. Ocado's robot warehouse in Hampshire caught fire in February 2019: fire fighters had to dodge the still-running robots to put the blaze out!
Innerscope TV pills: not quite a thing... yet. Endoscope cameras are routinely used by hospitals, but at some point we can expect nanobot cameras to become available - much less uncomfortable!
Jetpack postmen: not really needed now we have email, though Amazon are still working on drone package delivery systems. The first jetpack flight was in 1961 and ever since they've been a solution in search of a problem.
The electronic home library. We sort of have this now; between Kindle and the internet we can consume more knowledge more quickly than anyone could have predicted. Not as elegantly as this illustration alas.
Atomic dirigibles: both the US and the USSR looked into atomic airships during the cold war, but the idea of an airborne nuclear reactor powering a flying aircraft carrier thankfully never caught on.
Push-button education. Distance learning using video has been with us for many decades now, not least during the pandemic. Interactive whiteboards are also standard in most schools. However you can't replace a good teacher - not even with a 5K television.
Universal language boxes: well we do have Google translate which can be handy when travelling, but we're still some way away from machine learning mastering all the nuances and idioms of human language. Maybe we should all learn Esperanto instead.
Space monkey colonies: never gonna happen - we've seen Planet of the Apes and we're not going there!
More retro-futurism another time. Keep dreaming big!
(That Soviet nuclear zeppelin in full...)
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It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.
Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.